"Pichai had it last."

But Pichai is dead and they aren't sure where the radio has gone.

We aren't trained for this sort of thing. We were supposed to stop blister rust and influenza, not tanks and megodonts.

When she finally finds a radio, it is from a dead hand that she takes it. She cranks the handset. Tests the codes that the Ministry uses for discussing plagues, not warfare. Nothing. Finally she speaks in the clear. "This is Captain Kanya. Is there anyone else out there? Over?"

A long pause. The crackle and static. She repeats herself. Again she repeats. Nothing.

And then, "Captain? This is Lieutenant Apichart."

She recognizes the assistant's voice. "Yes? Where is General Pracha?"

More silence. "We don't know."

"You aren't with him?"

Another pause. "We think he's dead." He coughs. "They used a gas."

"Who is our ranking officer?"

Another long pause. "I believe it is you, ma'am."

She pauses, shocked. "It can't be. What about the fifth?"

"We haven't heard."

"General Som?"

"He was found in his home, assassinated. Also Karmatha, and Phailin."

"It's not possible."

"It is rumor. But they have not been seen, and General Pracha believed it when we received word."

"No other captains?"

"Bhirombhakdi was at the anchor pads, but all we see is fire from there."

"Where are you?"

"An Expansion tower, near Phraram Road.

"How many do you have with you?"

"Maybe thirty."

She surveys her people with dismay. Wounded men and women. Hiroko lying against a dead shorn banana tree, face flushed like a Chinese paper lantern, eyes closed. Perhaps dead already. Fleetingly she wonders if she cares about the creature or… Her men are all around her, watching. Kanya takes in their pathetic ammunition. Their wounds. So few of them.

The radio crackles. "What should we do, Captain? " Lieutenant Apichart asks. "Our guns don't do anything against tanks. There's no way for us-" The channel crackles with static.

From the direction of the river, a deep explosion rumbles.

Private Sarawut climbs down from a tree. "They stopped shelling the docks."

"We're alone," Pai murmurs.

44

It's the silence that wakes her. Emiko has passed the night in a blurry sprawl, periods of sleep broken by the rumble of high explosives and the whine of high-capacity springs unleashing. Tanks clank down the streets burning coal, but much of it is distant, battles fought in other districts. On the streets bodies lie abandoned, casualties of the riot, now forgotten in the larger conflict.

A strange silence has settled over the city. A few candles twinkle in windows where people keep midnight watch on the ravaged city, but nothing else is lit. No gas lights in the buildings or on the streets. Total blackness. It seems that either the city's methane has run out, or someone has finally shut off the mains.

Emiko pulls herself out of the garbage, wrinkling her nose in disgust at the discarded melon rinds and banana peels. Against the flame-orange sky, she can see a few columns of smoke, but nothing else. The streets are empty. There is no better time for what she plans.

She turns her attention to the tower. Six stories above, Anderson-sama's apartment waits. If only she can get to it. At first, she had hoped to simply speed through the lobby and find her way higher, but the doors are locked and guards patrol within. And she is now too well-known to risk an attempt at direct entrance. But she has an alternative.

She is hot. Terribly hot. A green coconut that she found and smashed early in the night is a wistful memory now. She counts the balconies again, one after the other, rising above her. Water is up there. Breezes. Survival and a temporary hiding place, if she can make it.

A rumble comes from the distance, then a crackle like fireworks. She listens. Best not to wait any longer. She scrambles for the lowest balcony. It is cased in iron bars, as is the one above. She pulls herself up the face of the first and second balconies, using the easy handholds of the bars to climb.

She stands at last on the open third balcony, panting with the effort. She feels dizzy with the heat building within her. Below her, the alley cobbles beckon. She looks up at the balcony lip of the fourth floor. She gathers herself and jumps… and is rewarded with a good handhold. She pulls herself up.

On the fourth balcony, she perches on its railing, staring up at the fifth. The heat of her exertion is building. She takes a breath and jumps. Her fingers catch. She dangles in the open air. She looks down and immediately regrets it. The alley is far below, now. She slowly pulls herself up, gasping.

The apartment within is dark. No one stirs. Emiko tests the iron lattice of the security gate, hoping for a lucky entrance, but it is locked. She would give anything to drink water now, to pour it over her face and body. She studies the security gate's construction, but there is no way for her to break in.

One more jump.

She returns to the balcony's edge. Her hands are the only part of her that seem to sweat like a normal creature's, and now they are as slick as oil with her body's moisture. She wipes them again and again, trying to make them dry. The intense flush of too much exertion is swallowing her. She scrambles up onto the balcony's lip, balances. Dizzy. She crouches, steadying herself.

She leaps.

Her fingers scrabble at the balcony rim, then slip. She crashes back, slamming across the lower railing. Her ribs explode with pain as she flips over and smashes into potted jasmine vines. Another blossom of pain flares in her elbow.

She lies whimpering amongst shattered pottery and night jasmine perfume. Blood gleams black on her hands. She can't stop whimpering. Her whole body is shaking. She's burning up with the exertion of climbing and jumping.

She pushes herself up awkwardly, cradling her damaged arm, expecting people to come charging out at her, but the apartment beyond the gate remains dark.

Emiko staggers to her feet and leans against the balcony rail, looking up at her goal.

You foolish girl. Why do you try so hard to survive? Why not just jump and die? It would be so much simpler.

She peers down into the black alley below. She doesn't have an answer. It is something in her genetics, as deeply ingrained as her urge to please. She hauls herself up again onto the railing, balancing awkwardly, cradling her throbbing arm. She looks upward, praying to Mizuko Jizo the windup bodhisattva to give her mercy.

She jumps, reaching one-handed for salvation.

Her fingers catch… then slip away.

Emiko lashes out with her bad hand and catches hold. Her elbow's ligaments tear away. She yelps as the bones separate, then crack wide. Sobbing, breath sawing in and out of her throat, she scrabbles for the railing with her good hand. Seizes a handhold. She lets her broken arm fall and hang limp.

Emiko dangles one-handed, high above the street. Her arm is nothing but flame. She whimpers quietly, preparing to wound herself once again. She lets out a ragged sob and then reaches up once again with her ruined arm. Her hand closes on the railing.

Please. Please. Just a little more.

She lets her weight settle onto the arm. White pain. Emiko's breath saws ragged in her throat. She hauls a leg up, feeling with her foot, scrabbling for a toehold, finally it hooks on the iron. She pulls herself up, teeth gritted, sobbing, refusing to let go.

Only a bit more.

The barrel of a spring gun presses against her forehead.

Emiko opens her eyes. A young girl grips the pistol in trembling hands. She stares at Emiko, terror-stricken. "You were right," she whispers.

An old Chinese man looms behind her, his expression shadowed. They peer over the balcony precipice, watching Emiko as she dangles. Emiko's hands begin to slip. The pain is almost unbearable now.