“We drill at school,” Gen said. “We train on Harry.”

The customer asked Harry, “They train on you, yet you’re still here? You have the quality of durability, if nothing else. Perhaps you have the makings of a soldier after all. But I saw you once in a movie house. You seemed more interested in women.”

“He’s in love with Oharu,” Gen said.

“Is that true?” the customer asked Harry. “Are you in love with a woman?”

Harry felt the color in his cheeks betray him. Held straight out, the sword trembled.

“It’s one thing to have a woman,” the customer said. “It’s another to be in love with a woman. To love a weaker person, what does that do for you? To mix inferior steel in a sword, does that make the sword weaker or stronger? Weaker…or…stronger?” He pulled back his sleeve and placed the inside of his wrist under the sword. Harry tried to hold the sword up, if not still, but his shoulders ached; the blade grew heavier and began to dip. Gen got to his knees to see. The blade’s edge just touched the customer’s skin, and a drop of blood circled his wrist. He didn’t flinch. He said, “True love can only exist between equals.”

As Harry let the blade fall, the customer neatly slipped his hand out of the way, took the sword and stepped back for more room. Sword at the perpendicular, he took a position of balance, knees slightly bent, looking right, left, making a complete turn, the blade slicing down, then on a horizontal arc, his kimono swirling around marble-smooth, muscular legs in the sort of dancelike move Harry had seen on the Kabuki stage and in samurai films, but never before with such a sense of ease and genuine menace, of an animal casually indulging in the briefest display of its claws. Harry knew in that instant the difference between being inside and outside the cage of a bear. The customer finished with a snap of the sword called “the flipping off of blood,” slipped the blade under his arm as if sheathing it and bowed to Harry.

“Excuse me, that was impolite. Worse, it was melodramatic.”

“No, it was wonderful,” Gen said. “It was the real thing.”

“Not yet,” the customer said, “but in time we will see the real thing. It is unavoidable.”

“He’s with the Kwantung army,” Gen told Harry. “That means Manchuria. They’ll see action there.”

“We should be going,” Harry said. “Let’s go, Gen.”

Gen said, “It would be rude to leave.”

The customer replaced the sword on the wall. He drew Gen up by the hand. “No, your friend is right, and there are more important things I’m supposed to be doing than entertaining every urchin who comes off the street.”

“Can I come again?”

“Perhaps you’ll deliver another print.”

“You’ve been very kind.” Harry tugged Gen toward the door.

Gen moved stiffly, reluctantly slipping his feet into his geta. The customer seemed to dismiss the two boys without as much as a nod, but as they stepped over the threshold, he told them to wait, went to the vase and bestowed on Gen the single chrysanthemum. Gen accepted the flower as if it were a sword itself, and although his thick black hair fell forward when he bowed, Harry saw a violet blush of pleasure spread across his cheeks.

HARRY FOUND KATO at the Folies, in the balcony with the manager watching a final act called “Amusing Violin.” The manager wore a greasy boater and snickered through an overbite stained from cigarettes and tea. He and Harry had never gotten along since the day Harry first stumbled into the dressing room. Onstage, a comic musician playing “The Flight of the Bumblebee” was afflicted with a rubbery bow and ridiculously overlong European tails that flopped around his feet. His bow caught in the strings, flew offstage like an arrow and was retrieved by Oharu in a skimpy one-piece and net stockings. She handed the sagging bow to the comedian. As he watched her stride away, his bow stiffened. The manager laughed in and out like a donkey.

Kato said to Harry, “I hear you let Gen deliver the print to the customer. I told you that only you should take it.”

“Nothing happened. He seemed to like Gen more than me.”

“Why not? Gen is a far more attractive boy than you. You are a mongrel, and Gen is the ideal.”

Flustered by Oharu, the comedian reached into his violin case and brought out a fan to cool himself. Not enough. He brought out an electric fan with a long cord and asked a musician in the orchestra pit to plug it in. The comedian directed its breeze up and down his body and along the bow.

“Tell me exactly what happened,” Kato said.

Harry recounted the scene at the customer’s house. Meanwhile, onstage, the comedian started “The Bumblebee” again but noticed a piece of paper drifting by and, in the midst of playing, speared it with his bow. It was sticky paper. It stuck to his bow, his shoe, his hand, finally to his forehead, and he played while blowing the paper up from his eyes. The audience around Harry laughed so hard they stuffed handkerchiefs into their mouths.

“This is great stuff,” the manager said.

Kato said, “He gave Gen a white chrysanthemum?”

“A gift.”

“And the customer, Harry. Tell me again, did he introduce himself?”

“No.”

“Then I will tell you. His name is Ishigami. Lieutenant Ishigami is a rising man in the army. He is the natural son of a royal prince, no one is quite sure who, so he has the protection of the court and a stipend from the imperial household. He could have gone into banking or writing poetry, instead he chose the army. He joined the Kwantung army so that he would be sure to come under fire from bandits or Russians or Chinese, and he acquitted himself so well that admirers call him a virtual samurai. So you might ask why he is here in Tokyo. Because, Harry, Ishigami is in disgrace. A board of inquiry is looking into the accusation that he is one of a circle of junior army officers agitating against the civilian government. Ishigami says his allegiance is to the emperor, not to politicians. This has made him even more popular with the army, and with patriotic groups in general, but while the board of inquiry meets, he is forced to lie low and waste his time with the likes of you and me and, apparently, your friend Gen. That’s why I wanted to send you. Ishigami wouldn’t touch you. You’re not his type.”

“What do you mean?”

The manager leaned over. “He means that a white chrysanthemum isn’t just a flower. It represents a boy’s tight little asshole. You didn’t know that, Harry? So I guess you don’t know everything after all. There is a certain kind of samurai, and there always has been. Don’t take it seriously, it’s just sex.”

The bow flew offstage again. Again Oharu retrieved it and peeled the paper from the comedian’s forehead. She had a languid way of strolling off forever. Harry felt a proprietary claim on those legs, those long flanks to which he had administered so many vitamin shots. The comic lectured his stiffening bow, but the bow tried to follow her, dragging him across the stage.

Harry was angry and confused. “Not Gen.”

“Why not?” the manager said. “Gen is a poor boy. Ishigami is a hero. His attention is worth seeking. All Gen has to offer is his beauty. If it means pulling down his pants, why not?”

“Gen’s not that way.”

“What way?” Kato said. “Up, down? Right, left? How would you know?” For the first time, Kato turned his eyes to Harry, who could see what a foul humor he was in. “You shouldn’t have let Gen take the package, Harry. You should have done as I told you.”

“I didn’t think it would make any difference.”

“Obviously it did.”

“I always made the deliveries. Gen wanted a turn.”

“Gen would do anything you do. He admires you. He also resents you. You are the stray dog that won favor, which I think made Gen all the more susceptible to attention from Ishigami. Gen has changed now, thanks to you. Not that part of Gen wasn’t that way. In the end, it’s all a matter of taste, and who are we to be judges, right, Harry? Well, I suppose we all admire you, you’re the best example of a survivor we’ve ever seen. That first day when they chased you up the stairway to the dressing room, I said to myself, Here is a fish that could live in a tree if it had to. I got very fond of you. I got too close.”