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"We'd best get away from here," Count Olaf said, breaking the silence. "In my experience, once the flames reach the chemicals, the fire will spread very quickly. I'm afraid the cocktail party will be canceled, but if we hurry, there's still time to infect the guests of his hotel with the Medusoid Mycelium before we escape. Ha! To the elevators!"

Twirling the harpoon gun in his hands, the villain strode down the hallway, dragging the judge as he went, and the Baudelaires hurried to follow. When they reached the elevator, the children looked at a sign posted near one of the ornamental vases. The sign was identical to one posted in the lobby, and it is a sign you have probably seen yourself. in case of fire, it said, in fancy script, use stairs. do not use elevator.

"Stairs," Sunny said, pointing at the sign. "Ignore that," Olaf said scornfully, punching the button to summon an elevator.

"Dangerous," Sunny pointed out. "Take the stairs."

"You may have had the idea to burn down the hotel," Count Olaf said, "but I'm still the boss, baby! We won't get to the fungus in time if we take the stairs! We're taking the elevator!"

"Drat," Sunny said quietly, and frowned in thought. Violet and Klaus looked at their sister curiously, wondering why a child who didn't mind setting a hotel on fire would be upset over something like an elevator. But then Sunny gazed up at her siblings with a sly smile, and uttered one word that made everything clear.

"Preludio," she said, and after a moment her siblings grinned.

"What?'" Olaf asked sharply, and punched the button over and over again, which never helps.

"What my sister means," Violet said, "is that she appreciates the lesson on setting fires," but that is not what the youngest Baudelaire meant at all. By "Preludio," her siblings knew, Sunny was referring to the Hotel Preludio, and the weekend vacation the entire Baudelaire family had spent there. As Kit Snicket had mentioned, the Hotel Preludio was a lovely place, and I am happy to report that it is still standing, like a small mercy, and that its ballroom still has its famous chandeliers, which are shaped like enormous jellyfish and move up and down in time to the music that the orchestra plays, and that the bookstore in the lobby still specializes in the work of American novelists of the realist school, and the outdoor swimming pool is still as beautiful as it ever was, its reflection of the hotel windows shimmering whenever anyone dives in to swim laps. But the Baudelaire orphans were not remembering the chandeliers, or the bookstore, or even the swimming pool, where Sunny first learned to blow bubbles. They were remembering a prank their father had taught them, when he was in one of his whimsical moods, that can be played in any elevator. The prank, a word which here means "joke played on someone with whom you are sharing an elevator," is best played at the moment when you are about to get off the elevator, and your fellow passengers are heading to a higher story. The Baudelaires' mother had objected to their father teaching them such a prank, as she said it was undignified, but their father had pointed out it was no more undignified than doing magic tricks with dinner rolls, which their mother had done that very morning in the hotel restaurant, and she reluctantly agreed to participate in the prank. This particular moment in the Baudelaires' lives, of course, was not the best one for a prank, but Violet and Klaus saw immediately what their sister had in mind, and when the sliding doors opened and Count Olaf stomped inside the elevator, the three Baudelaires followed him and immediately pressed every single button. When the Baudelaires' father had done this after exiting the elevator, it meant that the remaining passenger, a tiresome woman named Eleanora. had been forced to visit every story on the way up to her room, but here in the Hotel Denouement, the prank served a dual purpose, a phrase which here means "enabled the Baudelaires to do two things at once."

"What are you doing?" Olaf shrieked. "I'll never reach the Medusoid Mycelium in time to poison everyone!"

"We'll be able to warn as many people as possible that the building is on fire!" cried Justice Strauss.

"Dual purpose," Sunny said, and shared a small smile with her siblings as the elevator reached the lobby and opened its doors. The enormous, domed room was nearly empty, and the Baudelaires could see that everyone had followed the advice of the two wicked judges of the High Court, and were wandering blindfolded around the hotel.

"Fire!" cried Violet immediately knowing the doors would slide shut in an instant. "Attention everyone! There's a fire in the hotel! Please leave at once!"

The man with a beard but no hair was standing nearby, with his hand on Jerome Squalor's shoulder so he could push the injustice expert around. "Fire?" he said, in his strange, hoarse voice. "Good work, Olaf!"

"What do you mean, good work?" demanded Jerome, a frown appearing below his blindfold.

"I meant to say, 'there's Olaf!'" the man said hurriedly, pushing Jerome in the direction of the elevator. "Capture him! He needs to be brought to the authorities!"

"Olaf is here?" asked probably Frank, who was feeling his way along the wall along with his brother. "I'm going to capture him!"

"Where are the Baudelaires?" demanded probably Ernest. "I'm going to capture them!"

"In the elevator!" shouted the woman with hair but no beard from across the lobby, but the sliding doors were already closing.

"Call the fire department!" Violet cried desperately.

"Which one?" was the reply, but the children could not tell if it came from Frank or Ernest, and the doors slid shut on this one last glimpse of the villains and volunteers before elevator began its rise to the second story.

"Those judges promised that if I waited until tomorrow I'd see all my enemies destroyed," Count Olaf grumbled, "and now they're trying to capture me. I knew they'd fail me some day."

The Baudelaires did not have time to point out that Olaf had also failed the judges, by planning to poison them, along with everyone else in the lobby, with the Medusoid Mycelium, because the elevator immediately stopped on the second story and opened its doors.

"There's a fire in the hotel!" Klaus called into the hallway. "Everyone leave at once!"

"A fire?" said Esme Squalor. The Baudelaires were surprised to see that this treacherous woman was still wearing her blindfold, but perhaps she had decided that pieces of black cloth were in. "Who said that?"

"It's Klaus Baudelaire," Klaus Baudelaire said. "You need to get out of the hotel!"

"Don't listen to that cakesniffer!" cried Carmelita Spats, who was running a hand over an ornamental vase. "He's just trying to escape from us! Let's take off our blindfolds and peek!"

"Don't take off your blindfolds!" cried Count Olaf. "Those Baudelaires are guilty of contempt of court, and they're trying to trick you into joining them! There's no fire! Whatever you do, don't leave the hotel!"

"We're not tricking you!" Klaus said. "Olaf is tricking you! Please believe us!"

"I don't know who to believe," Esme said scornfully "You orphans are as dishonest as my ex-boyfriend."

"Leave us alone!" Carmelita ordered, bumping into a wall. "We can find our own way!"

The doors slid shut before the Baudelaires could argue any further, and indeed the children never argued with either unpleasant female again. In a moment, the elevator arrived at the third story, and Sunny raised her voice so that she could be heard by anyone, treacherous or noble, in the hallway.

"Fire!" she cried. "Use stairs. Do not use elevator!"

"Sunny Baudelaire?" Mr. Poe called, recognizing the child's voice. The banker was facing the entirely wrong direction, and holding a white handkerchief up to his black blindfold. "Don't add the false reporting of fire to your list of crimes! You're already guilty of contempt of court, and perhaps murder!"