Then he'd made a platform to lie on from a door and two chairs. His vantage point and stability were perfect.

Through it all, the spotter had quietly observed. And that was okay; Byron preferred checking things out for himself.

For the first two hours, he'd waited for the word: red to stand down, green to shoot. Some fifty minutes ago, he'd received the go-ahead. Apparently, the creep had a long history of violence. Earlier in the day, before taking the woman and two kids hostage, he'd stabbed his former employer with a screwdriver. Somewhere, a tactical-unit leader had gathered intelligence from sniper teams, police investigators, a psychologist, a hostage negotiator. He had determined there was sufficient cause to effectively sign the guy's death warrant.

Byron wasn't so sure. Against sniping wisdom, he never forgot that his targets were human, men (usually) who'd been boys full of hope and wonder, who probably loved someone and was loved back, who had somehow lost their way. Given the choice, he'd rather see a peaceful resolution. But the choice wasn't his. It was in the hands of the guy on the other end of the scope. If he continued to threaten others, if it looked as though he would cause them serious harm, it was Byron's duty to eliminate him.

So for three hours, Byron had held his position, ready, vigilant. "Shoot 'im, man," his spotter whispered. He had grown impatient. "You got the green light." Byron ignored him.

In the scope, the man half turned from the window and seemed to yell at the door. Byron adjusted his aim to a spot just above his ear, where the side neural motor strip lay, another in-stant-incapacitation spot. He nestled the rifle stock more firmly in the pocket of his shoulder. He had already adjusted the scope's Bullet Drop Compensator for distance and the difference in their elevations. The wind was a concern. It was rising and dropping like gusts through a valley. He had spotted a rag caught on a telephone wire. Its flapping gave him a sense of the wind speeds, and he could see it without lifting his head from the scope by opening his other eye. He would move the crosshairs slightly to the left to adjust for the wind at the time of the shot-a method of compensation called Kentucky Windage.

The perp abruptly spun and fired two shots through the apartment door. The negotiations weren't going well. Byron maintained his composure. He pressed the tip of his finger against the trigger. He knew precisely how many ounces of pressure he was applying to the trigger's four-pound pull, and when it would slam the firing pin into the bullet. His lips moved in silent prayer.

Riding a surge of adrenaline, the man threw the woman to the floor below the window. Her mouth open in a scream Byron could not hear, he raised the pistol toward her.

The rag was almost horizontal in a strong wind. Byron adjusted. He took in three-quarters of a breath, held it-and pulled back on the trigger. The rifle cracked! and kicked against his shoulder, which was well muscled for just such times. He didn't even feel it. He was frozen in what marksmen call the follow-through: no movement for a full second after firing to prevent starting the after-shot procedure a hair before the bullet left the barrel, causing it to miss its mark. He saw the bullet impact and the target go down. He chambered another round, watching for movement through the scope.

"Direct hit to the head," he called to his spotter, who responded, "Suspect down."

The spotter yelled into his mic, then yanked the earbud plug from his radio handset, and a buzz of voices filled the room.

The door of the apartment across the street burst open. Men and women streamed in. They gathered around the body, some of them kneeling, pointing at the hole perfectly placed below the suspect's nose. A policewoman with short-cropped hair inspected the bullet hole in the window. She looked up toward Byron's position, his "hide." She smiled and waved. Behind her, a burly-looking cop with a mustache hoisted up the body, holding it for Byron to see. Someone else gave him the thumbs-up.

A chill skittered along his spine, and he shook it off.

After three hours of mentally filling in the gaps to make the target as real as possible, it was a difficult task to start thinking of it again for what it was-an animatronic target mannequin, used for high-level training and top-flight competitions.

Puppeteers, situated safely away from the target, controlled its movements. He peered once more through the scope at the face of the pretend hostage-taker. The latex skin looked genuine enough. Even the eyes had rolled back, the mouth had dropped open. It didn't look so different from the real corpses he had seen.

The woman cop was dragging the woman mannequin from the room. He panned to the other window. The kids were huddled in place, now just looking like sad dolls. The illusion of reality, so strong in Byron's mind, was wearing off. When he looked again, a photographer was trying to snap pictures of the suspect-mannequin's wound while someone else danced with it.

He released his grip on the rifle. It rocked on its bipod and settled on the sandbag below its stock. Joints popped and muscles protested as he rolled onto his side to look back at his "spotter"- actually, a fine marksman himself who'd volunteered to help judge this contest.

"Jack, I'm getting too old for this," he said.

Jack came around the side of the platform and extended his hand. "My man, that was incredible." His voice, deep and smooth, made the words sound true. They squeezed each other's hands. For a second Byron thought Jack might try to butt heads, or some such crap. Blowing the heads off things had that effect on men. Instead, Jack pivoted and planted his butt on the platform beside Byron. He fished a pack of cigarettes out of a breast pocket and tapped one out. He offered the pack to Byron.

Byron stared without seeing. His mind had returned to the shoot, the perp, the hostages. He rolled back to his scope.

Beside him, Jack said, "You got this thing bagged up, dude." A cloud of white smoke drifted into Byron's periphery. "That idiot Hanson took off the perp's ear. Schumann, that prima donna acting like his farts don't stink because he won National, and everyone said he'd take this one. Sorry cuss plugged a hostage."

He kept rambling, a talker released from a three-hour vow of silence, but his words became background static in Byron's ears.

The kid-dolls reminded him of a time when it wasn't make-believe, when he hadn't been so perfect with his aim, when the perp had retained enough life force to empty his Glock.

One of the kids jerked his head to look directly at him. His heart wedged into his throat.

The kid jumped out of view. Byron panned to see a cop dragging it by one leg toward the apartment door.

He closed his eyes and moaned internally. Could he ever do this without investing so much of himself? He doubted it.

"Dude." Jack elbowed his hip. He turned. "We gotta- What's with you?"

Byron pressed his fingers to his cheek. Wet.

"Bug or something flew in my eye…this smoke." He waved his hand, clearing away a thin tendril.

Jack glared, suspicious. He stood. "Let's get outta here, man. Grub's on, beer's flowing."

Byron nodded, and pushed up onto his knees. He looked out through the cheesecloth. The windows into the kill zone were dark.