“You’re a wonderfully strong medium,” said Miss Booth.
Miss Climpson, surreptitiously flexing her ankle, was inclined to agree.
“We’ll put a screen before the fire this time,” said Miss Booth. “That’s better. Now!”
The hands were replaced on the table, which began to rock again almost immediately.
“We won’t lose any more time,” said Miss Booth. She cleared her throat slightly, and addressed the table.
“Is there a spirit here?”
Crack!
The table ceased moving.
“Will you give me one knock for ‘Yes’ and two for ‘No’?”
Crack!
The advantage of this method of interrogation is that it obliges the enquirer to put leading questions.
“Are you the spirit of one who has passed over?”
“Yes.”
“Are you Fedora?”
“No.”
“Are you one of the spirits who have visited me before?”
“No.”
“Are you friendly to us?”
“Yes.”
“Are you pleased to see us?”
“Yes. Yes. Yes.” •
“Are you happy?”
“Yes.”
“Are you here to ask anything for yourself?”
“No.”
“Are you anxious to help us personally?”
“No.”
“Are you speaking on behalf of another spirit?”
“Yes.”
“Does he want to speak to my friend?”
“No.”
“To me, then?”
“Yes. Yes. Yes. Yes.” (The table rocked violently.)
“Is it the spirit of a woman?”
“No.”
“A man?”
“Yes.”
A little gasp.
“Is it the spirit I have been trying to communicate with?”
“Yes.”
A pause and a tilting of the table.
“Will you speak to us by means of the alphabet? One knock for A, two for B, and so on?”
(“Belated caution,” thought Miss
Climpson.)
“Crack!”
“What is your name?”
Eight taps, and a long indrawn breath.
One tap -
“H – A -”
A long succession of taps.
“Was that an R? You go too fast.”
“Crack!”
“H – A – R – is that right?”
“Yes.”
“Is it Harry?”
“Yes, yes, yes.”
“Oh, Harry! At last! How are you? Are you happy?”
“Yes – no – lonely.”
“It wasn’t my fault, Harry.”
“Yes. Weak.”
“Ah, but I had my duty to think of. Remember who came between us.”
“Yes. FA-T-HE-”
“No, no, Harry! It was mo -”
“- A-D!” concluded the table, triumphantly.
“How can you speak so unkindly? ‘
“Love comes first.”
“I know that now. But I was only a girl. Won’t you forgive me now?”
“All forgiven. Mother forgiven too.”
I’m so glad. What do you do where you are, Harry?”
“Wait. Help. Atone.”
“Have you any special message for me?”
“Go to Coventry!” (Here the table became agitated.)
This message seemed to overwhelm the seeker.
“Oh, it really is you, Harry! You haven’t forgotten the dear old joke. Tell me-”
The table showed great signs of excitement at this point and poured out a volley of unintelligible letters.
“What do you want?”
“G – G – G -”
“It must be somebody else interrupting,” said Miss Booth. “Who is that, please?”
“G-E-O-R-G-E” (very rapidly).
“George? I don’t know any George, except Tom’s boy. Has anything happened to him, I wonder.”
“Ha! ha! ha! not George Booth, George Washington.”
“George Washington?”
“Ha! ha!” (The table became convulsively agitated, so much so that the medium seemed hardly able to hold it. Miss Booth, who had been noting down the conversation, now put her hands back on the table, which stopped capering and began to rock.)
“Who is here now?”
“Pongo.”
“Who is Pongo?”
“Your control.”
“Who was that talking just now?”
“Bad spirit. Gone now.”
“Is Harry still there?”
“Gone.”
“Does anybody else want to speak?;
“Helen.”
“Helen who?”
“Don’t you remember? Maidstone.”
“ Maidstone? Oh, do you mean Ellen Pate?”
“Yes, Pate.”
“Fancy that! Good-evening, Ellen. How nice to hear from you.
“Remember row.”
“Do you mean the big row in the dormitory? ”
“Kate bad girl.”
“No, I don’t remember Kate, except Kate Hurley. You don’t mean her, do you?”
“Naughty Kate. Lights out.“
“Oh, I know what she’s trying to say. The cakes after lights were out.”
“That’s right.”
“You still spell badly, Ellen.”
“Miss – Miss -”
“ Mississippi? Haven’t you learnt it yet?”
“Funny.”
“Are there many of our class where you are?”
“Alice and Mabel. Send love.”
“How sweet of them. Give them my love too.”
“Yes. All love. Flowers. Sunshine.”
“What do you -”
“P,” said the table, impatiently.
“Is that Pongo again?!
“Yes. Tired.”
“Do you want us to stop?‘
“Yes. Another time.”
“Very well, goodnight.”
“Goodnight.”
The medium leaned back in her chair with an air of exhaustion which was perfectly justified. It is very tiring to rap out letters of the alphabet, and she was afraid the soap-box was slipping.
Miss Booth turned on the light.
“That was wonderful!” said Miss Booth.
“Did you get the answers you wanted?”
“Yes, indeed. Didn’t you hear them?”
“I didn’t follow it all,” said Miss Climpson.
“It is a little difficult, counting, till you’re used to it. You must be dreadfully tired. We’ll stop now and make some tea. Next time perhaps we could use the Ouija. It doesn’t take nearly so long to get the answers with that.”
Miss Climpson considered this. Certainly it would be less wearisome, but she was not sure of being able to manipulate it.
Miss Booth put the kettle on the fire and glanced at the clock. “Dear me! it’s nearly eleven. How the time has flown! I must run up and see to my old dear. Would you like to read through the questions and answers? I don’t suppose I shall be many minutes.”
Satisfactory, so far, thought Miss Climpson. Confidence was well established. In a few days’ time, she would be able to work her plan. But she had nearly tripped up over George. And it was stupid to have said Helen. Nellie would have done for either – there was a Nellie in every school forty-five years ago. But after all, it didn’t much matter what you said – the other person was sure to help you out of it. How desperately her legs and arms were aching. Wearily she wondered if she had missed the last bus.
“I’m afraid you have,” said Miss Booth when the question was put to her on her return. “But we’ll ring up a taxi. At my expense, of course, dear. I insist, as you were so good in coming all this way, entirely to please me. Don’t you think the communications are too marvellous? Harry would never come before – poor Harry! I’m afraid I was very unkind to him. He married, but you see he has never forgotten me. He lived at Coventry and we used to have a joke about it – that’s what he meant by saying that. I wonder which Alice and Mabel that was. There was an Alice Gibbons and an Alice Roach – both such nice girls; I think Mabel must be Mabel Herridge. She married and went out to India years and years ago. I can’t remember her married name and I’ve never heard from her since, but she must have passed to the other side. Pongo is a new control. We must ask him who he is. Mrs. Craig’s control is Fedora – she was a slave-girl at the court of Poppaea.”
“Really!” said Miss Climpson.
“She told us her story one night. So romantic. She was thrown to the lions because she was a Christian and refused to have anything to do with Nero.”
“How very interesting.”
“Yes, isn’t it? But she doesn’t speak very good English, and it’s sometimes rather hard to understand her. And she sometimes lets the tiresome ones in. Pongo was very quick at getting rid of George Washington. You will come again, Won’t you? Tomorrow night
“Certainly, if you like.”
“Yes, please do. And next time you must ask for a message for yourself.”
“I will indeed,” said Miss Climpson. “It has all been such a revelation – quite wonderful. I never dreamed that I had such a gift.”