She looked at him, trying to be patient.

"Harold Timmons, Dulcie! I swear, Hal Reed is Harold Timmons. He was in the pictures that Kit found, standing next to Irving Fenner."

"I don't-"

"It's the same guy. Harold Timmons served time in those L.A. killings. Harold Timmons is Hal Reed. Jack's brother."

She stared at him. "Lori's uncle Hal."

"Lori's uncle Hal. Convicted in the L.A. killings."

"Is that… Is that why Jack locked her up? Not to keep her captive?" She looked at Joe, her green eyes huge. "But to keep her safe from Hal? But Hal's gone. Jack-"

"And maybe," Joe said, "to keep her safe from Irving Fenner, too?"

The two cats were quiet, thinking about that. "Where is she?" Dulcie whispered. "Where's Lori? Alone, in the library? And Fenner's out there."

Closing the album and gripping it in his teeth, Joe lifted it back into the box and nosed the lid into place. "Let's get out of here. We can-"

"Call from my place," she said. "Now, Joe. I want out of here now."

Galloping beside her to the garage, Joe was acutely aware of Dulcie's sudden uneasy feelings. Slipping into the garage beside her, he watched her leap to the top of the piled boxes, leap again, and he followed her up and through. Clawing at the plywood, pulling it back into place behind them, he was tense to get to a phone, get Harper over there to toss the Reed house- before Jack Reed, too, developed a sense of impending crisis.

Within minutes they were out the attic vent hole and into the oak tree. Even as they sailed from the tree to the ground, the hairs along Joe's back hadn't stopped bristling. But they were out of there, thank the great cat god for that, and were racing for a phone. They were scorching through the bushes when Dulcie stopped, stood looking at him.

"I'll make the call," she said softly. "If you'll hightail it over to the station, be there when Harper picks up."

"What's the difference?"

"I don't know. See what this call stirs up," she said softly. "Maybe we'll find out what Hyden was so excited about." She didn't know why, but she wanted him to be there. This case was Joe's baby, Joe had followed the cops when they retrieved the newspaper clippings, he was the one who had seen Harold Timmons's picture. "This is your party. Well, and Kit's party, big time. Go on, Joe. Go on over to the station."

Joe grinned, nosed her ear, and took off up a pine tree to the rooftops, heading fast for Molena Point PD. And Dulcie, watching him disappear across the roofs, turned and raced away through the tangled gardens, heading home. She had no idea the kit could have used their help just then. No idea that as they had fought their way out of Jack Reed's house, the kit was holding another lone vigil-that Kit wasn't finished with her surprises.

Kit was trotting across the roofs when she heard loud, angry voices on the sidewalk below. The sounds of two men arguing, plenty of shouting. Racing to the edge, leaning over with her paws in the gutter in a morass of rotting leaves, she peered down over the china shop's sign.

Two men stood below her, toe to toe. The tall man was really angry, shaking the little man: It was Irving Fenner. The kit froze, watching. She still didn't understand why, after he'd killed Patty, Fenner hadn't run away. Except, he'd wanted Lori. Now that he'd lost Lori, was he again looking for the child? But surely Fenner didn't think he could stay in this small town for very long without the cops finding him. That he'd been able to hide until she found him quite amazed the kit. Peering closer at the logo on the tall man's uniform, she realized that was Jack Reed. Her ears sharply forward, her whiskers bristling, Kit listened. Reed was saying, "You came up here to kill Patty, you bastard! I hope the cops-"

"You going to turn me in, Reed? Like you did in L.A.?"

"What're you doing here, what're you after?" Jack looked across the street at the library. "You watching someone, Fenner? Lori!" He grabbed Fenner and shook him. "What have you done with Lori?"

"You think I'd fool with your kid, Reed, after you blew the whistle on me?"

Reed shook him harder. "You were after Lori, even back then. Sick, Fenner. You're sick." He pulled his fist back. "Where is she? Where's Lori? What've you done with her!" He twisted Fenner's arm behind his back and marched him to a white truck. A pickup truck, a "Vincent and Reed" truck. People on the street just stood, looking.

Kit swallowed, trembling. Crouching, with her paws in the leaves getting soaked, she watched Reed shove Fenner in the truck, then swing around into the driver's seat. The next instant, they were gone. And Kit took off over the rooftops, heading for the nearest phone.

Atop Wilma's cherry desk beside the sunny window, shielded from the neighbors' view by the white shutters, Dulcie spoke into the speaker of Wilma's phone. The deep-toned living room, with its crowded bookcases, stone fireplace, rich paintings, and oriental rugs, always eased her, always calmed her anxieties. As she described for Max Harper the photographs of Jack Reed and his family, she imagined Joe Grey crouched above Harper's desk, listening. Imagined Harper and the gray tomcat joined in spirit by their mutual and intense objective. Giving Harper the location of the album in Jack's bedroom, she wondered how long it would take him to get a warrant. If the judge was in his chambers, maybe not long.

"Will you tell me your name?" Harper said, as he always did. "Tell me how to get in touch?" This was a ritual question to which Harper no longer expected an answer. Likely he'd never stop asking. Giddily, Dulcie wanted to tell him her name, wanted to say, Oh, you can reach me at Wilma's. If I'm not home, leave a message. Or call Clyde, Joe will pass it on.

Right. Having said all that was necessary for the case at hand, she terminated the call, pressing the speaker button, then sat staring at the electronic instrument, already feeling lonesome. She loved hearing Max Harper's voice right in her ear, close and personal. Loved the feeling that Molena Point's police chief was her secret friend, loved the giddy amusement of mystifying him. Loved knowing that he would never learn the identity of his two snitches. Seeing Captain Harper nearly every day, when she was in her dumb-animal guise, she always felt such a delicious high. She loved knowing that she and Joe and Kit had passed on to him the latest secret intelligence; for Dulcie, these were among life's most amazing moments.

Gloating over her morning's work, she had turned to leap down when, from the kitchen, she heard her cat door flapping, and then the thudding gallop of Kit racing through. Kit burst into the dining room and under the table as if bees were after her, nearly decapitating herself on the chair rungs. Through the living room like a runaway freight train and up on the desk-a streak of dark fur and streaming tail that nearly knocked Dulcie off the edge of the desk.

Crouched on the blotter, the kit pawed at the phone in a frenzy, pawed at the speaker button nearly exploding with impatience, and punched in the number that Dulcie had just dialed.

Lori, hurrying up into the hills, heard the courthouse clock strike noon. She was hungry again, in spite of her big breakfast with Cora Lee and Genelle and her cake and milk at Jolly's. Mama would say she was making up for lost time. When she thought about Pa snatching that man up and into his truck, she still didn't know what to make of it. What did Pa know? Did he know the beetle man had kidnapped her? Or was it something else? But she had to smile, because Pa was sure mad. She didn't like to think about what was going on, maybe she didn't want to know.

It was nicer going up the hills in the daytime, among the pretty cottages and with the sun so warm on her back. Seemed like forever since she'd felt really warm. The way seemed shorter, too, than when she'd climbed up in the cold dark with the wind pushing at her, and afraid of every shadow. When she saw the tall Victorian house ahead, with its gingerbread and its Secret Garden wall, she ran the last block, could hardly wait to be inside.