“I mean to say, tomorrow is Monday, Sara,” he protested as we reached Fourteenth Street. The deceptively chipper front of Tammany Hall rose into view on our left, looking the way it always did to me, like some crazy giant brick wardrobe. “And keeping up with what Croker and those swine are doing”-Mr. Moore pointed toward the hall-“requires constant and irritating effort. Not to mention the Spanish business.”
“Nonsense, John,” Miss Howard replied snappily. “Politics in this city are dead in the water right now, and you know it. Strong’s as lame a duck as ever sat in City Hall, and neither Croker nor Platt”-by which she meant the Democratic and Republican bosses of New York, respectively-“is about to let another reform mayor win in November. Come this winter it’s going to be back to business as filthy usual in this city, and nobody needs you to tell them so.”
As if to punctuate Miss Howard’s point, a sudden roar of laughter cut through the night as we waded through the rain-thinned horse manure and urine that coated Fourteenth Street. Once across, we all turned around to see a small crowd of well-dressed, drunk, and very happy men emerging from Tammany Hall, a fat cigar sticking out of each of their mouths.
“Hmm,” Mr. Moore noised in some discouragement, watching the men as he followed the rest of us west. “I’m not sure it’s quite that simple, Sara. And even if it is, that doesn’t clear up the larger issue of the Cuban crisis. We’re at a critical point in our dealings with Madrid.”
“Hogwash.” Miss Howard paused just long enough to grab Mr. Moore’s sleeve and pull him along faster. “Even if your area were foreign rather than metropolitan affairs, you’d be stymied for the moment. General Woodford”-referring to the new American minister to Spain -“hasn’t even left for Madrid yet, and McKinley doesn’t intend to send him until he’s gotten a full report from the special envoy to Cuba -what’s his name, that man Calhoun.”
“How the hell,” Mr. Moore mumbled despondently, “am I supposed to argue with a girl who reads more of my damned paper than I do…?”
“All of which,” Miss Howard finished up, “means that you’ll have nothing more to occupy your attention at the office tomorrow than the usual run of summer violence-oh, and there’s Queen Victoria’s jubilee, no doubt the Times will milk that dry.”
Mr. Moore couldn’t help but laugh. “Right lead column, all the way through the festivities-there’ll be special photos on Sunday, too. My God, Sara, doesn’t it ever get boring knowing all the angles?”
“I don’t know them on this case, John,” Miss Howard answered, as we started down Broadway. The sounds of the carriages in the street became a bit smoother as they hit the Russ pavement of the avenue, but the slight softening of the clatter didn’t ease Miss Howard’s edginess. “I don’t mind telling you, it frightens me. There’s something terrible about this business…”
A few more silent seconds of apprehensive walking, and they hove into view: first the Gothic spire of Grace Church, reaching up and above the surrounding buildings with a kind of easy majesty, then the yellow bricks and cloisterlike windows of Number 808. Our old headquarters was actually closer to us than Grace, bordering the churchyard on the uptown side as it did, but in that part of town you always saw the spire before anything else. Not even the ever-bright windows of McCreery’s department store across Broadway or the huge cast-iron monument to huckersterism that was the old Stewart store on Tenth Street could hold a wet match to the church. The only building that came close was Number 808, and that was because it had been designed by the same architect, James Renwick, who apparently had it in mind that this little crossroads of Broadway should be a memorial to our medieval ancestors instead of a pure and simple marketplace.
We approached the swirling, pretty ironwork of Number 808’s front door-art nouveau, they called it, a name what always struck me as pretty pointless, since I figured that the next artsy fellow who came along was always bound to lay claim to the nouveau part-and then Cyrus, Mr. Moore, and I all paused before entering. It wasn’t fear, so much; but you have to remember that just a year ago this place had been our second (and sometimes first) home during an investigation that’d seen unimaginable horrors brought to light and friends of ours mercilessly killed. Everything on Broadway looked pretty much the same as it had during those dark days: the department stores, the shadowy, ghostly yard and parish house of the church, the fine but not too fussy St. Denis Hotel across the street (also designed by Mr. Renwick)-all was as it had been, and that only brought the memories more vividly to life. And so we just waited a minute before we went inside.
Miss Howard seemed to sense our uncertainty and, knowing it to be well grounded, didn’t push too hard.
“I know I’m asking a lot,” she said, glancing around the street and speaking with rare uncertainty. “But I tell you-all of you-if you see this woman, talk to her for just a few minutes, hear her describe it-”
“It’s all right, Sara,” Mr. Moore interrupted, abandoning complaint and softening his voice to suit the scene. He turned first to me and then to Cyrus, as if to make sure that he was speaking for us all. We didn’t need to tell him he was. “It takes a moment, that’s all,” he went on, looking up at the façade of Number 808. “But we’re with you. Lead the way.”
We passed through the marble lobby and into the great cage that was the elevator, then started the slow, laborious drift up to the sixth floor. Looking at Cyrus and Mr. Moore, I could tell they knew as well as I did that, all nervousness aside, we weren’t going to come back down again without having gotten into something we might regret. Part of that was our mutual friendship for Miss Howard; part of it was, well, something that born New Yorkers just carry in their blood. A nose for the thing, call that thing whatever name you want: the story, the case, the ride-any way you cut it, we were getting on board. Oh, sure, we could pray that it wouldn’t involve the kind of devastation what the Beecham case had; but pray was all we could do, for we didn’t have the power to back out now.
The elevator came to the kind of heavy, sudden stop typical of commercial jobs, for Number 808 was a commercial building, full of furniture builders and sweatshops. That was part of the reason Dr. Kreizler had picked it in the first place: we’d been able to carry out our investigative affairs under the harmless cover of small businesses. But secrecy was no longer an issue for Miss Howard, and through the elevator grate I could see that she’d had a very tactful sign painted on the sixth-floor door:
THE HOWARD AGENCY
RESEARCH SERVICES FOR WOMEN
Drawing the elevator grate aside, she unlocked the door and then held it open as we all filed in.
The big expanse of the near-floor-through room was dark, with only the light from the arc streetlamps on Broadway and McCreery’s upper windows across the street throwing any illumination inside. But that was enough to see that Miss Howard had made only a few changes in the decor of the place. The furniture what Dr. Kreizler had bought at an antique auction the previous year-and what’d once been the property of the Marchese Luigi Carcano-still filled the room. The divan, large mahogany table, and big easy chairs rested on the green oriental carpets in their usual spots, giving the place the sudden, unexpected feel of a home. The billiard table was now in the back by the kitchen, covered with planking and a silk drape. It wasn’t the kind of thing, I figured, that would have given Miss Howard’s lady clients much reassurance. But the five big office desks were still there, though Miss Howard had arranged them in a row rather than a circle, and the baby grand piano still sat in a corner by one of the Gothic windows. Seeing it, Cyrus went over and lifted its lid with a little smile, touching two keys gently and then looking to Miss Howard.