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Death to the traitors who led his father to the block.

On this day in Yorkshire and o'er all the land did cathedral and church bells ring forth in praise of our gracious Sovereign, restored to us as if by a great Miracle. And bonfires burned tonight and messengers rode the length and breadth of England to spread the good and glorious news.

My dear Husband, Lord and Master Francis, did lead us all in prayer this day, servants and family together, in the blue tower and we gave our grateful thanks to the dear Lord Our Cod for His Goodness and Mercy. Our true Monarch is safe. We are all reborn.

I write my words late this night, well nigh past midnight, by the light of my tallow candle. It was this night that my beloved Husband Francis came to me and took me to him in bodily love and we loved each other well. Perhaps this joyful night I have conceived, God willing, and from our great happiness and love will be born another child. So does my Lord and Husband pray, as do I, and God willing it will be a son and a male heir at last, to carry on the pride of the Keswicks. I pray that it is. I pray.

It is growing late. My candle splutters. My Husband sleeps. Outside the May moon rides high across a dark shy. It is very late. I hear my Husband stir. I must put down my pen and snuff my candle, step over to the bed to sleep, to share his dreams. This I will do. I will pick up my pen tomorrow and I will continue.

I went on reading avidly, my eyes moving swiftly across page after page. I was eager to know more, fascinated by Lettice Keswick's jottings about her life in Yorkshire in the seventeenth century.

There were several more short sections, dated the end of June; then she moved on to cover a few days in July and August. Once more she was writing about her everyday life and her doings. She wrote of her two little daughters, Rachel and Viola, her life as a country squire's wife and the lady of the manor. The last entry for August was a joyful notation that she was at last pregnant and hopeful it was with a son.

I paused for a moment and gazed out the window reflectively. Nothing has changed since time immemorial. We all harbor the same dreams and hopes and desires as those who have gone before us. Here I was, reading about Lettice's desire for another child in 1660, and this was mine and Andrew's dream at the moment, now in 1988. I smiled to myself thinking how very little really changed in life, and, dropping my eyes, I continued to read.

The diary as such stopped quite abruptly. I experienced a genuine sense of disappointment, even irritation, so taken was I by Lettice Keswick's words.

But she had digressed, writing pages of household hints, which I merely glanced at, then listing all sorts of recipes-recipes for making potpourri and pomanders from dried flowers, herbs, and certain fruits and spices. There were instructions on how to make beeswax candles and soap; copious notes about herbs-sweet-smelling herbs for freshening rooms and closets, others for making ointments to treat various ailments, still others to add flavor to the cooking pot.

Her next section was devoted to preserves. Now came Lettice's recipes for rhubarb-and-gooseberry jam, quince jelly, bilberry jelly, lemon curd, mincemeat and sweet apple chutney. Once again I simply scanned these and moved on.

Finally the diary of her daily life began anew, the dates of entry running through October to December. I was completely engrossed as I read about winter life at Kilgram Chase, the various family activities, her needlework and embroidery, her husband's hunting and shooting skills, his expertise with horses. She wrote about the winter solstice, the weather, and her difficult pregnancy.

But before she continued with her daily doings into the new year of 1661, she had indulged in another domestic diversion, writing endless pages about the making of pies, puddings, and pastries, elderberry and nettle wine, even ale.

The diary was a veritable treasure trove, in a variety of ways. Unfortunately, I did not have time to read it scrupulously and in its entirety. At least not now. So I scanned, speed-read the rest of it, still admiring Clarissa's wonderful copperplate handwriting. Not once did it falter; her script was impeccable, a work of art.

As I swiftly turned the pages, I saw that Lettice Keswick's diary covered the early months of 1661 and finished in the spring. She spoke of the birth of her son, Miles, in the April of that year, after a long and difficult labor, and she wrote about her husband's birthday in May.

The very last page was dated May 29. There were no more entries, because there were no more pages left in the book. She had filled it.

Again, I found myself feeling disappointed. Until it struck me that the diary had only ended because the book she was writing in was full. Surely Lettice had continued her diary, for she was a natural writer with an easy, flowing style, almost conversational, and a great eye for detail. There must be another volume somewhere here in this library, and Clarissa must have found it and copied it. Just as I wanted to know more, so must she have been riddled with curiosity.

Jumping up, I headed for the ladder, in my anxiety totally ignoring Joe's warnings about climbing it. I did just that, in fact, until I came to the second-to-last step from the top. I did not dare climb higher, for fear of having an accident.

But I was quite high enough, it seemed. I stood immediately below the shelf from which Joe had taken the ledgers and the diary, and it was easy for me to read the titles of the books which remained. There were two novels by Thomas Hardy, three by the Brontes, and six by Charles Dickens, as well as a volume of sonnets by Shakespeare. But nothing else, just a gap on the shelf where the ledgers and Clarissa's copy of the diary had been.

Liking the look of the book of sonnets, which had a gorgeous red binding with gold lettering, I took this off the shelf. It was then that I saw it. A small, thick book with a black leather cover, which lay just behind the Bronte novels against the back of the shelf. For a moment I thought it was a Bible, but when I looked at it I saw that it had a totally plain front. Certainly no gold lettering proclaimed its title.

Balancing myself carefully at the top of the stepladder, I opened the black book. With a little thrill and a rush of excitement, I recognized it at once. It was the original Lettice diary, written in her own hand, the one Clarissa had so carefully copied in 1893. I poked around behind the Bronte, Hardy, and Dickens volumes, but there was nothing else there.

Holding the diary tightly in one hand, I edged my way down the stepladder and hurried over to the table in front of the window. Sitting down, I opened Lettice Keswick's original diary.

I stared at it in awe, turning the pages slowly, carefully, afraid that I might damage it if I handled it roughly.

The diary was over three hundred years old, but to my amazement it was undamaged. Some pages felt slightly brittle, but not very many, and there were tiny worm-holes here and there. But for the most part, it was wonderfully intact.

What a miracle it was that it had lasted all this time. But then, no one had known of its existence, and so no one had handled it. Except for Clarissa, of course, who had found it, copied it, and presumably put it back for safety's sake. Then again, the temperature in the library remained the same, year in, year out, exactly as it had for centuries, I was certain. It was always cool and dry; there was no dampness, and certainly the heat from the fire would not cause any damage to any of the old books. It barely warmed the room. No wonder, then, that the seventeenth-century diary had been so well preserved.

The original, written by Lettice herself, was penned in a spidery, rather elaborate script, typical of the century in which she had lived, but her writing was clear and legible. And I discovered, to my delight, that the original diary contained something unique: exquisite little pen-and-ink drawings and watercolors of flowers, fruit, and herbs, and vignettes of Lettice's gardens here at Kilgram Chase, which illustrated the diary throughout.