Two doors from Henry’s was the abandoned house. It wore cinderblock bandages over the windows and doorway like a mummy with blanked eyes and stilled howling mouth, and had a blasted yard with no fence or gate. The stoop was barren too, no rail. Possibly someone had taken the ironwork for scrap. The mummy house was a flat surface with no windows, so it made a high wall for wallball, a game where a spaldeen was bounced high against the wall by a thrower and caught by a catcher standing in the field of the street, zipping between cars to make the catch.
A spaldeen fit a hand perfectly and often seemed to be magnetized there. Henry and Davey in particular seemed only to have to lope a step or two and raise their hand to have a ball appear in their palms. A shot winged off the third floor of the abandoned house flew out the farthest, and one which cleared the gates on the opposite side of the street was a home run. Henry seemed able to do this at will and the fact that he didn’t each time was mysterious. Henry could err too, throw too high and roof a spaldeen, and then the groan would go out to buy another, and pocket change was collected. “That’s how many up there by now?” mused Alberto one day. “If I could get up there I’d be throwing them down all day.”
Dylan and Earl would be sent to visit the bodega and say the pregnant word, spaldeen, and Old Ramirez would supply another one suspiciously, resenting the business. Dylan would fondle the newborn pink spaldeen but surrender it instantly to Henry, and likely not touch it again until it was scuffed and enervated, bounced out from a thousand angled hurls. That was if Dylan touched it again at all. His chance came between games, the airy transitions when all arms unexplainedly dropped and someone asked for a suck of someone else’s Yoo-Hoo and someone else turned their T-shirt inside out stretched over their elbows, to the laughter of the girls. The spaldeen would roll inert to the gutter and Dylan could retrieve it and marvel at its destruction. Now it deserved roofing. Maybe Henry had a system, like an umpire taking baseballs out of circulation.
The stoop of the abandoned house was also a proscenium stage for secrets, hidden in plain sight in the middle of the block. The broken slate in front of the abandoned house was thirty feet of no-man’s-land. Dean Street ’s trees bunched, like the kids, in the center of the block. They seemed particularly inclined to cover the abandoned house in dappled shade, blobs of light like those thrown by the backyard ailanthus into Dylan’s bedroom, and to muffle the sound of parents calling kids’ names in for dinner into distant phenomena, like birds’ cries. Dylan walked his side of Dean with his head lowered and memorized the slate, could say when he was in front of Henry’s or the abandoned house without glancing up, just by the shapes at his feet, the long tilted slabs or the one sticking-up moonlike shape or the patch of concrete or the shattered pothole which always filled with water after those summer thunderstorms which came and instantly broke the humid afternoons into dark, electrified pieces.
Wallball, stickball, stoopball, touch. Henry and Lonnie played Alberto and Davey most afternoons, touch in the street, Puerto Rican against black, two-man football, screaming for a long catch in the stolen time between passing cars and the Dean Street bus. The bus stopped the game the longest, the players pressed impatiently against the doors of parked cars to make room, waving the bus on, faster, faster, go. Don’t be afraid of hitting us, they waved at the drivers. Just go, damn, don’t watch us, we watch ourselves.
One day Henry slapped the side of the bus hard with his palms, then lay flat in the street as though hit. The big bus ground to a halt and stood pulsing in the middle of the block, passengers craning heads to peer open-mouthed through the windows while the driver stepped out to see. Then Henry stood and laughed and ran, freakily fast, feet kicking back like a cartoon, and disappeared around the corner. Lonnie and Alberto laughed at the driver and then pointed down the block. “It wasn’t me, man,” said Lonnie, still laughing, spreading his hands wide in innocence. “Fuck you want me to do? I don’t even know the guy, he’s a crazy kid from the projects.” This lie was told in the street in front of Henry’s yard, his home. But the projects explained pretty much anything, so the driver shook his head and got back in the bus. Dylan watched.
The girls might play tag. There was something faintly regrettable and unmanly about tag but if the girls played Henry and Lonnie played too, and then Dylan and Earl were slipped into the circle of tapped feet-Eeny, meeny, miney, Moe, my-mother-says-to-pick-the-very-next-one. You might be It. As It Dylan floundered madly and sometimes heard himself yell. It made him a little yellish, he couldn’t say why. Nobody cared, everybody yelled sometimes seemed to be the verdict. Games dissolved mysteriously, groups bunched, It split into two, a boy chased a girl to the corner and out of the game. Subjects of focus changed like the angle of light. A kid might have a bunch of baseball cards one day, there was no explanation. Potential skully caps were collected, the need for wax discussed, but skully was never played. Maybe nobody knew how. Isabel Vendle looked out her window. The men on the corner arranged clacking dominoes, the fish store on Nevins Street was full of sawdust, a kid would come up from the projects and pierce the privacy of the Dean Street kids and everyone would be mysteriously jangled. Whole days were mysterious, and then the sun went down.
Dylan didn’t recall giving out his name but everyone knew it and nobody cared what it meant. They might sometimes bother to mention that he looked like a girl but it wasn’t apparently his fault. He couldn’t throw or catch but that was just too bad. Not everyone could was the general drift. So Dylan communed with the spaldeen in distaff moments, when it went dribbling to the curb or was punched down the street by the fender of a passing car. Dylan was pleased to fetch it then for the older boys who stood aggrieved, shaking their heads. The ball might be swept nearly to Nevins Street, to the bodega, it might be stopped by one of the grizzled domino players on the crates who’d peruse it briefly before turning it over. The spaldeen was always scarred from its encounter. “Roof it, Henry,” Dylan would whisper as he ran it back, whisper it to himself, but to the ball too, an incantation. Sometimes roofing it was the very next thing Henry would do. Then instead of calling for a new spaldeen the older boys would abruptly slink off, to hang on Alberto’s gate at the other end of the block and bathe in innuendoes and flicked cigarette butts from the teenagers on the stoop there. The teenagers were waiting for night. Dylan stuck to Henry’s concrete fence, the white kid. He could hear Rachel call from there, beyond he wasn’t so sure. From Henry’s and the abandoned house to his own Dylan knew the slate precisely.
The boy lingered in the study and paged through Isabel’s photo albums while the mother sat on the back terrace, smoking. Isabel watched a squirrel ribbon the telephone pole, begin to scurry across the fence top. The squirrel moved as an oscillating sequence of humps, tail and spine bunching in counterpoint. Some humped things are elegant, Isabel mused, thinking of her own shape.
Inside, an Italian plasterer reshaped a florette on the parlor ceiling, sweating atop a ladder in the corner by the high front window. The boy at Isabel’s table flapped the laden pages, absorbed as if he were reading.
The boy was humped too, over the book. More a hedgehog than a squirrel, Isabel decided.
“Can you get any flavor out of this?” said Isabel to the young mother, frowning.