“Tetsu? Michiko?”

Since he had never entered through the rear, he didn’t know where the light switches were, and he followed the flame of his cigarette lighter around a maze of backdrop flats, prop chests, costume trunks. The Happy Paris had been shut the night before, and now the ballroom? Like parts of his life going dark.

“Michiko?”

There was no return glimmer or whisper, no card game or tango on a gramophone, let alone a welcome. Although Harry was late for Michiko, he decided to act the aggrieved party because she wasn’t waiting for him with sake and food. His back was burning, and he hadn’t had food or sympathy for a day. He remembered when he used to come to the ballroom with Oharu, how they had sat in the balcony and watched reflections from a mirror ball spin around the floor, over the men with their rolls of tickets and women lined up like pack animals along a velvet rope. The painful couples they made, stepping on each other’s feet to the quickstep, fox-trot, waltz. Oharu, the real dancer, would giggle and shush Harry at the same time. The way the reflections spun, he would feel he was rising to the sky. It was interesting how much more disorienting pitch black could be. He kept walking into nowhere across the ballroom floor.

“Tetsu! Where are you?”

His voice circled.

“Michiko!”

He finally saw something. A realization filtered through him that the floor had become slippery and that a warm, cloying scent hung in the air. Harry slowed like a man approaching an abyss. He gave his breath a moment to catch up before the last few steps.

In the wavering light before him, a woman in a white dress with a blue sailor collar slumped at a card table. She didn’t have a head. Not on her, but her arms stretched across the table to a white wooden box the right size.

22

HE SET THE lighter on the table like a candle. Her hands were waxy, heavy in death. She wore Haruko’s dress, white with blue trim, now flecked with brown around the collar. She looked lonely. Harry supposed that anyone being executed felt alone, but the victims he’d seen in Nanking at least died in a war where death was the norm. To be killed like this, trapped by a man with a sword while a peaceful city lay outside, was to be particularly deserted. Her forearm was cool but soft, perhaps two hours dead. About the time Harry had arrived at the golf course, Ishigami must have arrived at the ballroom, where Harry had told Michiko to wait. He couldn’t have set her up better if he’d tried.

“No-”

Was he talking to her? This was a little late, he thought. What he was going to say was that he was just trying to help Willie and then alert the right people about nothing less than a war. It didn’t matter, because the right people weren’t interested. He certainly hadn’t helped her. Harry didn’t see his gun, so that hadn’t helped her, either.

“It’s not-”

He couldn’t imagine her dead. There was nothing sweet or pleasing about her, not the candy-box kind of love Americans sang about. He couldn’t imagine her dead because she was so difficult, she was the burning fuse, the spark and imminent explosion in his life. Where Michiko died, there should be a smoldering crater in the earth, a volcanic upheaval, at least the smell of gunpowder, instead of a sense that the air was awash in droplets of ruby red. He could almost feel the mist settle on his cheek. Ishigami had painted her once, now twice. Still, it wasn’t right, dull submission wasn’t Michiko’s style. With the world about to roll down the drain, it probably made no difference to examine an individual death, but Harry, having been a bust where the world was concerned, needed to know what had happened.

There should have been more blood. Blood should have flooded the table and the floor around it if she’d been killed where she sat. There was relatively little. Maybe this was coldhearted of him, but he could deal with details better than the whole picture, a little like Sergeant Shozo’s jigsaw puzzle, except that Harry refused to see the piece in the center or touch the wooden box, not yet. Before the lighter’s flame died, he looked up and found its dim reflection in the mirror ball hanging above, and another glint from a brass post of the velvet rope. Now he knew where he was.

In the dark, Harry climbed to the cockpit over the door and threw on the house lights: whites, cells, spots and mirror ball all at once. The ballroom leaped out of the dark. Michiko and table gained color, focus, dimension. The size of the ballroom, the gilded ceiling and balcony tier made her smaller, braver, a child prodigy playing to an empty house. The parquet shone except for two tracks from the table to the swing door of the women’s restroom.

The ballroom management had kept the restroom’s size and amenities to a minimum to discourage dancers from loitering. The light was out; why bother changing it after the dancing had stopped? A broken window on an airshaft admitted as much dust as light to two sinks with a cracked mirror and two Western toilets without seats that sat in a floor of hexagonal tiles. Blood pooled around a central drain that was stopped with clotted hair. Harry edged around the blood, searching the ceiling and walls for a bullet hole and the floor for a loose button, anything dropped. Just going tacky, the blood bore the imprints of her knees and toes and a man’s shoes, relatively large, a red negative of where she knelt and where he stood.

Harry retreated to the dance floor.

“Tetsu!”

Tetsu was not in his office. Harry found cases of cigarettes, packs of cards, dumbbells, tattoo books, but no sign of blood or disarray. Harry returned to the bathroom door. Had Ishigami surprised Michiko in the bathroom? Had she put the gun down out of reach? Had she meekly sunk to her knees? Did she see the head box? Of course, Ishigami was the man who had peered deeply into her and found the geisha. In some ways, he might know her more intimately than Harry.

Then he set her up. He moved her with her toes dragging to a table in the middle of the ballroom floor and sat her in a chair. There he stretched her arms across the table as if setting the head box down or respectfully offering a gift. Then he locked the front door, which made no sense unless he wanted only Harry to find her. Harry had told her to wait at the ballroom. He was the one man sure to try every door.

Harry pictured it. Wood wasn’t paper, and Ishigami couldn’t punch through the restroom wall, but he could slip through the door, and in such poor light Michiko might not immediately see who he was. It still wasn’t right. Nobody who ever made love with Michiko came away unscathed. There’d be a shot or some of Ishigami’s blood. Overhead, the mirror ball hung like a ghostly daytime moon. Harry remembered her in her sequined jacket. There’d be something.

He approached the table again, circling as he neared, trying to chase the shakes out of his knees. Bullets were different. Once they left a gun they became, to some degree, middlemen between the killer and the victim. There was distance, if only an inch, and at long distance a sniper’s objectivity. A sword, however, never left the hand and was never less than personal. Harry remembered being the butt of bayonet practice at school and how passionately the drill sergeant sprayed spit as he urged students to plunge their bamboo poles through Harry’s wicker armor. How smooth, in comparison, Ishigami was. An artist. Americans wondered how samurai could fight in loose-sleeved kimonos, not understanding how the robes accentuated the sweep and thrust of the sword, and how the final plunge of steel through silk wrapped agony in beauty. Harry thought all this as if each idea were armor protecting him from the simple reality of a headless girl sitting like a sack of potatoes in a chair.