Gallagher would introduce Hazel to Thaddeus as his friend and companion, he would not even call her his fiancée. He would not be bringing Zack to Ardmoor Park at all.

He had warned Hazel not to be drawn into personal conversation with his father, still less into answering questions she didn’t want to answer. “I know he’s curious about you. He will interrogate you. He’s an old newspaper man, that’s what he knows. Poking and prodding and stabbing until the blade finds a soft spot, then he shoves it in.”

Hazel laughed nervously. Gallagher had to be exaggerating!

“No. It’s impossible to exaggerate Thaddeus Gallagher.”

Gallagher’s newspaper column was accompanied by a line-drawing caricature: a comically quizzical horsey face with a high forehead, deep-pouched eyes, lopsided smile, jutting chin and prominent ears. Around the near-bald dome of a head a fringe of kinky curls like a wreath. “Caricature is the art of exaggeration,” Gallagher told Hazel, “yet it can tell the truth. In times like ours, caricature may be the only truth.”

Yet on the drive from Manchester to Ardmoor Park, Gallagher’s composure leaked from him like air from a deflating balloon. He was chain-smoking, distracted. He avoided the subject of Thaddeus Gallagher and spoke only of Zack whom they’d heard perform the previous evening at the music festival. Zack was now thirteen, no longer a child. He was becoming lanky, loose-jointed. His skin had an olive-dark pallor. His nose, eyebrows, eyes were striking, prominent. In the company of adults he was withdrawn, rather reserved, yet his piano performances were praised as “warm”-“reflective”-“startlingly mature.” Where many child prodigies perform with mechanical precision and a deficiency of feeling, Zacharias Jones brought to his playing an air of emotional subtlety that was beautifully reflected in such pieces as the Grieg sonata he’d played at the festival. Gallagher could not stop marveling over the performance.

“He isn’t a child, Hazel, in his music. It’s uncanny.”

Hazel thought Of course he isn’t a child! There wasn’t time.

“But we’re not going to discuss Zack with my father, Hazel. He will want to know about your ”talented‘ son, he will hint that Gallagher Media could “put him on the map.” He will interrogate you, he will stick and stab if you let him. Don’t fall into the trap of answering Thaddeus’s questions. The one thing he wants to know-to put it bluntly-is whether Zack might be his grandson. Because of all the things he has, he doesn’t have grandchildren. And so-“

Hazel saw that her lover’s face was creased, contorted. He looked both angry and aggrieved, like a gargoyle. He was driving too fast for the narrow road curving through hilly countryside.

Hazel said, “But you and I didn’t even meet, until Zack was in school, in Malin Head Bay. How can your father-”

“He can. He can imagine anything. And it’s a fact he can’t know, even if he has hired private investigators to look into our relationship, when we first met. That, he can’t know. So I will field his questions, Hazel. We will stay for an hour, maybe an hour and a half. All this I’ve explained, but he will try to dissuade us of course. He will try to dissuade you.”

They were passing large estates set back from the road like storybook houses. Vast green lawns in which fugitive rainbows leapt and gleamed among sprinklers. Enormous elms, oaks. Juniper pine. There were ponds, lagoons. Picturesque brooks. The estates were bordered by primitive stone walls.

Gallagher said, “And please don’t exclaim that the house is ”beautiful,“ Hazel. You aren’t obliged. Sure, it’s beautiful. Every damn property in Ardmoor Park is beautiful. You bet, anything can be beautiful if you spend millions of bucks on it.”

By the time they arrived at his father’s house, the house of his boyhood, Gallagher was visibly nervous. It was a French Normandy mansion originally built in the 1880s but restored, refurbished and modernized in the 1920s. Hazel did not tell Gallagher that it was beautiful. Its enormous dull-gleaming slate roofs and hand-hewn stone facade reminded her of the elaborate mausoleums in Buffalo’s vast Forest Lawn Cemetery.

