“This is becoming boring,” she said. “Maybe this reunion was a bad idea.”

Henri closed his fingers gently around her throat, still just playing a game. He felt her body tense and a film of sweat come over her skin.

Good. He liked her to be afraid. “Still bored?” He squeezed until she coughed, pulled at the restraints, wheezing his name as her lungs fought for air.

He released her, and then, as she gulped for breath, he untied her wrists. Gina shook out her hands and rolled over, still panting, said, “I knew you couldn't do it.”

“No. I couldn't do that.”

She got out of the bed and flounced toward the bathroom, stopping first to wink at the camera. Henri watched her go, then he got up, reached into his bag again, and walked into the bathroom behind her.

“What do you want now?” she asked, making eye contact with him in the mirror.

“Time's up,” he said.

Henri pointed the gun at the back of Gina's neck and fired, watched in the blood-spattered mirror as her eyes got large, then followed her body as she dropped to the floor. He put two more slugs into her back, checked her pulse, wiped down the gun and the silencer, placed the weapon at her side.

After his shower, Henri dressed. Then he downloaded the video to his laptop, wiped down the rooms, packed his bag, and checked that everything was as it should be.

He stared for a moment at the three diamond wristwatches on the nightstand and remembered the day he met her.

I? have time for you.

Together, the watches were worth a hundred thousand euros. Not worth the risk, though. He left them on the table. A nice tip for the maid, no?

Gina had used her credit card, so Henri left the room, closing the door behind him. He walked across the forecourt without incident, got into his rented car, and drove to the airport.

Chapter 99

By Sunday afternoon, I was back in my bunker, back to my book. I had a month's supply of junk food in the cupboard and was bent on finishing the expanded chapter outline for Zagami, who was expecting it in his e-mail box by morning.

At seven p.m., I turned on the tube: 60 Minutes had just started, and the Barbados murders were headlining the show.

Morley Safer was speaking: “Forensic experts say that when combined with the five Maui murders, the deaths of Wendy Emerson and Sara Russo are part of a pattern of brutal, sadistic killings, with no end in sight.

“Right now, detectives around the world are reexamining unsolved murder cases, looking for anything that can lead to a serial murderer who has left no known witnesses, no living victims, not a trace of himself behind. CBS correspondent Bob Simon talked with some of those detectives.”

Film clips came on the screen.

I watched retired cops interviewed in their homes and was struck by their somber expressions and quavering voices. One cop in particular had tears in his eyes as he displayed photos of a murdered twelve-year-old whose killer had never been found.

I turned off the set and screamed into my hands.

Henri was living inside my brain – in the past, the present, and the future. I knew his methods, his victims, and now I was adapting my writing to the cadence of his voice.

Sometimes, and this really scared me – sometimes I thought that I was him.

I uncapped a beer and drank it down in front of the open fridge. Then I wandered back to my laptop. I went online and checked my e-mail, something I hadn't done since leaving with Mandy for the weekend.

I opened a dozen e-mails before I came to one with the subject heading “Is everybody happy?” The e-mail had an attachment.

My fingers froze on the keys. I didn't recognize the sender's address, but I blinked at the heading for a long time before I opened the message: “Ben, I'm still working like a madman. Are you?”

The note was signed “H.B.”

I touched the strip of bandage stuck to my left side and felt the small device that was beaming my location to Henri's computer.

Then I downloaded the attachment.

Chapter 100

The video opened with a burst of light and an extreme close-up of Henri's digitally blurred face. He turned and walked toward a canopied bed in what looked to be a very expensive hotel room. I noted the elaborate furnishings, the traditional European fleur-de-lis pattern that was repeated in the draperies, carpet, and upholstery.

My eyes were drawn to the bed, where I saw a naked woman lying facedown, hands stretched out in front of her, tugging at the cords that tied her wrists to the headboard.

Oh no, here we go, I thought as I watched.

Henri got into bed next to her, and the two of them spoke in offhand tones. I couldn't make out what they were saying until she raised her voice sharply, asking him to untie her.

Something was different this time.

I was struck by the lack of fear in her voice. Was she a very good actor? Or had she just not figured out the climax?

I hit the Pause button, stopping the video.

Henri's ninety-second cut of Kim McDaniels's execution flashed into my mind in sharp detail. I would never forget Kim's postmortem expression, as if she was in pain even though her head had been detached from her body.

I didn't want to add another Henri Benoit production to my mental playlist.

I didn't want to see this.

Downstairs, an ordinary Sunday night was unfolding on Traction Avenue. I heard a street guitarist playing “Domino” and tourists applauding, the whoosh of tires on pavement as cars passed under my windows. A few weeks ago, a night like this, I might have gone down, had a couple of beers at Moe's.

I wished I could do it now. But I couldn't walk away.

I pressed the Play button and watched the moving pictures on my computer screen: Henri telling the woman that she cared only about her own pleasure, laughing, saying, “Always a price.” He picked up the remote control and turned on the TV.

The hotel welcome screen flashed by, and then an announcer on BBC World News gave a sports update, mostly football. Another announcer followed with a summary of various international financial markets, then came the breaking news of the two girls who'd been killed in Barbados.

Now, on my computer screen, Henri shut off the TV. He straddled the naked woman's body, put his hands around her neck, and I was sure that he was going to choke her – and then he changed his mind.

He untied her wrists, and I exhaled, wiped my eyes with my palms. He was letting her go – but why?

On screen, the woman said to Henri, “I knew you couldn't do it.” Her English was accented. She was Italian.

Was this Gina?

She got out of the bed and strolled toward the camera, and she winked. She was a pretty brunette in her late thirties, maybe forty. She headed to an adjoining room, probably the bathroom.

Henri got out of the bed, reached down, and pulled a gun from a bag that looked to be a 9-millimeter Ruger with a suppressor extending the muzzle.

He walked behind the woman and out of camera range.

I heard muffled conversation, then the phfffft sound of the gun firing through the suppressor. A shadow passed over the threshold. There was a soft, heavy thud, two more muffled shots, then the rush of running water.

Except for the empty bed, that's all I saw or heard until the screen went black.

My hands shook as I played the video again. This time I was looking for any detail that could tell me where Henri had been when he had surely killed this woman.

On my third viewing, I saw something I'd missed before.

I stopped the action when Henri turned on the TV. I enlarged the picture and read the welcome screen with the name of the hotel at the top of the menu.

It had been shot on an angle, and it was damned hard to make out the letters, but I wrote them down and then went out to the Web to see if such a place existed.