Miss Remington’s Sunday afternoon programme was different from her sister’s, but just as immutable. She always made herself a large strong cup of coffee, which she took up to her bedroom. When she had drunk it she ate a chocolate and occupied herself in going through her clothes, experimenting with face-creams, powders, and even, very tentatively, with lipstick. She had never felt sure enough about the lipstick to be seen wearing it outside her own room. She did not like the feeling or the taste of it, but its possibilities fascinated her. At some period she generally removed her Sunday dress, put on a dressing-gown, and lay down upon her bed. At five o’clock on this particular Sunday afternoon she was fastening her brooch and slipping her amethyst chain over her head. They did not have tea until five o’clock on Sunday, a habit formed so long ago that no one now remembered that when Mrs. Martin Brand taught a Sunday afternoon class in Farne this hour had been fixed in order that she might get home in time to pour out tea.
Miss Cassy, looking at herself in the glass with her head a little on one side, hoped that Penny had remembered to come home and put the kettle on. She was apt to be sadly forgetful when her mind was taken up with Felix. Really the way she ran after him was quite ridiculous. Girls nowadays simply didn’t care what anything looked like-no proper pride, no self-restraint. Felix would think more of her if she were not always at his beck and call.
She went downstairs, and met Penny coming through from the kitchen with the tea-tray. They were having tea in the parlour-they always had it there on Sunday. As Cassy Remington opened the door and Penny and the tray went in, Florence Brand sat up with a jerk and the Wessex Parson fell off her lap.
Cassy said, “Where’s Felix?” and Penny answered her.
“He said he didn’t want any tea. It’s lovely up on the cliff. I said I’d go back.”
It was at this moment that Eliza Cotton came out of the study on the other side of the house and went up the stair to knock on Ina Felton’s door. There was a little pause before the key turned in the lock, long enough to give Eliza time to disapprove. She didn’t hold with people locking themselves into their bedrooms, and she considered that Mrs. Felton did ought to rouse herself and go out with her sister and Mr. Cunningham. And not their fault if she didn’t, because she had heard them ask her. All the same, when Ina opened the door Eliza thought she was looking better-not what you would call hearty, but less like something that had been kept too long on ice. She said, “Oh, thank you, Eliza,” in quite a human voice, and they went back down the stairs together.
It was Miss Silver who enquired after Cyril Felton. Ina was stretching out her hand to take the cup of tea which Marian had just poured out for her. She stopped like that to look at Miss Silver.
“He said he was going to lie down in his room. He had a headache. He was up very late last night. He said he wanted a good sleep.”
Marian said, “He might like some tea. Richard, perhaps you wouldn’t mind seeing if he is awake. It’s the little room on the left of the front door as you come in.”
He said, “Of course,” put down his cup, and went out.
There was some talk between Miss Silver and Marian about Eliza’s tea-cake and Eliza’s superlative raspberry jam.
“Such a light hand. You may have the best recipe and the best materials, but there is a lightness of touch which, I believe, cannot be taught. My housekeeper, Hannah Meadows, has it, and I feel I am indeed fortunate. So much good food is wasted by bad cooking.”
Richard Cunningham opened the door and stood there.
“Miss Silver, someone wants to speak to you for a moment. Could you come?”
But when she reached the hall and the door was shut again he drew her away from it and said,
“I’m afraid I’m the person who wants to speak to you. Can you stand a shock?”
“What has happened?”
“Someone has stuck a knife into Cyril Felton. He’s dead.”
Chapter 34
Randal March was called to the telephone in the middle of his wife’s tea-party. As he had been buttonholed by old Lady Halbert who knew more people who had undergone operations than anyone else in England and loved to rehearse the particulars of each case with a terrifying command of detail, he was not really sorry to disengage himself.
The voice which met his ear when he took up the receiver was that of Inspector Crisp. It said in an exasperated tone,
“We’ve just had a call from Cove House. There’s been another death.”
“What!”
“That young fellow Felton. They’ve just found him dead in his bed. Stabbed. No weapon.”
“Who found him?”
“Mr. Richard Cunningham. Says he went to call him to tea and found him like that.”
“It was he who telephoned?”
“Yes, sir. I’m just off out there now. I thought I’d better let you know.”
March said, “Right-I’ll be along,” and hung up.
He found Crisp at Cove House, getting going with the business of looking for the weapon, taking fingerprints, taking preliminary statements. Not that the Inspector himself was personally concerned with anything but the statements, having brought with him two underlings and the police surgeon whom he had snatched from his Sunday tea. He had questioned Richard Cunningham, Miss Silver, and Eliza Cotton, but so far it had been possible to induce him to give Ina Felton a little more time.
Coming through the hall March encountered Miss Silver. Since it was impossible to believe that the meeting was accidental, he stopped and spoke to her.
“What has been happening? You did not ring me up yourself.”
“No. I thought it would be better to give Inspector Crisp the opportunity. I am very glad to see you. Randal, that poor girl Ina Felton-Inspector Crisp has not seen her yet. I have been hoping that he would wait until you came.”
“Where is she?”
“In her room, and her sister with her. I was going to ask you if I might be present when you see her.”
“Oh, yes-there should be someone there. And I’d like your opinion. I don’t pretend to know as much about girls as you do. But I’ll have to see Crisp first, and the surgeon.”
She went back into the dining-room, from which she had emerged to meet him. With the door just ajar, she sat there, her hands busy with her knitting, her ears attentive to every sound in the house beyond. Men’s feet tramping across the hall to the little room on the other side of the front door where Cyril Felton lay on his bed with a sheet thrown over him. She knew what they would see when the sheet was lifted, for she had stood there and seen how he lay on his right side with his knees a little drawn up, as a man lies when he is asleep. He had taken off his coat and hung it over a chair. He had pulled up the light coverlet of the bed as far as his waist. There was a rent in his blue shirt just below the left shoulder-blade where a knife had been driven home. The shirt, and the coverlet, and the blanket were soaked and red. But there was no knife. The head of the bed stood against the front wall of the house, fitting in awkwardly amongst furniture not intended for a bedroom. It was a light truckle bed, old-fashioned but serviceable, and easy to handle. A tall mahogany bookcase occupied the whole of the left-hand wall. A Victorian overmantel reached from the mantelpiece to the ceiling. A pedestal table in figured walnut had been pushed into a corner. There were chairs. There was a Brussels carpet. There was a whatnot with pampas grass in a Japanese jar. There was a wallpaper with what had been a bright pattern of roses, but was now a drab background for the photographs, watercolours, etchings, and engravings which did their best to cover it. An ugly, haphazard room, with a murdered man in it, and the warm May air coming in through the open casement window.