"You're so encouraging," I said, fastening on the bracelet, and slipping on the ring, feeling the quiet, humming power in them both.

Bob somehow waggled his eyebrow ridges. "Hey, you never went out with Charybdis. What's the plan?"

"I loaned Lydia my Dead Man's Talisman," I said.

"I still can't believe after all the work we did, you gave it to the first girl to wiggle by."

I scowled at Bob. "If she's still got it, I should be able to work up a spell to home in on it, like when I find people's wedding rings."

"Great," Bob said. "Give 'em hell, Harry. Have fun storming the castle."

"Not so fast," I said. "She might not have it with her. If she's in on this with the Nightmare, then she could have dumped it once she had it away from me. That's where you come in."

"Me?" Bob squeaked.

"Yes. You're going to head out, hit the streets, and talk to all of your contacts, see if we can get to her before sundown. We've only got a couple of hours."

"Harry," Bob pointed out, "the sun's up. I'm exhausted. I can't just flit around like some kinda dew-drop fairy."

"Take Mister," I said. "He doesn't mind you riding around. And he could use the exercise. Just don't get him killed."

"Hooboy," Bob said. "Once more into the breech, dear friends, eh? Harry, don't quit your job to become a motivational speaker. I have your permission to come out?"

"Yep," I said, "for the purposes of this mission only. And don't waste time prowling around in women's locker rooms again."

I put out the candles and the heater and started up the stepladder. Bob followed, drifting out of the eye sockets of the skull as a glowing, candleflame-colored cloud, and flowed up the steps past me. The cloud glided over to where Mister dozed in the warm spot near the mostly dead fire, and seeped in through the cat's grey fur. Mister sat up and blinked his yellow-green eyes at me, stretched his back, and flicked his stump of a tail back and forth before letting out a reproachful meow.

I scowled at Mister and Bob, shrugging into my duster, gathering up my blasting rod and my exorcism bag, an old black doctor's case full of stuff. "Come on, guys," I said. "We're on the trail. We have the advantage. What could possibly go wrong?"

Chapter Sixteen

Finding people is hard, especially when they don't want to be found. It's so difficult, in fact, that estimates run up near seven-digit figures on how many people disappear, without a trace, every year in the United States. Most of these people aren't ever found.

I didn't want Lydia to become one of these statistics. Either she was one of the bad guys and had been playing me for a sucker, or she was a victim who was in need of my help. If the former, then I wanted to confront her—I have this thing about people who lie to me and try to get me into trouble. If the latter, then I was probably the only one in Chicago who could help her. She could be possessed by one very big and very brawny spirit who needed to get some, pardon the pun, exorcise.

Lydia had been on foot when she left Father Forthill, and I don't think she'd had much cash. Assuming she hadn't come into any more resources, she'd likely still be in the Bucktown/Wicker Park area, so I headed the Blue Beetle that way. The Beetle isn't really blue any more. Both doors had to be replaced when they'd gotten clawed to shreds, and the hood had been slagged, with a big old hole melted in it. My mechanic, Mike, who can keep the Beetle running most days, hadn't asked any questions. He'd just replaced the parts with pieces of other Volkswagens, so that the Blue Beetle was technically blue, red, white, and green. But my appellation stuck.

I tried to keep my cool as I drove, at least as best as I could. My wizard's propensity for blowing out any kind of advanced technology seems to get worse when I'm upset, angry, or afraid. Don't ask me why. So I did my best to Zen out until I got to my destination—parking strips alongside Wicker Park.

A brisk breeze made my duster flap as I got out. On one side of the street, tall town houses and a pair of apartment buildings gleamed as the sun began to go down over the western plains. The shadows of the trees in Wicker Park, meanwhile, stretched out like black fingers creeping toward my throat. Thank God my subconscious isn't too symbolically aware or anything. The park had a bunch of people in it, young people, mothers with kids, while on the streets, business types began arriving in their business clothes, heading for one of the posh restaurants, pubs, or cafes that littered the area.

I got a lump of chalk and a tuning fork out of my exorcism bag. I glanced around, then squatted down on the sidewalk and drew a circle around myself, willing it closed as the chalk marks met themselves on the concrete. I felt a sensation, a crackling tension, as the circle closed, encasing the local magical energies, compressing them, stirring them.

Most magic isn't quick and dirty. The kind of stunts you can pull off when some nasty thing is about to jump up in your face are called evocations. They're fairly limited in what they can do, and difficult to master. I only had a couple of evocations that I could do very well, and most of the time I needed the help of artificial foci, such as my blasting rod or one of my other enchanted doodads, to make sure that I don't lose control of the spell and blow up myself along with the slobbering monster.

Most magic is a lot of concentration and hard work. That's where I was really good—thaumaturgy. Thaumaturgy is traditional magic, all about drawing symbolic links between items or people and then investing energy to get the effect that you want. You can do a lot with thaumaturgy, provided you have enough time to plan things out, and more time to prepare a ritual, the symbolic objects, and the magical circle.

I've yet to meet a slobbering monster polite enough to wait for me to finish.

I slipped my shield bracelet off of my wrist and laid it in the center of the circle—that was my channel. The talisman I'd passed off to Lydia had been constructed in a very similar manner, and the two bracelets would resonate on the same pitches. I took the tuning fork and laid it down beside the bracelet, with the two ends of the shield bracelet touching either tine, making a complete circle.

Then I closed my eyes, and drew upon the energy gathered in the circle. I brought it into me, molded it, shaped it into the effect I was looking for with my thoughts, fiercely picturing the talisman I'd given Lydia while I did. The energy built and built, a buzzing in my ears, a prickling along the back of my neck. When I was ready, I spread my hands over the two objects, opened my eyes and said, firmly, "Duo et unum." At the words, the energy poured out of me in a rush that left me a little light-headed. There were no sparks, no glowing luminescence or anything else that would cost a special effects budget some money—just a sense of completion, and a tiny, almost inaudible hum.

I picked up the bracelet and put it back on, then took up the tuning fork and smudged the circle with my foot, willing it broken. I felt the little pop of the residual energies being released, and I rose up and fetched my exorcism bag from the Beetle. Then I walked away, down the sidewalk, holding my tuning fork out in front of me. After I'd taken several paces away, I turned in a slow circle.

The fork remained silent until I'd turned almost all the way around—then it abruptly shivered in my hand, and emitted a crystalline tone when I had it facing vaguely northwest. I looked up and sighted along the tines of the fork, then walked a dozen paces farther and triangulated as best I could. The direction change on the way the fork faced when it toned the second time was appreciable, even without any kind of instruments—Lydia must have been fairly close.