Genelle looked at Dulcie. "I kept the other four kittens. Neither I nor Melody knew-there was no way to guess-if you would be the most likely to speak. We thought you would, but we didn't know. And I… I thought even then that I wasn't well. We found the best home for you, where we could keep an eye on you. We chose Wilma with great care, but I told Wilma nothing.

"Your calico sister died when she was just six weeks old, a twisted intestine, the vet said. But you grew healthy, a wild, strong kitten. It was not until you began to steal your neighbors' lingerie, when you were little, that I felt sure you were more than you appeared to be. Melody did that when she was small; she so loved beautiful things."

Dulcie dared not speak. She couldn't stop shivering.

"Melody was not a young cat. She seemed determined to have that one litter. She died four months later." Genelle's voice shook. "It was… it was as if she knew. She wanted to produce at least one kitten like herself.

"And you were the only one." Genelle smiled and reached down to touch the peach-toned markings on Dulcie's nose and ears. "A bit of the Irish orange," she said with a fond, faraway look. "The other three cats are with me, orange tabbies, you've surely seen them around the village; they are dear, sweet cats, but they are normal, ordinary cats, not like you and Melody." Genelle rose, gripped her walker, and slowly crossed the terrace to the edge of the garden.

"It has taken a lot of self-control not to speak to you until now, my dear, nor to speak about you with Wilma. I thought that best. You have both guarded your secret as well as you are able, considering your busy life-you and your two friends," Genelle said softly.

Dulcie swallowed and backed away, slipping into the bushes again. That Genelle was aware of her ability was one thing. That Genelle knew about Joe Grey and Kit deeply alarmed her.

"Nor will I speak of them, to anyone," Genelle assured her, peering after her into the bushes. "I promise that. But I have enjoyed observing from afar the adventures I imagine for you three. From bits of news, my dear. From glimpsing you in the village, very busy and intent. From news clips about the crimes that have occurred in the village, and from the anonymous tips the police often receive. I know a couple of officers in the department, Dulcie. And I know a reporter or two. I hear things, things no one else would put together." The old woman laughed and winked. "And more power to you, my dear. The three of you are remarkable."

This was too much. Crouching deeper among the bushes, Dulcie was filled with feelings of chagrin, of betrayal.

She had no reason to feel that way. Indeed, she felt she could trust Genelle Yardley. But for a stranger to know about them, to have known all this time, to have been watching them… To Dulcie, the implications were immense and terrifying.

Stepping away from the walker but still holding on to it, Genelle knelt at the edge of the bushes, an exercise that took a great effort. "Please come out, please indulge an old woman. Mavity won't be here for another hour. Please come out so we can talk? And help me decide what to do about Lori?"

And Dulcie could do nothing else. She came out at last, her ears back, her tail switching.

"I don't mean to tell anyone about Lori," Genelle said. "It's very clear that she's afraid. But it seems to me that the child must go to the police on her own. Before her father knows she has the billfold." She looked hard at Dulcie. "Have you thought about what that billfold could mean?" Genelle rose, the effort so tiring that Dulcie longed to help balance her. Clutching at her walker, she turned away, making for her chair. Dulcie came out from the bushes then and leaped into the chair opposite, eyeing the last crumbs of bacon; crumbs were all that Lori had left.

Pushing the plate across to her, Genelle said, "It would be far safer for Lori if she'd go to the police now, of her own volition. Before Jack Reed knows what the child suspects, and that she has what could be damning evidence."

As the sun lifted above the eastern hills, and Dallas Garza hurried away from Otter Pine Inn to meet Max Harper, Joe Grey leaped into the bougainvillea vine, heading up to the kit's window. He wanted some answers. He halted halfway up, as, below him, Lucinda and Pedric emerged from the stairs into the gardens. Looking down, he watched the kit race ahead of them, all fizz and ginger and switching tail. The old couple, in the first cold light of dawn, was headed for the dining patio. Quickly Joe dropped down again to the bricks and followed.

No one else was out there at the garden tables; it was too early and too cold. Bundled in fleece coats and sheepskin boots and caps as if they were at the north pole, the Greenlaws seemed fixed on indulging their young runaway with a welcome-home patio breakfast. Even beneath the patio heaters, and seated beside the fire pit where flames danced, they had to be freezing. The moment they were seated beside the warming blaze, Joe trotted over and, before Kit could leap into a chair, he pressed against her, nosing her toward the far end of the garden, away where nosy waiters wouldn't overhear.

She followed him, scowling, but wide eyed with questions, glancing back at Lucinda and Pedric with a be-back-in-a-minute look. Lucinda and Pedric, watching the little drama, could say nothing, observed by an approaching waiter.

Deep beneath a pyracantha bush whose branches hung heavy with red berries, Joe stood looking at the kit. "I see you got home."

She hung her head, ashamed that she had worried everyone, but then smiled with smug delight. "I found him, Joe, I found the man who killed Patty and I went in his old dirty cottage and watched him and saw his car, too, and all the garbage like he's been there awhile and I-"

"Will you slow down, Kit? Tell me where. Does Harper know? Did you…?"

"I called Captain Harper just now from upstairs and told him it was an old gray Honda two-door all dented and the license number and told him where to find the newspaper clippings and the pictures of Patty and I put them where he can get them without a warrant like you told me and I told him about the gun but I don't know where that is except he might have it on him and I-"

"Kit!"

She tried to slow down, tried to be coherent. She told Joe what she had found and where, and the names of the four men in the clipping, and where she had hidden the envelopes. "Captain Harper said he was on his way."

Joe nodded. "So is Garza, he just left the tearoom." He was about to race away, when she raised a paw.

"The worst thing was the little girl…"

Joe stiffened.

"I chewed her ropes through like in that fairy tale and we got out all right and she ran and-"

"What little girl!"

"I don't know, Joe. I don't know her name, I couldn't talk to her. She got out with me, she opened the door, I couldn't, and we both ran in different directions."

"How old was she?"

Kit thought about this. "Maybe eleven or twelve, I guess. Brown hair."

"Lori?" Had this guy gone into the library and found Lori? Was this the guy she was hiding from? Patty Rose's killer, and not her own father? He didn't know what to think; this wasn't making sense. He nosed the kit's ear by way of thanks, and glanced toward the patio and the Greenlaws' table. "Your breakfast's getting cold," he said softly. And as Kit raced away to her eggs Benedict, Joe scorched out of the patio fast, his own stomach as empty as a drum. Taking to the rooftops, he headed across the village. His own breakfast seemed eons ago. Well before dawn, Clyde had fixed him a memorable omelet, tossing in some leftover salami and a slice of goat cheese, a delicacy to which Ryan had introduced their household-one of the benefits of a new woman in Clyde's life.