"Have it removed? I don't know. Maybe he liked the idea of gradually shutting down the hotel, leaving each room the way it was when its final guest checked out, wanting every room to have a memento that he could visit."

"What a wacko nutjob," Vinnie said.

"Yeah, we've come a long way from calling him a visionary and a genius." Rick's face remained stark. "How many other rooms have stories to tell?"

Vinnie moved toward a door farther along. He tested the knob, pushed the door open, and stalked into blackness, the door banging against the interior wall, the noise reverberating.

The others followed, Cora reluctantly. Balenger heard drawers being opened and closed.

"Nothing," Vinnie said, his light probing the room. "The bed's made. Everything's tidy. Apart from the dust, the place looks ready for its next guest. Nothing in the drawers, not even the customary Bible. Hotel toiletries on the bathroom counter, but nothing else, and nothing in the waste cans. Towels on a rack next to the shower. Everything the way it should be, except for this."

Vinnie opened the closet doors wider and showed them a Burberry raincoat, its wide lapels drooping, its tan belt dangling. "Back then, these things were a status symbol even more than they are now. Dustin Hoffman talks about how much he wants one but can't afford it in Kramer vs. Kramer. Okay, that movie's more recent than when the hotel closed, but the point's the same. Burberrys were exclusive and damned expensive. So why would somebody not take this?"

"An oversight," the professor suggested. "We've all forgotten something when we're traveling. It happens."

"But this isn't a pair of socks or a T-shirt. This is a very desirable overcoat. Why didn't the owner phone the hotel and ask a staff member to look for it?"

"You've got a point." Rick looked troubled. "But I'm not sure where you're going with it."

"What if Carlisle arranged for the owner to be told that the Burberry wasn't here? What if Carlisle made the owner think he'd lost it someplace else?" Vinnie suggested.

After Vinnie took a photograph of the coat, they left the room. On the balcony, it was now Rick who went to the next door. It too wasn't locked. He pushed it open. "For the love of…"

The group followed. The room was a mess: a pile of used towels on the bathroom floor, the wastebasket full, the bed unmade, sheets rumpled, bedspread thrown aside, a full ashtray on the nightstand, a glass and an empty bottle of whiskey next to it.

"I guess it was the maid's day off," Balenger said.

The professor read the bottle's label. "Black Diamond bourbon. Never heard of it. Must have gone out of business a long time ago."

Vinnie used a gloved hand to lift a cigarette butt from the ashtray. "A Camel. Unfiltered. Remember how people used to smoke all the time, how awful hotel rooms smelled?"

"Well, this room isn't a bouquet of roses." Balenger turned. "What's your theory, Professor?"

"Another room with a story. When Carlisle stopped accepting guests in 1968, he could have made sure the hotel was spotless and sanitized. But it looks as if he stopped renting the rooms one at a time and kept each in a kind of suspended state, each room retaining a hint of life."

"Or death," Cora said, glancing back toward the room where they'd found the suitcase.

"Professor, are you suggesting that after Carlisle closed the hotel, he wandered from room to room, looking in at scenes he'd preserved, absorbing himself in the past?" Balenger asked.

Conklin spread his hands. "Maybe to him it wasn't the past. Maybe the riots and his advanced years caused a nervous breakdown. Maybe he imagined the hotel was still in its heyday."

"Jesus," Vinnie said. He took a photograph and left the room. "Let's see what other surprises he created."

His light wavering, Vinnie walked along the balcony, reached the next door, twisted its knob, and pushed with obvious confidence that the door would open.

18

But it didn't, and its resistance startled him. A do NOT disturb sign hung on it. Vinnie turned the knob with greater force, pressing his shoulder against the door. "The others aren't locked. Why is this one?" He rammed against it, the door shuddering.

Conklin restrained him. "You know the rules. We don't disturb anything."

"Then what was that we did to the door in the tunnel? Taking a crowbar to it? That wasn't disturbing anything?" Vinnie slammed his shoulder against the door again.

"Granted," Conklin said, "but an argument can be made that the door in the tunnel wasn't part of the time scheme of the site. What you're doing is wrong."

"What difference does it make if I smash it? They're going to tear the place down in a couple of weeks."

"I can't allow us to become vandals."

"Fine. Okay." Vinnie looked at Balenger. "You know something about locks. Can you get this open?"

Balenger studied the lock, which had an old-fashioned design with a large slot. He unclipped his knife from his pocket, assuring the professor, "Don't worry. I won't damage anything." He opened the blade and tried to slide it past the edge of the door to pry at the bolt. "There's a lip I can't get past."

"Can't you pick the lock?"

"I suppose I could get a coat hanger from one of these rooms, make a hook out of it, and try to-"

"No need," Cora said behind everybody.

They turned, their lights merging on her.

"Downstairs, when I was behind the check-in counter, I noticed keys in the mail slots."

"Keys?" Rick chuckled. "Now there's an original idea. What's the door number?"

"Four twenty-eight."

"I'll go down and get the key."

"Are we sure we want to do this?" Conklin asked. "Our objectives were the penthouse and the vault in Danata's suite."

"If the unlocked doors have weird things behind them, I want to know what's behind a locked one," Balenger said.

"Do we?" Cora asked.

"If we don't," Rick said, "then why are we here?"

The professor sighed. "Very well. If you're determined. But you can't go alone, Rick. That's always been another rule. We don't explore anywhere alone."

"Then we'll all go down," Balenger said.

The elderly man shook his head from side to side. "The stairs were too strenuous for me. I'm afraid I'd take forever to walk down and come back."

"And we don't need any heart attacks," Vinnie said.

"I seriously doubt there's any risk of that, but-"

"I'll go with Rick." Cora glanced again toward the door to the room that contained the suitcase.

"Use your walkie-talkies." Conklin unhooked his from his equipment belt. "Set one to transmit and the other to receive. That way I can hear you go down and come back. At the same time, I can talk to you without pressing buttons all the time and saying 'over.' "

"Fine."

Rick and Cora each unclipped a walkie-talkie from a belt.

"I'm 'transmit,' " Rick said.

"I'm 'receive,' " Cora said.

"We'll do the same," the professor said. "Vinnie, set your walkie-talkie to receive. I'll set mine to transmit."

Rick and Cora went to the top of the staircase and started down, their headlamps and flashlights making arcs in the gloom.

Balenger heard their footsteps echoing as they descended. A distorted version of those sounds came through Vinnie's walkie-talkie.

"We're at level three." Rick's voice reverberated from below while a staticky version came from Vinnie's walkie-talkie.

The footsteps sounded fainter. Balenger peered over the balustrade. Their lights were weak below him.

"Level two," Rick said.

Balenger could barely see or hear them.

Rick's voice crackled. "One. We're starting toward the lobby."

Vinnie's headlamp moved, causing Balenger to look in his direction. Vinnie was inspecting his surroundings. "Hey, there's an elevator in this corridor."