Gallagher parked beyond the curve of the horseshoe drive, like an adolescent preparing for a quick departure. He tossed his cigarette onto the gravel. With the bravado of an afflicted man mimicking his own discomfort, he thumped his midriff with his fist: he’d been having gastric attacks lately, dismissed as “nerves.”

“Remember, Hazel: we are not staying for dinner. We have ”other plans’ back in Vermont.“

Thaddeus Gallagher turned out not to be eagerly awaiting his visitors inside the massive house, but at the rear, by the pool. A female servant unknown to Gallagher answered the door, and insisted upon leading them to the pool area though Gallagher certainly knew the way. “I used to live here, ma’am. I’m your employer’s son.”

Along a flagstone path, beneath a wisteria archway, through a garden whose roses were mostly spent, fallen. Hazel glanced into tall windows bordered by leaded-glass panes. She saw only her own faint and insubstantial reflection.

And there, in his motorized wheelchair, in white T-shirt and tartan plaid trunks: Thaddeus Gallagher.

An invalid! Elderly, and obese! Yet the man’s eyes snatched at Hazel Jones, hungrily.

Close beside the pool they sat. A festive gathering! A male servant in a white jacket brought drinks. Thaddeus talked, talked. Thaddeus had much to say. Hazel knew, from Gallagher, that Thaddeus continued to oversee Gallagher Media, though he’d officially retired. Thaddeus woke at dawn, was on the phone much of the day. Yet he talked now with the air of one who has not spoken to another human being in a long time.

For this visit to Ardmoor Park, Hazel was wearing a summer dress of pale yellow organdy with a sash that tied at the back, a favorite of Gallagher’s. On her head, a wide-brimmed straw hat of an earlier era. On her slender feet, high-heeled straw sandals, with open toes. In a playful mood to celebrate Zack’s three-week residence at the Vermont Music Festival, she had painted both her fingernails and toenails coral pink to match her lipstick.

On the wheelchair footrest Thaddeus Gallagher’s toes twitched and writhed. The abnormally thick nails were discolored as old ivory. Like embryonic hooves they seemed to Hazel who could not help staring, revulsed.

This old man, Thaddeus Gallagher! A multi-millionaire. A much-revered philanthropist. Hazel recalled the wall of photographs in the lodge at Grindstone Island: a younger, less monstrous Thaddeus with his politician friends.

The shadow of death is upon him Hazel thought. She saw it, the fleeting shadow. Like the hawk-shadows passing over her and Gallagher as they’d climbed the steep hill on Grindstone Island.

Yet the older man confronted and confounded the younger. By quick degrees Gallagher lapsed into muttered monosyllables even as Thaddeus talked with zestful animation. Gallagher shifted uneasily in his chair, he seemed unable to catch his breath. Ordinarily, Gallagher did not drink alcohol at this hour of the day but he was drinking it now, very likely to show his father that he could. Hazel saw how he was refusing to glance at her. He was refusing to acknowledge her. Nor did he look Thaddeus Gallagher fully in the face. Gallagher looked like a man whose vision had gone blank: his eyes were open but he did not seem to be seeing. Hazel understood that she, the female, was meant to observe father and son: son and father: the elder Gallagher and the younger: meant to appreciate how the elder was the stronger of the two, in this matter of masculine will. This scene, Thaddeus had arranged.

At first, Hazel felt sympathy for Gallagher. As she’d felt a maternal protectiveness for Zack when he’d been a younger boy, at the mercy of older boys. But also impatience: why didn’t Gallagher confront his bully-father, why didn’t he speak with his usual authority? Where was Chet Gallagher’s corrosive sense of humor, irony? Gallagher had a superbly modulated “radio” voice he could turn on and off at will, playfully. He made his little family laugh, he could be devastatingly funny. Yet now at his father’s house the man who never stopped talking from morning to night was speaking vaguely, hesitantly, like a child trying not to stammer. This was the first Gallagher had returned to his childhood home since his mother’s death years before. It was the first Gallagher had seen his father in such intimate quarters since that time. He is remembering what hurt him. He is helpless as a child, remembering. Hazel felt a wave of contempt for her lover, unmanned by this overbearing invalid.