'That's Mr Dixon, isn't it? What are you trying to…?'

'Hallaher…'

'Kindly stop this… ridiculous, this…'

'Three minutes up,' he neighed, slobbering. 'Finish off, please, time's up.' He added a last throat-peeling 'Hallaher', the phone at the full length of his arm, and fell silent. This was a rout.

'If you're still there, Mr Dixon,' Mrs Welch said after a moment, in a voice sharpened to excoriation by the intervening few miles of line, 'I'd like to tell you that if you make one more attempt to interfere in my son's or my affairs, then I shall have to ask my husband to take the matter up with you from a disciplinary point of view, and also that other matter of the…'

Dixon rang off. 'Sheet,' he said. Trembling, he reached for his cigarettes; in the last few days he'd given up all attempt to ration himself. He'd have to keep his date now; a telegram would be too curt. And Mrs Welch would probably station herself so as to intercept it anyway. As he was lighting his cigarette, the bell of the phone went off within two feet of his head; he started violently and began coughing, then took up the phone. Who could this be? An oboist for Johns, most likely, or perhaps a clarinettist. He said 'Hallo.'

A voice he realized with relief was quite strange to him said: 'Oh, have you a Mr Dixon living there, please?'

'Speaking.'

'Oh, Mr Dixon, I'm so glad I've got to you. Your University gave me the number. My name's Catchpole; I expect you've heard of me from Margaret Peel.'

Dixon grew tense. 'Yes, I have,' he said noncommittally. It wasn't the sort of voice he'd have expected Catchpole to have; it was quiet, polite, and apparently diffident.

'I rang up because I thought you might be able to give some news of Margaret. I've been away recently, and I haven't managed to get to hear anything of her since I got back. How is she these days, do you know?'

'Why don't you get hold of her and ask her yourself? Or perhaps you've tried that and she won't speak to you. Well, I can understand that.' Dixon began to tremble again.

'I think there must be some mistake about…'

'I've got her address, but I don't see why I should give it to you, of all people.'

'Mr Dixon, I can't understand why you're taking that tone. All I want to know is how Margaret is. There can't be anything objectionable about that, can there?'

'I warn you that if you're thinking of making a come-back with her, you're wasting your time, see?'

'I don't know what you mean by that. Are you sure you haven't got me confused with someone else?'

'Your name's Catchpole, isn't it?'

'Yes. Please…'

'Well, I know who you are all right, then. And all about you.'

'Please give me a hearing, Mr Dixon.' The voice at the other end shook slightly. 'I just wanted to know whether Margaret is all right or not. Won't you even tell me that?'

Dixon calmed down at this appeal. 'All right, I will. She's in quite good health physically. Mentally, she's about as well as can be expected.'

'Thanks very much. I'm glad to hear that. Do you mind if I ask you one more question?'

'What is it?'

'Why were you so angry with me a moment ago when I asked you about her?'

'That's pretty obvious, isn't it?'

'Not to me, I'm afraid. I think we're talking rather at cross-purposes, aren't we? I can't think of any reason why you should have a grudge against me. No real reason, that is.'

It sounded remarkably sincere. 'Well, I can,' Dixon said, unable to keep the puzzlement out of his voice.

'There's some kind of mix-up here, I can see that. I'd like to meet you some time, if I may, and try to straighten things out. We can't do it over the phone. What about it?'

Dixon hesitated. 'All right. What do you suggest?'

They arranged to meet for a pre-lunch drink in a pub at the foot of College Road the next day but one, Thursday. When Catchpole had rung off, Dixon sat for some minutes smoking. It was worrying, but then most of the things that had happened to him recently were that, and a good deal more besides. Anyway, he'd turn up and see what was what. Keep quiet about it to Margaret, of course. With a sigh he referred to the pocket diary for 1943 in which he wrote down telephone numbers, pulled the phone towards him again, and gave a London number. In a little while he said: 'Is Dr Caton there, please?'

There was another brief delay, then a rich confident voice came clearly over the line: 'This is Caton.'

Dixon gave his name and that of his College.

For some reason, the richness and confidence of the other voice waned sharply. 'What do you want?' it asked snappishly.

'I read about your appointment, Dr Caton - incidentally may I offer my congratulations? - and I was wondering what was going to happen to that article of mine you were good enough to accept for your journal. Can you tell me when it'll come out?'

'Ah, now, Mr Dickerson, things are very difficult these days, you know.' The voice was confident again, as if reciting a saying-lesson it knew it knew. 'There's quite a lot of stuff waiting to go in, as you can imagine. You really mustn't expect your article - which I liked very much, I may say - to go in in five minutes, you know.'

'I appreciate that, Dr Caton; I can quite understand there must be a long queue. I was just wondering if you could give me some sort of tentative date, that's all.'

'I wish you knew how difficult things are here, Mr Dickerson. Setting up our kind of stuff in type is a job which only an exceptionally highly-skilled compositor can tackle. Have you ever thought what slow work it must be getting even half a page of footnotes set up?'

'No, but I can quite see it must be a very complicated matter. All I wanted to know, actually, is a rough idea of when you think you could manage to get my article out.'

'Well, as to that, Mr Dickerson, things aren't by any means as simple as they may look to you. You probably know Hardy of Trinity; I've had a thing of his at the printers for weeks now, and two or three times a day, or even more, I get them coming through on the phone with some query or other. Very often, of course, I just have to refer them to him, when it's a question of a foreign document or something of that kind. I know chaps in your position think an editor's job's all beer and skittles; it's very far from being that, believe me.'

'I'm sure it must be most exacting, Dr Caton, and of course I wouldn't dream of trying to pin you down to anything definite, but it's rather important to me to have some estimate of when you'll be able to publish my article.'

'I can't start making promises to have your article out next week,' the voice said in a nettled tone, as if Dixon had been stupidly insisting on this one point, 'with things as difficult as they are. Surely you must see that. You don't seem to realize the amount of planning that goes into each number, especially a first number. It's not like drawing up a railway timetable, what? what?' he finished, loudly and suspiciously.

Dixon wondered if, without knowing it, he'd allowed an imprecation to pass his lips. A hollow, metallic tapping had begun on the line, like galvanized iron being hammered in a cathedral. In a louder voice he said: 'I'm sure it isn't, and I'm quite resigned to the delay. But to be quite frank, Dr Caton, I want rather urgently to improve my standing in the Department here, and if I could just quote you, if you could give me a…'

'I'm sorry to hear of your difficulties, Mr Dickinson, but I'm afraid things are too difficult here for me to be very seriously concerned about your difficulties. There are plenty of people in your position, you know; I don't know what I should do if they all started demanding promises from me in this fashion.'

'But Dr Caton, I haven't been asking you for a promise. All I want is an estimate, and even the vaguest estimate would help me - "the second half of next year" for example. You won't be committing yourself in the least by just giving me an estimate.' There was a silence which Dixon interpreted as one of maturing rage. 'Could I have your permission to say "the second half of next year" when I'm asked?'