It wasn't enough. What was left alive gasped for air.

I removed the bag of granules from my pocket, took out a handful and shoved them down his throat until he stopped breathing.

Then I went to the bathroom and threw up in the sink.

Sirens wailed in the distance. Time to go. I washed my hands, and then rinsed off the barrel of the Mossberg, holstering it in my rig.

In the hallway, the kid I emasculated was clutching himself between the legs, sobbing.

"There's always the priesthood," I told him, and got out of there.

My nose was still clogged, but I managed to get enough coke up there to damper the pain. Before closing time I stopped by the bakery, and Ti greeted me with a somber nod.

"Saw the news. They said it was a massacre."

"Wasn't pretty."

"You did as we said?"

"I did, Ti. Your daughter got her revenge. She's the one that killed them. All three."

I fished out the bag of granules and handed it to her father. Sunny's cremated remains.

"Xie xie," Ti said, thanking me in Mandarin. He held out an envelope filled with cash.

He looked uncomfortable, and I had drugs to buy, so I took the money and left without another word.

An hour later I'd filled my codeine prescription, picked up two bottles of tequila and a skinny hooker with track marks on her arms, and had a party back at my place. I popped and drank and screwed and snorted, trying to blot out the memory of the last two days. And of the last six months.

That's when I'd been diagnosed. A week before my wedding day. My gift to my bride-to-be was running away so she wouldn't have to watch me die of cancer.

Those Latin Kings this morning, they got off easy. They didn't see it coming.

Seeing it coming is so much worse.

Heather Graham

Heather Graham has spent her life in the Miami area and frequently uses her home arena as the setting in her novels. She sometimes considers that it's quite a bit like living in a theater of the absurd. Where else can you mix such a cosmopolitan, big-city venue with traces of a distant past? The place has it all. Snowbirds blending with the Old South. The Everglades, where proud tribes of Native Americans still live. And the sultry "river of grass," which affords deadly opportunities for the drug trade and convenient hiding spots for bodies that may never surface again.

Graham loves her hometown, the water, boating, and one of her main passions, scuba diving. She says that loving Miami is like loving a child. You have to accept it for the good and bad. Graham is known for creating locations that live and breathe-becoming as much a character in her books as the people who propel them. A multi-award-winning author, continually reaching New York Times and USA TODAY lists, she's glad to work in several venues, including vampire, historical, ghost and suspense. Whatever time or place she's dealing in, Graham loves to keep her readers on edge. With The Face in the Window she takes characters from her thriller, The Island, and sets them in the midst of an unexpected storm with unexpected consequences.

THE FACE IN THE WINDOW

Lightning flashed. Thunder cracked.

It might have been the end of the world.

And there, cast eerily in the window, pressed against it, was a face. The eyes were red; they seemed to glow, like demon eyes. There was a split second when it seemed the storm had cast up the very devil to come for her.

Startled, Beth Henson let out a scream, backing away from the image, almost tripping over the coffee table behind her. The brilliant illumination created by the lightning faded to black, and along with it, the image of the face.

Beyond the window, darkness reigned again.

A lantern burned on the table, a muted glow against the shadowed darkness of night. The storm had long since blown out the electricity as it should have removed other inhabitants from the area. The wind railed with the sharpness of a banshee's shriek, even though the hurricane had wound down to tropical-storm strength before descending upon the lower Florida Keys.

Instinctive terror reigned in Beth's heart for several long seconds, then compassion overrode it. Someone was out there, drenched and frightened in the storm. She had gone to the window to see if she could find any sign of Keith. He had left her when their last phone communication with the sheriff had warned them that Mrs. Peterson-one of the few full-time residents of the tiny key-had failed to evacuate. She wouldn't leave for a shelter, not when the shelters wouldn't allow her to bring Cocoa, her tiny Yorkie. Okay, so Cocoa could be a pain, but she and Keith could understand the elderly woman's love for her pup and companion, and Beth had convinced Keith they could listen to a bit of barking.

The appearance of the face in the window was followed by a banging on the door. Beth jumped again, startled. For a moment, she froze. What if it was a serial killer? Normally, she would never just open a door to anyone.

But the pounding continued, along with a cry for help. She sprang into action, chiding herself. Someone was out there who needed shelter from the storm. Some idiot tourist without the sense to evacuate when told to. And if that someone died because she was too frightened to give aid in an emergency…

And how ridiculous. Sure, the world had proven to be a rough place, with heinous and conniving criminals. But to assume a serial killer was running around in the midst of what might have been a killer storm was just ludicrous.

She hurried forward, hand firmly on the door as she opened it against the power of the wind. Again, compassion surged through her as the soaked and bedraggled man came staggering in, desperately gasping for breath. He was a thin man with dark, wet hair that clung to his face and the back of his neck. When he looked at Beth, his eyes were wide and terrified. He offered her a faltering smile. "God bless you! You really must be an angel!" he cried.

Beth drew the quilted throw from the sofa and wrapped it around the man's shoulders, demanding, "What were you doing out there? How could you not have heard the evacuation orders issued for all tourists?"

He looked at her sheepishly. "Please, don't throw me back out," he told her. "I admit, I was on a bender in Key West." He staggered to his feet. "When I realized we were told to go, I started out, but my car was literally blown off the road. Then I saw light. Faint light-your place. God must look after fools. I mean…if you don't throw me out." He was tall and wiry, perhaps about thirty. She realized, when not totally bedraggled, he was surely a striking young fellow, with his brilliant blue eyes and dark hair.

"I'm not going to throw you out," she told him.

He offered her a hand suddenly. "I'm Mark Egan. A musician. Maybe you've heard of my group? We're called Ultra C. Our first CD just hit the stores, and we were playing the bars down in Key West. You haven't heard of me-or us?" he said, disappointed.

"No, I'm afraid I haven't."

"That's okay, I guess most of the world hasn't," he said.

"Maybe my husband will have heard of you. He's in Key West often and he really loves to listen to local groups."

He offered her his engaging grin once again. "It doesn't mat-ter-you're still wonderful. You're an angel-wow, gorgeous, too."

"Thanks. I can give you something dry to put on. My husband is somewhat larger than you are, but I'm sure you can make do."

"Your husband? Is he here?"

She felt a moment's unease. "Yes, of course. He's just.bat-tening down a few things. He's around, close," she said.

"I hope he doesn't stay out too long. It's brutal. Hey, you guys don't keep a car here?" he asked.