"What is it?" I asked. "Why are you looking at me like that? So oddly."

"You've gone quite pale, Mal. I'm sorry, honestly I am. I'd forgotten that you're a bit squeamish about those sort of things."

"And you're not," I retorted, trying to recoup, forcing a laugh. But I was still cold all over, and irrational as it was, I felt a peculiar sense of apprehension.

"Only too true," Sarah agreed. "The more ghoulish and scary something is, the better I like it, whether in a film or a book." She laughed again. "Poe was my favorite until Stephen King and Anne Rice came along."

"I'm afraid I have different tastes," I remarked. Closing the door behind me, I walked back to the sofa.

Sarah strolled over to the long table under the window at the back of my studio and stood looking down at the watercolors spread out on it. "These are terrific, Mally!" she cried, sounding surprised. Her voice was suddenly full of merriment. "Oh, I love these drawings of the creatures in the wall! Here's Algernon, the black snake, with his head in the cookie jar, or I should say the chocolate-covered cherry jar. And how adorable-Angelica in her Easter bonnet off to the Fifth Avenue parade, and the chipmunks making a cradle for the baby they're going to adopt." She turned around; her face was wreathed in smiles. "Mal, you're brilliant, a genius. These are delightful paintings, full of charm and humor. You've missed your way. You should be illustrating children's books."

"That's sweet of you to say, but I have my hands full with so many other things, quite aside from Andrew and the twins," I said. "But I'm pleased you like them. I had fun creating the books, and Andrew helped me with the editing of the stories."

"The kids are going to love the books when they find them in their Christmas stockings," Sarah said.

"I hope so, considering all the time I've put into them."

"You ought to try to get them published, Mal." I shook my head. "I'm not sure they're good enough."

"Take my word for it, they're good enough."

"I wrote and painted them for Jamie and Lissa-just for them, and that's the way I prefer it."

After Sarah left the studio, I picked up my brush and went back to the portrait on the easel. It was of Diana, and I was painting it as a Christmas gift for Andrew.

I had done the initial drawings in July, when she was visiting us, and taken a number of photographs of her in this pose at that time. Working in oils for the past two months, I was now almost finished. I spent a good hour concentrating on Diana's hair color, trying to capture the reddish lights in it, and once I felt I had it exactly right and couldn't improve upon it, I put the brush down. I needed to step away from the portrait for a couple of hours, to get a new perspective on it; also, it was almost lunchtime, and I wanted to eat with the twins, Jenny, and Sarah.

Taking up a rag, I dipped it in turpentine and cleaned the brushes I had used this morning. When I finished, I turned off the lights, pulled on my heavy cardigan, and headed for the door. But before I reached it the phone began to ring, and I picked up the receiver. "Hello?"

"It's me, darling," Andrew said from London.

"Hi, honey, how are you?" I asked, smiling into the phone, glad to hear his voice.

"I'm okay, Mal, but missing you and the twins like hell."

"We miss you, too."

"You are coming over here next weekend, aren't you?" he asked, sounding anxious.

"Nothing could keep me away! Sarah's agreed to bring the twins and Jenny up here, and they'll have fun together."

"And so will we, Puss, I can promise you that," my husband said.

Part Two. KILGRAM CHASE

CHAPTER ELEVEN

London, November 1988

On Thursday morning at nine-thirty I flew to London on the Concorde.

Andrew had insisted that I take the supersonic flight because it was so fast, only three and a half hours long, reasoning that since I was going for just a few days, it would give us more time together. He had overcome my objections with the assurance that his office was paying for my very expensive ticket.

I quickly discovered it was a terrific way to fly. I had hardly had a chance to eat a snack, relax, and read my Colette when we were landing at Heathrow. Another good thing about flying Concorde was the way the luggage came off the plane and onto the carousel so quickly. The porter I found was soon stacking my cases on his trolley and whizzing me through customs. As we came out into the terminal I was still blinking at the efficiency and speed with which everything had moved.

I looked around for Andrew and saw him before he saw me. He was standing just beyond the barrier, looking handsome and dashing with a trenchcoat thrown nonchalantly over his shoulders. He wore a gray pinstripe suit, a pale blue shirt, and a plain gray silk tie, and as always he was immaculate, not only in his clothes, but from the top of his well-groomed head to the tip of his highly polished brown shoes.

A rush of excitement hit me at the sight of him. It always did when we had been apart. He was the only man I had ever loved, the only man I would ever want.

Suddenly he saw me, and his face broke into smiles. I raised my hand in greeting, smiled back, and hurried forward as he moved toward me. A split second later he was holding me in his arms, hugging me to him and kissing me. As I clung to him I thought how extraordinary it was that less than four hours after leaving Kennedy I was standing here on English soil, embracing my husband.

We drew apart finally, and I said, "My bags are on the trolley," looking over my shoulder as I spoke.

Andrew glanced at the porter and nodded.

"'Evening, guv'nor," the porter said. "Got a car waiting, have you?"

"Yes, in the parking area just outside this building," Andrew told him.

"Right ho!" The porter went trundling ahead of us, pushing the trolley. We walked after him.

Andrew turned to me and lifted a brow. "You've come for the duration, have you?"

"Duration?"

"Of my stay. You've certainly brought enough luggage."

I laughed. "Only two cases and a makeup bag."

"Rather large cases, though," Andrew murmured, half smiling.

I threw my husband a flirtatious look and said, "But I'll stay if you want me to."

"Will you really, darling?" His face lit up, and there was a sudden eagerness in his eyes, excitement in his manner.

Instantly I regretted teasing him and explained in a more serious tone, "I'd love to stay longer than we'd planned, Andrew, but you know I can't. I've got to go back on Monday."

"Why?"

"I can't leave the children for longer than a weekend."

"'Course you can, darling. The twins'll be fine. They've got Jenny and your mother, and Sarah to watch over them."

"Sarah's working during the week," I pointed out.

"Your mother isn't, and Jenny is very reliable. They're as safe as houses with her."

"But we agreed I'd only come here for the weekend," I reminded him. I stopped. Staring hard at him, I said, "I shouldn't have risen to the bait just now, and I shouldn't have teased you, said I'd stay longer. Honestly, it's just not possible. I'd feel uneasy, Andrew."

Suddenly he looked awfully glum, but he made no further comment. We walked on in silence.

Making a snap decision, I stopped again, turned to him, and said, "Look, I'll stay on until Tuesday, honey. I think that'll be all right. Okay? Is that okay with you?"

Smiling, he nodded and exclaimed, "Mal, that's great, just great!" Then taking hold of my elbow firmly, he hurried me forward.

We went through the glass doors of the terminal, crossed the road, and entered the parking area where the porter was already waiting with my suitcases on the trolley.