The headline in the Muskogee paper, over a small photo of Louise Ring, said sallisaw girl shoots abductor.

According to Louise, she had to stop Joe Young or be killed in the exchange of gunfire. She also said her name was Louly, not Louise. The marshal on the scene said it was a courageous act, the girl shooting her abductor. “We considered Joe Young a mad-dog felon with nothing to lose.” The marshal said that Joe Young was suspected of being a member of Pretty Boy Floyd’s gang. He also mentioned that Louly Ring was related to Floyd’s wife and acquainted with the desperado.

The headline in the Tulsa paper, over a larger photo of Louly, said girl shoots member of pretty boy Floyd gang. The story told that Louly Ring was a friend of Pretty Boy’s and had been abducted by the former gang member, who, according to Louly, “was jealous of Pretty Boy and kidnapped me to get back at him.”

By the time the story had appeared everywhere from Ft. Smith, Arkansas, to Toledo, Ohio, the favorite headline was

GIRLFRIEND OF PRETTY BOY FLOYD GUNS DOWN MAD-DOG FELON.

The marshal, Carl Webster, came to Sallisaw on business and stopped in Harkrider’s for a sack of Beechnut scrap. He was surprised to see Louly.

“You’re still working here?”

“I’m shopping for my mom. No, Carl, I got my reward money and I’ll be leaving here pretty soon. Otis hasn’t said a word to me since I got home. He’s afraid I might shoot him.”

“Where you going?”

“This writer for True Detective wants me to come to Tulsa. They’ll put me up at the Mayo Hotel and pay a hundred dollars for my story. Reporters from Kansas City and St. Louis, Missouri, have already been to the house.”

“You’re sure getting a lot of mileage out of knowing Pretty Boy, aren’t you?”

“They start out asking about my shooting that dumbbell Joe Young, but what they want to know, if I’m Charley Floyd’s girlfriend. I say, ‘Where’d you get that idea?’”

“But you don’t deny it.”

“I say, ‘Believe what you want, since I can’t change your mind.’ What I wonder, you think Charley’s read about it and seen my picture?”

“Sure he has,” Carl said. “I imagine he’d even like to see you again, in person.”

Louly said, “Wow,” like she hadn’t thought of that before this moment. “You’re kidding. Really?”

BORN BAD by JEFFERY DEAVER

Sleep, my child and peace attend thee, all through the night…

The words of the lullaby looped relentlessly through her mind, as persistent as the clattering Oregon rain on the roof and window.

The song that she’d sung to Beth Anne when the girl was three or four seated itself in her head and wouldn’t stop echoing. Twenty-five years ago, the two of them: mother and daughter, sitting in the kitchen of the family’s home outside Detroit. Liz Polemus, hunching over the Formica table, the frugal young mother and wife, working hard to stretch the dollars.

Singing to her daughter, who sat across from her, fascinated with the woman’s deft hands.

I who love you shall be near you, all through the night.

Soft the drowsy hours are creeping.

Hill and vale in slumber sleeping.

Liz felt a cramp in her right arm-the one that had never healed properly-and realized she was still gripping the receiver fiercely at the news she’d just received. That her daughter was on her way to the house.

The daughter she hadn’t spoken with in more than three years.

I my loving vigil keeping, all through the night.

Liz finally replaced the telephone and felt blood surge into her arm, itching, stinging. She sat down on the embroidered couch that had been in the family for years and massaged her throbbing forearm. She felt light-headed, confused, as if she wasn’t sure the phone call had been real or a wispy scene from a dream.

Only the woman wasn’t lost in the peace of sleep. No, Beth Anne was on her way. A half-hour and she’d be at Liz’s door.

Outside, the rain continued to fall steadily, tumbling into the pines that filled Liz’s yard. She’d lived in this house for nearly a year, a small place miles from the nearest suburb. Most people would’ve thought it too small, too remote. But to Liz it was an oasis. The slim widow, midfifties, had a busy life and little time for housekeeping. She could clean the place quickly and get back to work. And while hardly a recluse, she preferred the buffer zone of forest that separated her from her neighbors. The minuscule size also discouraged suggestions by any male friends that, hey, got an idea, how ‘bout I move in? The woman would merely look around the one-bedroom home and explain that two people would go crazy in such cramped quarters; after her husband’s death she’d resolved she’d never remarry or live with another man.

Her thoughts now drifted to Jim. Their daughter had left home and cut off all contact with the family before he died. It had always stung her that the girl hadn’t even called after his death, let alone attended his funeral. Anger at this instance of the girl’s callousness shivered within Liz but she pushed it aside, reminding herself that whatever the young woman’s purpose tonight there wouldn’t be enough time to exhume even a fraction of the painful memories that lay between mother and daughter like wreckage from a plane crash.

A glance at the clock. Nearly ten minutes had sped by since the call, Liz realized with a start.

Anxious, she walked into her sewing room. This, the largest room in the house, was decorated with needlepoints of her own and her mother’s and a dozen racks of spools-some dating back to the fifties and sixties. Every shade of God’s palette was represented in those threads. Boxes full of Vogue and Butterick patterns too. The centerpiece of the room was an old electric Singer. It had none of the fancy stitch cams of the new machines, no lights or complex gauges or knobs. The machine was a forty-year-old, black-enameled workhorse, identical to the one that her mother had used.

Liz had sewed since she was twelve and in difficult times the craft sustained her. She loved every part of the process: buying the fabric-hearing the thud thud thud as the clerk would turn the flat bolts of cloth over and over, unwinding the yardage (Liz could tell the women with near-prefect precision when a particular amount had been unfolded). Pinning the crisp, translucent paper onto the cloth. Cutting with the heavy pinking shears, which left a dragon-tooth edge on the fabric. Readying the machine, winding the bobbin, threading the needle…

There was something so completely soothing about sewing: taking these substances-cotton from the land, wool from animals-and blending them into something altogether new. The worst aspect of the injury several years ago was the damage to her right arm, which kept her off the Singer for three unbearable months.

Sewing was therapeutic for Liz, yes, but more than that, it was a part of her profession and had helped her become a well-to-do woman; nearby were racks of designer gowns, awaiting her skillful touch.

Her eyes rose to the clock. Fifteen minutes. Another breathless slug of panic.

Picturing so clearly that day twenty-five years ago-Beth Anne in her flannel ‘jammies, sitting at the rickety kitchen table and watching her mother’s quick fingers with fascination as Liz sang to her.

Sleep, my child, and peace attend thee...

This memory gave birth to dozens of others and the agitation rose in Liz’s heart like the water level of the rain-swollen stream behind her house. Well, she told herself now firmly, don’t just sit here… do something. Keep busy. She found a navy-blue jacket in her closet, walked to her sewing table, then dug through a basket until she found a matching remnant of wool. She’d use this to make a pocket for the garment. Liz went to work, smoothing the cloth, marking it with tailor’s chalk, finding the scissors, cutting carefully. She focused on her task but the distraction wasn’t enough to take her mind off the impending visit-and memories from years ago.