"Is there anything more you can do for Charity here?"
He shook his head. "Only pray. She's resting, now. And her mother is on the way here."
"Okay, then. We've got work to do."
"You expect me to leave them again?"
"No, not leave them. But we need to find the person behind the Nightmare and take care of them."
"Harry. What are we going to do? Kill someone?"
"If we have to. Hell's bells, Michael, they might have murdered your son."
His face hardened, and I knew then that I had him, that he'd follow me into Hell to get at whoever had hurt his wife and child. I had him all right—and I hated myself for it. Way to go, Harry. Jerk those heartstrings like a fucking puppeteer.
I held up the book. "I think I've got a line on the Nightmare's name. I'll bet you anything that Kravos recorded it in his book of shadows, here. If I'm right, I might be able to use it to make contact with the Nightmare and then trace his leash back to whoever's holding it."
Michael stared at the glass, at the kids beyond it.
"I need you to drive me home. From my lab, I might be able to sort out what's going on before things get any more out of hand. Then we go handle it."
He didn't say anything.
"Michael."
"All right," he said, voice quiet. "Let's go."
Chapter Twenty-three
Back in my lab, it felt a little creepy to be working by candlelight. Intellectually, I knew that it was still full daylight outside, but last night had brought out the instinctive fear of the dark that is a part of being human. I had been wounded. Everything, every shadow, every small sound made me twitch and jerk and look aside.
"Steady, Harry," I told myself. "You have time before sundown. Just relax and get it over with."
Good advice. Michael and I had driven around most of the morning, collecting what I would need for the spell. I'd read through Kravos's journal while Michael drove. Sick stuff. He'd been careful about listing out every step of his rituals, complete with notes on the physical ecstasy he'd experienced during the killings—nine in all. Most of them had been women or children he'd killed with a cruelly curved knife. He'd roped a bunch of young people into his fold with drugs and blackmail, and then thrown orgies where he'd either participate or else channel the energy raised by all that lust into his magic. That seemed to be standard operating procedure for guys like Kravos. Win-win situation.
A thorough man. Thorough in his efforts to kill and corrupt lives to acquire more power, thorough in the documentation of his sick pleasures—and thorough in the listing of his efforts to secure a familiar demon by the name of Azorthragal.
The name had been carefully written, each syllable marked for specific emphasis.
Magic is a lot like language: it's all about stringing things together, linking one thing with another, one idea with another. After you establish links, then you pour power into them and make something happen. That's what we call thaumaturgy in the business—creating links between small things and big things. Then, you make something happen on the small scale and it happens on the large scale, too. Voodoo dolls are the typical example for that one.
But simulacra, like a voodoo doll, aren't the only way to create links. A wizard can use fingernail clippings, or hair, or blood, if it's fresh enough, or just about any other body part to create a link back to the original being.
Or you can use its name. Or maybe I should say, its Name.
Names have power. Everyone's Name says something about them, whether they're aware of it or not. A wizard can use that Name to forge a link to someone. It's difficult with people. People's self-concepts are always changing, evolving, so even if you get someone to tell you their full name, if you try to establish the link when they're in a radically different mood, or after some life-changing event that alters the way they see themselves, it might not work. A wizard can get a person's name only from their own lips, but if he doesn't use it fairly quickly, it's likely to get stale.
Demons, however, are a different matter. Demons aren't people. They don't have the problem of having a soul, and they don't worry about silly things like good and evil, or right and wrong. Demons are. If a demon is going to be inclined to eat your face, it's going to eat your face then, and now, and a thousand years from now.
It's almost comforting, in a way—and it makes them vulnerable. Once you know a demon's Name, you can get to it whenever you want to. I had Azorthragal's Name. Even though it was a ghost now, instead of a demon, it ought to respond to the memory of its Name, if nothing else.
Time to get to it.
Five white candles surrounded my summoning circle, the points of an invisible pentacle. White for protection. And because they're the cheapest color at Wal-Mart. Hey, being a wizard doesn't make money grow on trees.
Between each candle was an object from someone the Nightmare had touched. My shield bracelet was there. Michael had given me his wedding ring, and Charity's. I'd gone by the station, and grabbed the hand-lettered nameplate Murphy had kept stubbornly on her office door until the publicity last year had driven the municipal politicians into getting her a real one. It lay on the floor beside them. A visit to a grateful Malone household had turned up Micky's retirement watch. It completed the circle, between the last pair of candles.
I drew in a breath, and checked my props. You don't need all the candles and knives and whatnot to work magic. But they help. They make it easier to focus. In my weakened condition, I needed all the help I could get.
So I lit the incense and paced around the outside of the summoning circle, leaving myself enough room to work with inside the circle of incense and outside the circle of copper. I put out a little willpower as I did, just enough to close the circle, and felt the energy levels rise as random magic coalesced.
"Harry," Michael called down from the room above. "Are you finished?"
I suppressed a flash of irritation. "Just getting started."
"Forty-five minutes until sundown," he said.
I couldn't keep the annoyance out of my voice. "Gee, thanks. No pressure, Michael."
"Can you do it or not, Harry? Father Forthill is staying at my house with the children. If you can't stop this thing now, I've got to go back to Charity."
"I sure as hell can't do it with you breathing down my neck. Hell's bells, Michael, get out of the way and let me work."
He growled something to himself about patience or turning the other cheek or something. I heard his feet on the floor above as he retreated from the door leading down to my lab.
Michael didn't come down into the lab with me because the whole concept of using magic without the Almighty behind it didn't sit well with him, regardless of what we'd been through together. He could tolerate it, but not approve of it.
I got back to work, closing my eyes and forcing myself to clear my thoughts, to focus on the task at hand. I started to draw my concentration toward the copper circle. The incense smoke tickled at my senses, and swirled about inside the perimeter of the outer circle, not leaving it. The energy grew slowly, as I concentrated, and then I picked up the knife in my right hand, and a handful of water from a bowl on my left.
Now for the three steps. "Enemy, mine enemy," I spoke, slipping power into the words, "I seek you." I passed the knife over the copper circle, straight down. I couldn't see it, without opening my Sight, but could feel the silent tension as I cut a slit between the mortal world and the Nevernever.
"Enemy, mine enemy," I spoke again. "I search for you. Show me your face." I cast the water up, over the circle, where the energy of the spell atomized it into a fine, drifting mist, filled with rainbows from the surrounding candles, shifting shapes and colors.