Chapter Six

Mister was nowhere to be seen when I got home, but I left the food in his dish anyway. He would eventually forgive me for getting home late. I collected the things I would need from my kitchen—fresh-baked bread with no preservatives, honey, milk, a fresh apple, a sharp silver penknife, and a tiny dinner set of a plate, bowl, and cup that I had carved myself from a block of teakwood.

I went back out to my car. The Beetle isn't really blue anymore, since both doors have been replaced, one with a green clone, one with a white one, and the hood of the storage trunk in front had to be replaced with a red duplicate, but the name stuck anyway. Mike is a super mechanic. He never asked questions about the burns that slagged a hole in the front hatch or the claw marks that ruined both the doors. You can't pay for service like that.

I revved up the Beetle and drove down I-94, around the shore of Lake Michigan, crossing through Indiana, briefly, and then crossing over the state line into Michigan itself. Lake Providence is an expensive, high-class community with big houses and sprawling estates. It isn't cheap to own land there. Victor Sells must have been doing well in his former position at SilverCo to afford a place out that way.

The lakeshore drive wound in and out among thick, tall trees and rolling hills down to the shore. The properties were well spread out, several hundred yards between them. Most of them were fenced in and had gates on the right side of the road, away from the lake as I drove north. The Sells house was the only one I saw on the lake side of the drive.

A smooth gravel lane, lined by trees, led back from the lakeshore drive to the Sells house. A peninsula jutted out into the lake, leaving enough room for the house and a small dock, at which no boats were moored. The house was not a large one, by the standards of the rest of the Lake Providence community. Built on two levels, it was a very modern dwelling—a lot of glass and wood that was made to look like something more synthetic than wood by the way it had been smoothed and cut and polished. The drive curved around to the back of the house, where a driveway big enough to host a five-on-five game of basketball around a backboard erected to one side was overlooked by a wooden deck leading off the second level of the house.

I drove the Blue Beetle around to the back of the house and parked there. My ingredients were in a black-nylon backpack, and I picked that up and brought it with me as I got out of the car and stretched my legs. The breeze coming up from the lake was cool enough to make me shiver a little, and I drew my mantled duster closed across my belly.

First impressions are important, and I wanted to listen to what my instincts said about the house. I stopped for a long moment and just stared up at it.

My instincts must have been holding out for another bottle of Mac's ale. They had little to say, other than that the place looked like a pricey little dwelling that had hosted a family through many a vacation weekend. Well, where instinct fails, intellect must venture. Almost everything was fairly new. The grass around the house had not grown long enough, this winter, to require a cutting. The basketball net was stretched out and loose enough to show that it had been used fairly often. The curtains were all drawn.

On the grass beneath the deck something red gleamed, and I went beneath the deck to retrieve it. It was a plastic film canister, red with a grey cap, the kind you keep a roll of film in when you send it in to the processors. Film canisters were good for holding various ingredients I used, sometimes. I tucked it in my duster's pocket and continued my inspection.

The place didn't look much like a family dwelling, really. It looked like a rich man's love nest, a secluded little getaway nestled back in the trees of the peninsula and safe from spying eyes. Or an ideal location for a novice sorcerer to come to try out his fledgling abilities, safe from interruptions. A good place for Victor Sells to set up shop and practice.

I made a quick circuit of the house, tried the front and rear doors, and even the door up on the deck that led, presumably, to a kitchen. All were locked. Locks really weren't an obstacle, but Monica Sells hadn't invited me actually to take a look inside the house, just around it. It's bad juju to go tromping into people's houses uninvited. One of the reasons vampires, as a rule, don't do it—they have enough trouble just holding themselves together, outside of the Nevernever. It isn't harmful to a human wizard, like me, but it can really impair anything you try to do with magic. Also, it just isn't polite. Like I said, I'm an old-fashioned sort of guy.

Of course, the TekTronic Securities control panel that I could see through the front window had some say in my decision—not that I couldn't hex it down to a useless bundle of plastic and wires, but a lot of security systems will cause an alarm with their contact company if they abruptly stop working without notice. It would be a useless exercise, in any case—the real information was to be had elsewhere.

Still, something nagged at me, a sense of not-quite-emptiness to the house. On a hunch, I knocked on the front door, several times. I even rang the bell. No one came to answer the door, and no lights were on, inside. I shrugged and walked back to the rear of the house, passing a number of empty trash cans as I did.

Now that was a bit odd. I mean, I would expect a little something in the trash, even if someone hadn't been there in a while. Did the garbage truck come all the way down the drive to pick up the trash cans? That didn't seem likely. If the Sellses came out to the house for the weekend and wanted the trash emptied, it would stand to reason that they'd have to leave it out by the drive near the road as they left. Which would seem to imply that the garbage men would leave the empty trash cans out by the road. Someone must have brought them back to the house.

Of course, it needn't have been Victor Sells. It could have been a neighbor, or something. Or maybe he tipped the garbagemen to carry the cans back away from the road. But it was something to go on, a little hint that maybe the house hadn't been empty all week.

I left the house behind me and walked out toward the lake. The night was breezy but clear, and a bit cool. The tall old trees creaked and groaned beneath the wind. It was still early for the mosquitoes to be too bad. The moon was waxing toward full overhead, with the occasional cloud slipping past her like a gauzy veil.

It was a perfect night for catching faeries.

I swept an area of dirt not far from the lakeshore clear of leaves and sticks, and took the silver knife from the backpack. Using the handle, I drew a circle in the earth, then covered it up with leaves and sticks again, marking the location of the circle's perimeter in my head. I was careful to focus in concentration on the circle, without actually letting any power slip into it and spoil the trap. Then, working carefully, I prepared the bait by setting out the little cup and bowl. I poured a thimbleful of milk into the cup and daubed the bowl full of honey from the little plastic bear in my backpack.

Then I tore a piece of bread from the loaf I had brought with me and pricked my thumb with the knife. In the silver light of the moon, a bit of dark blood welled up against the skin, and I touched it daintily to the underside of the coarse bread, letting it absorb the blood. Then I set the bread, bloody side down, on the tiny plate.

My trap was set. I gathered up my equipment and retreated to the cover of the trees.

There are two parts of magic you have to understand to catch a faery. One of them is the concept of true names. Everything in the whole world has its own name. Names are unique sounds and cadences of words that are attached to one specific individual—sort of like a kind of theme music. If you know something's name, you can associate yourself with it in a magical sense, almost in the same way a wizard can reach out and touch someone if he possesses a lock of their hair, or fingernail clippings, or blood. If you know something's name, you can create a magical link to it, just as you can call someone up and talk to them if you know their phone number. Just knowing the name isn't good enough, though: You have to know exactly how to say it. Ask two John Franklin Smiths to say their names for you, and you'll get subtle differences in tone and pronunciation, each one unique to its owner. Wizards tend to collect names of creatures, spirits, and people like some kind of huge Rolodex. You never know when it will come in handy.