But tonight it seems hellish and sulfurous, as though the world were lighted by Lautrec’s gas-lamp footlights, turning faces into irregular expressionistic assemblages of light and shadow, concealing eyes and washing the color out of clothes. Making it harder to spot Yellow Shirt or any other extra, unwanted wheels he might be hauling along. Rafferty is keenly aware that he’s the next thing to helpless-he’d do anything to prevent a blow to his hand-and the anxiety makes him scan the faces around him with an added degree of intensity.
Which is how he spots the girl.
As he nears the turn that will take him to his apartment, he becomes aware that the makeup of the crowd on the sidewalk has changed. There are more children than he is used to seeing, street children by the look of them, feral and filthy-faced and wearing dirty, ill-matched clothing. They weave in and out among the larger figures, sometimes passing him in the direction in which he is going, sometimes coming at him head-on. He notices one girl, perhaps twelve or thirteen, who has a tangle of wild hair above a scar that slashes diagonally down her forehead through her left eyebrow, mercifully skips the eye, and begins again as a furrow plowed into her smooth cheek. He watches her in profile as she overtakes him and disappears into the throng. Four or five minutes later, he sees her coming toward him.
Okay. Not random.
The girl doesn’t glance at him, doesn’t even seem to feel his eyes on her, but he knows she has registered his gaze, sees it in the almost undetectable increase in the speed at which she walks, in the sharper downward tilt of her head. Clutching the injured hand against his chest, he works his way over to a shop window and backs up until his shoulders touch the glass. Whatever is coming, it will at least have to come head-on.
And then, of course, he knows what it is that’s coming.
He is already looking for the boy by the time the familiar face appears down the street, moving along at precisely the pace of the crowd, angling slowly toward the window where Rafferty waits, feeling his heart thrum in the vein at his throat and wondering how in the world he can factor this into his life right now. And then he realizes that whatever the boy wants, it would not be good for whoever is tailing him to see the connection between them, so he pulls the bandaged hand away from his chest and uses his right to hike the sleeve above the adhesive tape so he can check his watch. He does his best to register impatience and scan the crowd like someone who’s being stood up, and then he turns and moves with the flow, but more slowly, keeping the buildings at his left shoulder.
The boy moves beside him without a glance. He has a hand on the arm of a young woman-a girl, really-who holds a baby. Neither of them seems to notice Rafferty, but the boy, without turning his head, says, “You’re being followed.”
Lowering his gaze to look at his watch again, Rafferty says, “How many, and what color shirt?”
“One. Blue. Can I get rid of him?”
“Don’t hurt him. I’m in enough trouble already. Nobody in yellow?”
“Not for the last three blocks anyway.”
“Let’s lose him.”
The boy shrugs assent and moves on. The girl beside him risks one short look at Rafferty, then snaps her head forward again, but not before her eyes slide down to the white-wrapped hand. She tosses a quick, puzzled smile and hurries on beside the boy, putting her free hand on his arm in a way that makes Rafferty think, Hmmmm, even under these circumstances.
A broad incline of steps opens up to Rafferty’s left, rising to a complex of shops and restaurants that’s anchored by an enormous and brilliantly lit McDonald’s, in front of which Ronald offers the passing crowd a permanent plastic wai, hands palm to palm against his chest in greeting. Halfway up the steps, Rafferty turns idly and surveys the crowd, still trying to look like the man whose date hasn’t shown.
His phone rings again, and again it’s Arthit’s number.
The sidewalk teems with people: those who left work late, those who are starting the evening early, those who are squeezing in some last-minute shopping, those who just want to move around now that the day’s heat is lifting, those whose fingers are happiest in other people’s pockets, those who are always on the street. Rafferty’s attention is drawn by a shout and a sudden knot of people on the sidewalk, a little eddy like a whirlpool twelve or fifteen feet away. Another shout, a curse this time, and the knot dissolves, and three children streak for the curb. One of them holds a wallet straight up in the air like the Olympic torch. The children pause in the parking lane, tossing the wallet back and forth, and then there’s an eruption of people, shoved forward from behind, and the children take off, heading back down Silom, away from Rafferty, with Blue Shirt in pursuit, screaming after them and stretching his arms in front of him as he runs, as though they were as elastic as chewing gum and he could suddenly extend them and snag the nearest kid.
“Now,” the boy says, suddenly beside him. “Down, into the crowd, and around the corner. We’ll be there.” He descends a step and then turns back and says, “If you’ll talk to me, I mean.” Then he hops lightly down the stairs and melts into the crowd, and Rafferty, feeling old and fragile by contrast, pulls out his cell phone and, with some difficulty, opens it, then presses and holds the 1 key to speed-dial Rose. By the time she answers, he is already at the foot of the steps, pressing the bad hand to his chest.
“Rose,” he says. “Get Miaow and leave the apartment.” He finds an entry point in the crowd and steers himself into the stream of people. “No, nothing’s wrong. I just need you to get your two watchers out of the way. I want to get into the building without being seen. Tell Miaow you’ll buy her an ice cream or something. Call me when you know you’re being followed.” He folds the phone against his chin and drops it into his shirt pocket, then grabs his left wrist again as the hand seems to balloon with pain.
Five minutes later, standing on the side street with the boy and the young woman looking at him expectantly, he answers the phone, and Rose says, “The apartment’s clear. They’re behind us.”
“THERE ARE TWENTY-FOUR right now,” Boo says. He reaches up to the wall behind him and rubs the hanging blanket between his thumb and forefinger as though he’s thinking about buying it. “Sometimes there are more, sometimes not so many.”
“Twenty-six,” says the girl, who has been introduced as Da. “If you count us.”
“Twenty-five and a half,” Boo says, and Da grins, and Rafferty has to tighten his jaw to keep it from dropping. The kid made a joke? In the old days, a little less than two years ago when the boy-then known by his street name, Superman-first barged into their lives-he’d rarely smiled at anything lighter than a five-act tragedy.
“Excuse me,” Da says politely. “Why is your hand like that?”
“I don’t want to forget my Carpenters CD,” Rafferty says. “This way I never do.”
“But-” Da says, looking puzzled.
The boy says, “Don’t joke with her. She believes everything.”
And Rafferty watches in amazement as the girl takes one hand off the baby and swats Superman-Boo-across the head.
“But you can’t play it,” Da says, glaring at the boy, who’s cringing in mock terror, “if it’s all taped up like that.”
“This is my contribution to the evening, wherever I go,” Rafferty says. “Making sure that there’s at least one Carpenters CD that nobody can play.”
“Who stomped on your hand?” Boo asks.
“Someone you’ll never have to meet.”
The boy shrugs without much interest and looks around. Despite Rafferty’s efforts, the apartment on the fourth floor is dingy and cheerless. Through a six-inch gap between the sheets and pillowcases he hung over the windows, he can see wet-looking streaks of whatever the hell is left on glass after it’s been badly washed.