“Copacetic, Father.” Mr. Markey looks at Father Tom’s florid and swollen face, at his tiny blue eye, fixed in baggy lids like a turquoise bead on a leather pouch. A ragged little thin-lipped cyclops.

They walk past the rectory and follow a path that Mr. O’Toole has evidently plowed between the garage and the school. Father Tom looks up at the fourth-grade classroom and sees his nine-year-old self in the window by the pencil sharpener, nose pressed against the glass, looking down at him. When he peers out the window, Tom sees a battered old drunk being helped home by two friends, and he would like to know whose grandfather this is, but Sister calls him back to his seat for the spelling bee. Father Tom thinks now that he remembers that stormy morning when this ungainly procession passed below the window as he watched, but the old man could not have been him. A person can’t be in two places at the same time. And then Monsignor McDermott is standing in the window. Father Tom would like to wave hello, but the men have his arms. The monsignor blows his nose and wipes it and then tucks his hanky up the sleeve of his cassock. Father Tom struggles to free the arm, and his escorts release him. He waves, but to an empty window. He considers screaming but doubts his voice would carry in the muffled stillness of the snow. And if it did? He lifts his arms, and the gentlemen lock theirs in his and walk.

“That’s better,” Mr. Markey says.

When they head up an alley and away from the rectory, Father Tom asks Mr. Markey, “Who do you think you are?”

“Nobody.”

“You’re somebody.”

“Am I?”

“And I think I know you.”

Father Tom is warm under this snowy blanket and would like to take off his jacket. He feels the icy snow whipping at his face and sees a pearl-handled straight razor lying on a bloom of crimson snow by his groin. He’s on his back. His legs are buried beneath the drift. How long has he lain here? He gurgles, coughs, tastes blood in his mouth. He’d been dreaming of falling through a starless purple sky away from the vision of Christ when he realized he was tumbling toward the infernal abyss, and he screamed himself awake, thank God. His left arm is bent at the elbow and points to heaven. He tells the arm to move, but nothing happens. He might as well be telling someone else’s arm to move. He remembers long ago lying helplessly in Lionel’s bed with the dozing boy and trying to will him to turn, to rest his head on his, Father Tom’s, chest and his slender arm on Father’s waist. And later when Lionel whimpered and opened his teary eyes, Father Tom held him and said, “You’ve had a bad dream, Train, that’s all. Don’t cry, baby, don’t cry. Don’t cry.”

But if he did not, in fact, scream himself awake moments ago, and if this is, indeed, hell, this frozen drift of blood and guilt, then Father Tom is happy to know that at least they don’t take your memories away, which makes sense, because without a past you don’t exist, and there can be no hell for you. He knows that his memories of love and affection will comfort and sustain him for eternity. And then he sees Mr. Markey and Mr. Hanratty standing over him. But when Mr. Hanratty pulls back his balaclava, Father Tom sees that it’s Gerard, and he’s with Jesus and not with Mr. Markey, and Jesus has His arm draped over Gerard’s shoulders. Jesus waves at Father Tom and says, “So long, small fry!” They shake their heads and turn away.

“Stop, please!” Father Tom says, or thinks he says. And then he watches them somehow as they walk back in the direction of St. Cormac’s, watches Jesus whisper into Gerard’s ear, and the two of them turn again to glance back at him, but all they see is a black smudge in a white world that looks otherwise unsullied.

PART III. VEILS OF DECEIT

THE ORIENTAL HAIR POETS

BY DON LEE

Cambridge

This was her, he figured. The poet. That was the first thing Marcella Ahn had said on the phone, that she was a poet. She was, in fact, the über-image of a poet, straight black hair hanging to her lower back, midnight-blue velvet pants, lace-up black boots, flouncy white Victorian blouse cinched by a thick leather belt. She was pretty in a severe way, too much makeup, lots of foundation and powder, deep claret lipstick, early thirties, maybe. Not his type. She stumbled through Café Pamplona’s small door and, spotting Toua, clomped to his table.

“Am I late? Sorry. I’m not quite awake. It’s a little early in the day for me.” It was 1:30 in the afternoon.

She ordered a double espresso and gathered her hair, the ruffled cuffs of her blouse dropping away, followed by the jangling cascade of two dozen silver bracelets on each wrist. With exquisitely lacquered fingers, silver rings on nearly every digit, she raked her hair over her shoulder and laid it over her left breast.

“Don’t you have an office? It feels a little exposed in here for this type of conversation.”

Actually, this was precisely why Toua Xiong liked the café. The Pamplona was a tiny basement place off Harvard Square, made to feel even smaller with its low ceiling, and you could hear every tick of conversation from across the room. Perfect for initial meetings with clients. It forced them to lean toward him, huddle, whisper. It didn’t lend itself to histrionics or hysterics. It inhibited weeping. Toua didn’t like weeping.

Besides, he no longer had an office. After Ana, his girlfriend, had kicked him out of their apartment, he’d been sleeping in his office, but he’d gotten behind on the rent and had been kicked out of there too. These days he was sacking out on his former AA sponsor’s couch.

“You used to be a cop, Mr. Xiong?” she asked, pronouncing it Zee-ong.

“Yeah,” he said, “until two years ago.”

“You still have friends on the force?”

“A few.”

“Why’d you quit?”

“Complicated,” Toua said. “Shee-ong. It’s Too-a Shee-ong.”

“Chinese?”

“Hmong.”

“I’m Korean myself.”

“What is it I can do for you, Ms. Ahn?”

She straightened up in her chair. “I have a tenant,” she said in a clear, unrestrained voice, not at all inhibited. “She’s renting one of my houses in Cambridgeport, and she’s on a campaign to destroy me.”

Toua nodded, accustomed to hyperbole from clients. “What’s she doing?”

“She’s trying to drive me insane. I asked her to move out. I gave her thirty days’ notice. But she’s refused.”

“You have a lease?”

“She’s a tenant at will.”

“Shouldn’t be too difficult to evict her, then.”

“You know how hard it is to evict someone in Cambridge? Talk about progressive laws.”

“It sounds like you need a lawyer, not a PI.”

“You don’t understand. Recently, she started sending me anonymous gifts. Like candy and flowers, then things like stuffed animals and scarves and hairbrushes and, you know, barrettes-almost like she has a crush on me. Then it got even creepier. She sent me lingerie.”

“How do you know it was her? Maybe you have a secret admirer.”

“Please. I have a lot of admirers, but she’s not one of them. I know it was her.”

“Well, the problem is, none of that’s against the law, or even considered threatening.”

“Exactly! You see how conniving she is? She’s diabolical!”

“Uh-huh.” He took a sip of his coffee. “Why do you think she’s doing these things?”

“I don’t know. I’ve been nothing but charitable toward her.”

“Although there was that minor thing of asking her to move out.”

“Look, something really strange has been happening. I got a high-meter-read warning from the Water Department. The bill last month was $2,500. You know what that amounts to? She’s been using almost ten thousand gallons of water a day.” She dug into her purse and produced the statement.