They were taller than the Sorns, the giants whom he had met in Mars. They were perhaps thirty feet high. They were burning white like white-hot iron. The outline of their bodies when he looked at it steadily against the red landscape seemed to be faintly, swiftly undulating as though the permanence of their shape, like that of waterfalls or flames, co-existed with a rushing movement of the matter it contained. For a fraction of an inch inward from this outline the landscape was just visible through them: beyond that they were opaque.

Whenever he looked straight at them they appeared to be rushing towards him with enormous speed: whenever his eyes took in their surroundings he realised that they were stationary. This may have been due in part to the fact that their long and sparkling hair stood out straight behind them as if in a great wind. But if there were a wind it was not made of air, for no petal of the flowers was shaken. They were not standing quite vertically in relation to the floor of the valley: but to Ransom it appeared (as it had appeared to me on Earth when I saw one) that the eldiis were vertical. It was the valley-it was the whole world of Perelandra-which was aslant. He remembered the words of Oyarsa long ago in Mars, “I am not hTe in the same way that you are here.” It was borne in upon him that the creatures, were really moving, though not moving in relation to him. This planet which inevitably seemed to him while he was in it an unmoving world-the world, in fact-was to there a thing moving through the heavens. In relation to their own celestial frame of reference they were rushing forward to keep abreast of the mountain valley. Had they stood still, they would have flashed past him too quickly for him to see, doubly dropped behind by the planet’s spin on its own axis and by its onward march around the Sun.

Their bodies, he said, were white. But a flush of diverse colours began at about the shoulders and streamed tap the necks and dickered over face and head and stood out around the head like plumage or a halo. He told me he could in a sense remember these colours-that is, he would know them if he saw them again-but that he cannot by any effort call up a visual image of them nor give them any name. The very few people with whom he and I can discuss these matters all give the same explanation. We think that when creatures of the hypersomatic kind choose to “appear” to us, they are not in fact affecting our retina at all, but directly manipulating the relevant parts of our brain. If so, it is quite possible that they can produce there the sensations we should have if our eyes were capable of receiving those colours in the spectrum which are actually beyond their range. The “plumage” or halo of the one eldil was extremely different .from that of the other. The Oyarsa of Mars shone with cold and morning colours, a little metallic-pure, hard, and bracing. The Oyarsa of Venus glowed with a warm splendour, full of the suggestion of teeming vegetable life.

The faces surprised him very much. Nothing less like the “angel” of popular art could well be imagined. The rich variety, the hint of undeveloped possibilities, which make the interest of human faces, were entirely absent. One single, changeless expression-so clear that it hurt and dazzled him was stamped on each and there was nothing else there at all. In that sense their faces were as “primitive”, as unnatural, if you like, as those of archaic statues from Aegina. What this one thing was he could not be certain. He concluded in the end that it was charity. But it was terrifyingly different from the expression of human charity, which we always see either blossoming out of, or hastening to descend into, natural affection. Here there was no affection at all: no least lingering memory of it even at ten million years” distance, no germ from which it could spring in any future, however remote. Pure, spiritual, intellectual love shot from their faces like barbed lightning. It was so unlike the love we experience that its expression could easily be mistaken for ferocity.

Both the bodies were naked, and both were free from any sexual characteristics, either primary or secondary. That, one would have expected. But whence came this curious difference between them? He found that he could point to no single feature wherein the difference resided, yet it was impossible to ignore. One could try-Ransom has tried a hundred times to put it into words. He has said that Malacandra was like rhythm and Perelandra like melody. He has said that Malacandra affected him like a quantitative, Perelandra like an accentual, metre. He thinks that the first held in his hand something like a spear, but the hands of the other were open, with the palms towards him. But I don’t know that any of these attempts has helped me much. At all events what Ransom saw at that moment was the real meaning of gender. Everyone must sometimes have wondered why in nearly all tongues certain inanimate objects are masculine and others feminine. What is masculine about a mountain or feminine about certain trees? Ransom has cured me of believing that this is a purely morphological phenomenon, depending on the form of the word. Still less is gender an imaginative extension of sex. Our ancestors did not make mountains masculine because they projected male characteristics into them. The real process is the reverse. Gender is a reality, and a more fundamental reality than sex. Sex is, in fact, merely the adaptation to organic life of a fundamental polarity which divides all created beings. Female sex is simply one of the things that have feminine gender; there are many others, and Masculine and Feminine meet us on planes of reality where male and female would be simply meaningless. Masculine is not attenuated male, nor feminine attenuated female. On the contrary, the male and female of organic creatures are rather faint and blurred reflections of masculine and feminine. Their reproductive functions, their differences in strength and size, partly exhibit, but partly also confuse and misrepresent, the real polarity. All this Ransom saw, as it were, with his own eyes. The two white creatures were sexless. But he of Malacandra was masculine (not male); she of Perelandra was feminine (not female). Malacandra seemed to him to have the look of one standing armed, at the ramparts of his own remote archaic world, in ceaseless vigilance, his eyes ever roaming the earthward horizon whence his danger came long ago. “A sailor’s look,” Ransom once said to me; “you know . . . eyes that are impregnated with distance.” But the eyes of Perelandra opened, as it were, inward, as if they were the curtained gateway to a world of waves and murmurings and wandering airs, of life that rocked in winds and splashed on mossy stones and descended as the dew and arose sunward in thin-spun delicacy of mist. On Mars the very forests are of stone; in Venus the lands swim. For now he thought of them no more as Malacandra and Perelandra. He called them by their Tellurian names. With deep wonder he thought to himself, “My eyes have seen Mars and Venus. I have seen Ares and Aphrodite.” He asked them how they were known to the old poets of Tellus. When and from whom had the children of

Adam learned that Ares was a man of war and that Aphrodite rose from the sea foam? Earth had been besieged, an enemy occupied territory, since before history began. The gods have no commerce there. How then do we know of them? It comes, they told him, a long way round and through many stages. There is an environment of minds as well as of space. The universe is one-a spider’s web wherein each mind lives along every line, a vast whispering gallery where (save for the direct action of Maleldil) though no news travels unchanged yet no secret can be rigorously kept. In the mind of the fallen Archon under whom our planet groans, the memory of Deep Heaven and the gods with whom he once consorted is still alive. Nay, in the very matter of our world, the traces of the celestial commonwealth are not quite lost. Memory passes through the womb and hovers in the air. The Muse is a real thing. A faint breath, as Virgil says, reaches even the late generations. Our mythology is based on a solider reality than we dream: but it is also at an almost infinite distance from that base. And when they told him this, Ransom at last understood why mythology was what it was-gleams of celestial strength and beauty falling on a jungle of filth and imbecility. His cheeks burned on behalf of our race when he looked on the true Mars and Venus and remembered the follies that have been talked of them on Earth. Then a doubt struck him.