She shakes her head. Begins sobbing again.

"Let's get you cleaned up."

He leads her into the bath, turns on cool water spray, puts her under it. She's shivering now, her eyes fever bright and panicked as she looks around. She looks half-mad. He tries to peel off her half-jacket, to get rid of the bloody clothing, but her face twists, enraged.

"No!" She slashes at him with her hand and he jerks back, touching his cheek.

"What the hell?!" He stares at her, shocked. Christ she was fast. He's hurting. His hand comes away bloody. "What the hell's wrong with you?"

The panicked animal flicker leaves her eyes. She stares at him blankly, and then seems to recover herself, becomes human. "I am sorry," she whispers. "So sorry." She collapses, curls into a ball under the water. "So sorry. So sorry." She lapses into Japanese.

Anderson squats down beside her, his own clothing becoming soaked in the spray. "Don't worry about it." He speaks gently. "Why don't you get out of those clothes? We'll get you something else. Okay? Can you do that?"

She nods dully. Peels off her jacket. Unwraps her pha sin. Huddles nude in the cool water. He leaves her in the spray. Takes her bloody clothes and bundles them into a sheet and carries them down the stair, out into the darkness. People are all around. He ignores them, walking quickly into the shadows, carrying the clothes until he reaches a khlong. Tosses the bloody garments into the water, where snakehead fish and boddhi carp will consume them with an obsessive determination. The water roils, splashing as they tear at the blood food scent.

By the time he's back in his apartment, Emiko is out of the shower, her black hair clinging to her face, a small frightened creature. He goes to his medicine supplies. Pours alcohol on the cuts, rubs antivirals in after. She doesn't cry out. Her nails are broken and ravaged. Bruises are blooming all across her body. But for all the blood she arrived with, she seems miraculously little damaged.

"What happened?" he asks gently.

She huddles against him. "I'm alone," she whispers. "There is no place for New People." Her shaking increases.

He pulls her to him, feeling the burning heat through her skin. "It's all right. Everything will change soon. It will be different."

She shakes her head. "No. I do not think so."

A moment later, she is asleep, breathing steadily, her body finally releasing its tension into unconsciousness.

Anderson wakes with a start. The crank fan has stopped, run out of joules. He's covered with sweat. Beside him Emiko moans and thrashes, a furnace. He rolls away and sits up.

A slight breeze from the sea runs through the apartment, a relief. He stares out through mosquito nets to the blackness of the city. All the methane has been shut off for the night. Off in the distance, he can see a few glimmers in the floating sea communities of Thonburi where they farm fish and float from one genehack to the next in a perpetual seeking of survival.

Someone pounds on his door. Hammering insistently.

Emiko's eyes snap open. She sits up. "What is it?"

"Someone's at the door." He starts to climb out of bed but she grabs him, ragged nails digging into his arm.

"Don't open it!" she whispers. Her skin is pale in the moonlight, her eyes wide and frightened. "Please." The banging on his door increases. Thudding, insistent.

"Why not?"

"I-" she pauses. "It will be white shirts."

"What?" Anderson's heart skips over. "They followed you here? Why? What happened to you?"

She shakes her head miserably. He stares at her, wondering what sort of animal has invaded his life. "What happened tonight, really?"

She doesn't answer. Her eyes remain locked on the door as the thumping continues. Anderson climbs out of bed and hurries to the door. Shouts, "Just a second! I'm getting dressed!"

"Anderson!" The voice from the far side of door is Carlyle's. "Open up! It's important!"

Anderson turns and looks pointedly at Emiko. "It's not white shirts. Now hide."

"No?" For a moment relief floods Emiko's features. But it disappears almost as quickly. She shakes her head. "You are mistaken."

Anderson glares at her. "Was it white shirts that you tangled with? Is that where you got those cuts?"

She shakes her head miserably, but says nothing, just huddles in a small defensive ball.

"Jesus and Noah." Anderson goes and pulls clothes out of his closet, tosses them at her, gifts that he bought her as tokens of his intoxication. "You might be ready to go public, but I'm not ready to be ruined. Get dressed. Hide in my closet."

She shakes her head again. Anderson tries to control his voice, to speak reasonably. It's as though he's talking to a block of wood. He kneels and takes her chin in his hands, turns her face to him.

"It's one of my business associates. It's not about you. But I still need you to hide until he goes away. Do you understand? You just need to hide for a little while. I want you to hide until he's gone. I don't want him to see us together. It might give him leverage."

Slowly, her eyes focus. The look of hypnotized fatalism fades. Carlyle bangs on the door again. Her eyes flick to the door, then back to Anderson. "It is white shirts," she whispers. "There are many of them out there. I can hear them." She suddenly seems to collect herself. "It will be white shirts. Hiding will do no good."

Anderson fights the urge to scream at her. "It's not white shirts."

The banging continues on his door. "Open the fuck up, Anderson!"

He calls back, "Just a second!" He pulls on a pair of pants, glaring at her. "It's not the damn white shirts. Carlyle would slit his throat before he'd get into bed with white shirts."

Carlyle's voice again echoes through the door. "Hurry up, goddamnit!"

"Coming!" He turns to her, orders her. "Hide. Now." Not a request anymore, but an order, driving at her genetic heritage and her training.

Her body goes still, then suddenly she becomes animated. Nodding. "Yes. I will do as you say."

Already she is dressing. Her stutter motion is fast, almost a blur. Her skin gleams as she pulls on a blouse and a pair of loose trousers. Suddenly she's shockingly fast. Fluid in her movements, strangely and suddenly graceful.

"Hiding will do no good," she says. She turns and runs for the balcony.

"What are you doing?"

She turns back and smiles at him, seems about to say something, but instead she plunges over the balcony's edge and disappears into the blackness.

"Emiko!" Anderson runs to the balcony.

Below, there is nothing. No person, no scream, no thud, no complaints from the street as she spatters across the ground. Nothing. Only emptiness. As though the night has swallowed her completely. The banging on the door comes again.

Anderson's heart thuds in his chest. Where is she? How did she do that? It is unnatural. She was so fast, so determined at the end. One minute on the balcony, the next gone, over the edge. Anderson peers into the blackness. It's impossible that she jumped to another balcony, and yet… Did she fall? Is she dead?

The door crashes open. Anderson whirls. Carlyle spills into the apartment room, stumbling.

"What the-?"

Black Panthers pour in after Carlyle, slamming him aside. Combat armor gleams in the dimness, military shadows. One of the soldiers grabs Anderson, whirls him about and slams him into the wall. Hands search his body. When he struggles they jam his face against the wall. More men pour in. Doors are being kicked open, splintering. Boots thud around him. An avalanche of men. Glass breaks. Dishes in his kitchen shatter.

Anderson cranes his neck to see what is happening. A hand grabs him by the hair and slams his face back against the wall. Blood and pain flood his mouth. He's bitten his tongue. "What the hell are you doing? Do you know who I am?"