"Well, she still had a certain stature in psychic circles, but in one night, Max had eclipsed her, quite literally with his hands tied. It was amazing. There were lots of reviews. New York had more newspapers in those days. They all used the words death-defying and dangerous to describe the act."

"Dangerous? It was all a sham, wasn't it?"

"Oh, no. The new tricks were very dangerous. The finale required all his skill and mental discipline. While he stayed with us, he refused to give interviews. He wouldn't take any phone calls or messages."

"Not even from Edith?"

"Especially not from Edith." Why had he said that?

"Must have been quite a fight between those two."

"Well, the illusion required great concentration, no distractions."

"Like Edith predicting his death?"

The writing on the wall. What had his mother said about that?

"Yes, I suppose that was it. A few days before the opening of the new act, he found a message scrawled on the wall of his apartment. It was red lipstick."

"What did it say?"

"No idea. I'm putting this together from what I overheard. No one ever spoke to me about it. It was odd. Trance writing had never been part of the old routine."

"Trance writing?"

"Yes, something written without conscious thought, while in a trance. She never denied having written it, she only said she had no memory of doing it."

"Did you believe her? Whose side did you take?"

"I don't know. I was only nine years old then. I'm sure I loved them both." No, that was not true. One was loved and one was adored. "Perhaps I was closer to Max. He spent a lot of time with me. He had other things to do, I know. It was a busy period for him. But he took time out to play with me. I loved him very much."

He picked up an olive from his plate and closed it in the palm of his hand. When he spread his fingers again the olive was gone. He reached up and appeared to pull the olive from his eye socket, handing it to her with one eye closed. She laughed. Though the trick played on the simple humor of a small child, the love of all things gross and gory, she laughed as he had done all those years ago when Max was alive and beloved.

"Max died on the second night he performed the new routine with the water tank. The next day, when my parents told me about the accident, I wouldn't believe them. I just knew it had to be a trick. Edith went into seclusion after Max died. She didn't even go to his funeral. I did. The services were held in the cathedral. Magicians came from all over the world. They came in uniform, but not magician's black. They all wore white top hats, white capes and suits. The women wore white satin dresses. All the flowers were white. And later, at the cemetery, when the casket was lowered into the ground, a thousand doves flew out from under the magicians' capes. The sky was white with doves' wings. I will never see anything like that again."

"Edith must have been in pretty bad shape to miss the funeral."

"I'm sure she was."

"You don't know?"

"My parents never took me to visit her after that. My mother told me we were respecting her seclusion. The next time I saw Edith was after my mother's funeral."

The coffee-maker spat.

Edith Candle was staring at the wall but not seeing it. Looking beyond the twining roses on the wallpaper, she was probing old memories which predated the death of a magician. Her chair rocked with unconscious effort.

One could always point to a time, a choice, an act that set the tone for a life and changed a personal destiny. Her moment had come in a desolate corner of the flat Midwestern landscape. The sky had been deep purple, and she recalled stars like blazing cartwheels in the triangular flaps of the tent which had been pulled back to catch the breezes of a hot summer night. Maximilian had been at the back of the tent with the mark. By code of words, he fed her the details of the watch in his hand.

"I can't see anymore," she had cried out suddenly, "the image is being drowned out by other thoughts." The other thoughts had been gleaned by eavesdropping in the line for admission. Max had overheard a woman talking about her sister Emaline's heart problem and how it worried her night and day.

"Tell us these thoughts," said Max, cuing her to remove the blindfold and ask if the name Emaline meant anything to anyone in the audience. She removed her blindfold and looked out over the silent, tense sea of faces.

She was transfixed by the boy in the front row, far from the mark at the back of the tent. The boy stared at her. He shivered and then looked away. His soft eyes shamed down to his shoes. She stared at him until the boy's eyes met hers again. He had the look of a drowning animal. The sense that he was waterbound was strengthened as the boy began to rise from the wooden bench, moving in slow motion as though the atmosphere had killing weight and pressure. An older companion, wearing the same gas-station uniform as the boy's, put a hand on his shoulder to bid the boy sit down again. The boy's terrified eyes looked back to hers. He sloughed off the old man's hand and began to make his way down the aisle with the gait of too much drink, though she knew the boy was not intoxicated.

She had called out to him, "You must tell the police what you've done." The boy spun around, his face all agony, more pain than a child could stand.

"You must tell them!" she shouted.

The boy let out a strangled scream and fled up the aisle. A uniformed police officer also stood up and followed the boy out.

That night, the local sheriff dug up the body of Tammy Sue Pertwee in the yard of a shanty-town shack. It made the morning paper, and it made her the headliner instead of the added attraction to Maximilian's Traveling Magic Show.

Henry Cathery was sitting in the park at dusk. The street-lamps were just coming on when the pretty woman arrived. He knew she would come back. He had waited for her all through the previous day into disappointing darkness. After all the days of seeing her each morning and every evening, he had felt the loss of her yesterday. Then Mrs Siddon had died, and the pretty woman had come back to him again.

She opened the door of the tan car and stepped out onto the sidewalk. She had never done that before. He followed the graceful swing of her walk as she moved down the sidewalk and towards the building across the street. So she would not be keeping him company this time. His head remained motionless while his eyes rolled after her. Her gold hair caught the lamplight and threw it back in sparks. The electric woman had wonderfully dangerous eyes.

She entered the near building through the great oaken door, held open by a doorman who stared at her with naked hurt that his chances were better to be struck three times by lightning than even to touch her. The doorman was very tall, good lightning-rod material in a level cow pasture, Henry thought, but this was New York City.

Henry Cathery left his bench and walked slowly to the gate. He pressed his face to the bars and stared at her little tan car. He opened the gate and moved slowly across the street, unmindful of the fast-braking car which was now skidding around him. He stood in the street staring into the car's windows. The seats were much cleaner today. No trash, no coffee cups. He leaned into the narrow opening at the top of the driver-side window and inhaled deeply. So this was what she smelled like. He reached in the window, forcing the crack to widen, pushing his flesh against it until it permitted his hand to reach far enough inside to rub his palm on the upholstery of the car seat.