The more my mother began to resent Deborah's visits, the more I began to anticipate them. I fell in love with Deborah, the way young girls often fall in love with women who are not their mothers. I loved her serene gray eyes, the ponchos and denim wrap skirts and sandals she wore, her straight hair that she let me manipulate into all sorts of silly styles. I longed for her casual appearance; my mother insisted whenever there was a gathering that I wear one of my ankle-length, faintly Victorian dresses, which she referred to as maxis, and have party hair, which meant taking a strand from either side of my head and joining them with a barrette at the back. At parties, Deborah would, eventually, politely slip away, much to the relief of the Bengali women with whom she was expected to carry on a conversation, and she would play with me. I was older than all my parents' friends' children, but with Deborah I had a companion. She knew all about the books I read, about Pippi Long-stocking and Anne of Green Gables. She gave me the sorts of gifts my parents had neither the money nor the inspiration to buy: a large book of Grimm's Fairy Tales with watercolor illustrations on thick, silken pages, wooden puppets with hair fashioned from yarn. She told me about her family, three older sisters and two brothers, the youngest of whom was closer to my age than to hers. Once, after visiting her parents, she brought back three Nancy Drews, her name written in a girlish hand at the top of the first page, and an old toy she'd had, a small paper theater set with interchangeable backdrops, the exterior of a castle and a ballroom and an open field. Deborah and I spoke freely in English, a language in which, by that age, I expressed myself more easily than Bengali, which I was required to speak at home. Sometimes she asked me how to say this or that in Bengali; once, she asked me what asobbho meant. I hesitated, then told her it was what my mother called me if I had done something extremely naughty, and Deborah's face clouded. I felt protective of her, aware that she was unwanted, that she was resented, aware of the nasty things people said.

Outings in the Volkswagen now involved the four of us, Deborah in the front, her hand over Pranab Kaku's while it rested on the gearshift, my mother and I in the back. Soon, my mother began coming up with reasons to excuse herself, headaches and incipient colds, and so I became part of a new triangle. To my surprise, my mother allowed me to go with them, to the Museum of Fine Arts and the Public Garden and the Aquarium. She was waiting for the affair to end, for Deborah to break Pranab Kaku's heart and for him to return to us, scarred and penitent. I saw no sign of their relationship foundering. Their open affection for each other, their easily expressed happiness, was a new and romantic thing to me. Having me in the backseat allowed Pranab Kaku and Deborah to practice for the future, to try on the idea of a family of their own. Countless photographs were taken of me and Deborah, of me sitting on Deborah's lap, holding her hand, kissing her on the cheek. We exchanged what I believed were secret smiles, and in those moments I felt that she understood me better than anyone else in the world. Anyone would have said that Deborah would make an excellent mother one day. But my mother refused to acknowledge such a thing. I did not know at the time that my mother allowed me to go off with Pranab Kaku and Deborah because she was pregnant for the fifth time since my birth and was so sick and exhausted and fearful of losing another baby that she slept most of the day. After ten weeks, she miscarried once again and was advised by her doctor to stop trying.

By summer, there was a diamond on Deborah's left hand, something my mother had never been given. Because his own family lived so far away, Pranab Kaku came to the house alone one day, to ask for my parents' blessing before giving her the ring. He showed us the box, opening it and taking out the diamond nestled inside. "I want to see how it looks on someone," he said, urging my mother to try it on, but she refused. I was the one who stuck out my hand, feeling the weight of the ring suspended at the base of my finger. Then he asked for a second thing: he wanted my parents to write to his parents, saying that they had met Deborah and that they thought highly of her. He was nervous, naturally, about telling his family that he intended to marry an American girl. He had told his parents all about us, and at one point my parents had received a letter from them, expressing appreciation for taking such good care of their son and for giving him a proper home in America. "It needn't be long," Pranab Kaku said. "Just a few lines. They'll accept it more easily if it comes from you." My father thought neither ill nor well of Deborah, never commenting or criticizing as my mother did, but he assured Pranab Kaku that a letter of endorsement would be on its way to Calcutta by the end of the week. My mother nodded her assent, but the following day I saw the teacup Pranab Kaku had used all this time as an ashtray in the kitchen garbage can, in pieces, and three Band-Aids taped to my mother's hand.

Pranab Kaku's parents were horrified by the thought of their only son marrying an American woman, and a few weeks later our telephone rang in the middle of the night: it was Mr. Chakraborty telling my father that they could not possibly bless such a marriage, that it was out of the question, that if Pranab Kaku dared to marry Deborah he would no longer acknowledge him as a son. Then his wife got on the phone, asking to speak to my mother and attacked her as if they were intimate, blaming my mother for allowing the affair to develop. She said that they had already chosen a wife for him in Calcutta, that he'd left for America with the understanding that he'd go back after he had finished his studies and marry this girl. They had bought the neighboring flat in their building for Pranab and his betrothed, and it was sitting empty, waiting for his return. "We thought we could trust you, and yet you have betrayed us so deeply," his mother said, taking out her anger on a stranger in a way she could not with her son. "Is this what happens to people in America?" For Pranab Kaku's sake, my mother defended the engagement, telling his mother that Deborah was a polite girl from a decent family. Pranab Kaku's parents pleaded with mine to talk him out of it, but my father refused, deciding that it was not their place to get embroiled. "We are not his parents," he told my mother. "We can tell him they don't approve but nothing more." And so my parents told Pranab Kaku nothing about how his parents had berated them and blamed them, and threatened to disown Pranab Kaku, only that they had refused to give him their blessing. In the face of this refusal, Pranab Kaku shrugged. "I don't care. Not everyone can be as open-minded as you," he told my parents. "Your blessing is blessing enough."

After the engagement, Pranab Kaku and Deborah began drifting out of our lives. They moved in together, to an apartment in Boston, in the South End, a part of the city my parents considered unsafe. We moved as well, to a house in Natick. Though my parents had bought the house, they occupied it as if they were still tenants, touching up scuff marks with leftover paint and reluctant to put holes in the walls, and every afternoon when the sun shone through the living-room window my mother closed the blinds so that our new furniture would not fade. A few weeks before the wedding, my parents invited Pranab Kaku to the house alone, and my mother prepared a special meal to mark the end of his bachelorhood. It would be the only Bengali aspect of the wedding; the rest of it would be strictly American, with a cake and a minister and Deborah in a long white dress and veil. There is a photograph of the dinner, taken by my father, the only picture, to my knowledge, in which my mother and Pranab Kaku appear together. The picture is slightly blurry; I remember Pranab Kaku explaining to my father how to work the camera, and so he is captured looking up from the kitchen table and the elaborate array of food my mother had prepared in his honor, his mouth open, his long arm outstretched and his finger pointing, instructing my father how to read the light meter or some such thing. My mother stands beside him, one hand placed on top of his head in a gesture of blessing, the first and last time she was to touch him in her life. "She will leave him," my mother told her friends afterward. "He is throwing his life away."