Had Koheiji killed Makino? Was this man ravishing her the murderer she and Sano sought?
Koheiji tore open her skirts. The panic and vertigo dizzied Reiko, weakening her as she fought him. But her instinct for survival ignited her resistance. Her wish to see her husband and child again, and her determination not to surrender to evil, infused her with new strength. She heaved forward and slammed her head into Koheiji’s face. Pain exploded through her brow. Her vision went momentarily black. Koheiji yelled, and the sound revived her. The vertigo was gone, her mind clear. She saw Koheiji recoil from her. Blood poured from his nose and mouth.
“Hey, you like to play rough?” Koheiji said, grinning and licking the blood on his swollen lips. “Well, so do I.”
As he remounted her, Reiko shoved her knee hard into his groin. He howled in agony, rolled off her, and lay curled around his injured manhood. Reiko jumped to her feet. Tamura stepped between her and the door, his expression murderous, his sword held ready to slash.
“Get her!” Yasue shrilled.
Reiko saw a charcoal brazier on the floor near her. She snatched it up and hurled it at Tamura, striking him across his knees. He staggered. Soot and live, glowing coals flew out of the brazier. Fire blackened Tamura’s robes where the coals touched them. He dropped his sword and beat his hands against himself to extinguish the flames. Reiko raced toward the door.
“Stop her!” Tamura shouted, coughing amid a cloud of smoke.
Okitsu collapsed, but Yasue and Agemaki chased Reiko. Agemaki caught her sleeve. Reiko grabbed Agemaki by the arm, whipped her around, and flung her away. Agemaki tumbled knees over head. Yasue charged at Reiko, hands spread, screeching like a crow gone berserk. Reiko picked up a lacquer tray table and bashed her across the face. The housekeeper fell, stunned. Tamura had his sword back in hand. Out the door Reiko raced.
“She’s getting away!” Koheiji cried in a strangled voice.
Reiko heard Tamura’s footsteps pounding after her as she sped down the corridor. She burst through the door and ran down the steps into the garden. Trees, shrubs, and boulders were monochrome shapes beneath the dull silver sky of late dusk. Icy rain lashed her; the cold instantly chilled the skin bared by her torn robes.
Tamura shouted for the patrol guards. He called to Reiko, “It’s no use running. You won’t get out of Edo Castle alive.”
Fortunately, Reiko didn’t need to get out of Edo Castle, only to reach her home in the official quarter, a few streets distant. Answering shouts came from the patrol guards; their hurrying footsteps drew close. Reiko dashed between buildings, around corners, groping in near darkness. Across a courtyard she spied a crooked pine tree. Behind it loomed the outer wall of the estate. Reiko launched herself up the tree’s low branches and climbed through cold, prickly needles. She crawled onto the top of the wall, lowered herself feetfirst over the outer side, then dropped down.
In the private quarters of his estate, Sano sat drinking hot tea with Hirata in his office. Outside, temple bells tolled, summoning priests, monks, and nuns to evening prayer rites; the distant gunfire subsided as darkness fell. The watchdogs had left Sano to make their reports to Lord Matsudaira and Chamberlain Yanagisawa, but their men still occupied the house. Through open partitions that divided several rooms adjoining his office, Sano watched the maids feeding Masahiro his supper in the nursery. Two thugs sat near Masahiro, guarding him. The little boy didn’t chatter or laugh as usual; he and the maids were quietly somber. Detectives stood in the corridor, ready to protect the household from the unwanted guests. An ominous gloom infected the estate.
“What have you learned?” Sano asked Hirata in a low voice that wouldn’t carry to the thugs in the nursery or elsewhere on the premises.
Hirata also kept his voice low as he described his visits to Tamura and Koheiji. “After I left them, I checked their stories about what they were doing at the time of Daiemon’s murder. The other actors at the Nakamura-za say that Koheiji left the theater for more than an hour during the rehearsal last night. He didn’t tell them where he went, or why.”
“Then he lied when he told you he was at the theater the whole night,” Sano concluded.
“Yes. He was gone long enough to kill Daiemon,” Hirata said. “And Tamura’s alibi is almost as weak. His men confirmed that he went to the army camp, but I think they were lying.”
“Did you find out whether anyone in the camp saw him?”
“By the time I got there, all the troops had gone to the battlefield. But neither Tamura nor Koheiji admitted anything about the night Makino died. And there doesn’t seem to be any evidence to connect either of them to Daiemon’s murder.”
Disappointment and fatigue, combined with his fears for Reiko, weighed upon Sano. “The same can be said for the women as for the men.” Sano told Hirata the results of his inquiries. “Agemaki stuck to her story about sleeping through Makino’s murder without seeing or hearing anything. Okitsu changed hers to include a glimpse of Daiemon standing over Makino’s corpse with the murder weapon in his hand, but I think she invented that.”
“By herself, or with help from someone?” Hirata said.
“The latter, I suspect, and I have a good idea who that someone is.”
Hirata nodded in accord. Sano continued, “I spent the afternoon establishing the women’s movements of last night. Agemaki’s palanquin bearers say they carried her around town for a while, then took her to a teahouse. She went inside and drank, while they went to a gambling den around the corner. They picked her up and took her home about an hour later. The teahouse isn’t far from the Sign of Bedazzlement.”
“She could have sneaked over there while the bearers were away gambling,” Hirata noted.
“When I questioned the owner of the teahouse, he said Agemaki is a frequent customer. She went out to the alley for a while, but he assumed she’d gone to the privy,” Sano said. “Later, I visited the Sign of Bedazzlement, under protest from the watchdogs. The proprietor didn’t recognize her name or my description of Agemaki. If Agemaki is the woman Daiemon met, she took care to conceal herself. But here’s an interesting fact I uncovered: A girl who matches Okitsu’s description was seen at the house by a maid who works there.”
“Then Okitsu could be Daiemon’s mistress,” Hirata said.
“The girl came in a palanquin,” Sano said. “She went inside one of the rooms-the maid isn’t sure whether it was Daiemon’s. But the maid is sure the girl was gone by the time Daiemon was found dead and the police came.”
“What do Okitsu’s palanquin bearers say?”
“They took her to four different houses last night,” Sano said. “At each place, she went inside, then came out a short time later. They don’t know what she was doing, and they’re not sure of the locations.” Edo was a maze of houses similar in appearance, where even a person who knew the city well could become confused. “Tomorrow I’ll send a detective out with the bearers to retrace their route and see if they can point out the places Okitsu visited. The best thing that happened to me today is that I exhausted Otani and Ibe while leading them around Edo and resisted letting them rush me into a premature arrest.”
Sano exhaled through his teeth. “I’m more certain than ever that the women are withholding information about what happened the night Makino died. And their movements the night of Daiemon’s death are as suspect as Koheiji’s and Tamura’s. But if there’s any evidence that they’re guilty of either murder, I’ve yet to find it.”
“I did find one lead,” Hirata said, and he reported learning about the house Daiemon kept. “After I finished investigating Tamura and Koheiji, I went there and had a look. It seemed empty, but I didn’t go in. I decided I should tell you first.”