Then I looked across the lake again and the smile faded. There was about an hour of light left. Plenty of time to call the cops. I said, "If we call the cops, they might blow it. The guys across the lake are pros. They're there to protect Torobuni and those other guys, and they won't hesitate to pull the trigger. I want the girl and I want her safe and if it's me over there I won't be worrying about something else when I should be worrying about her."

He looked at me through the mirrored lenses with no expression. "You mean us over there."

"Yeah."

The little girl tossed her last piece of bread, then ran back up the wharf into the arms of a tall man with glasses. The tall man scooped her up and heaved her toward the sky. Both of them laughed.

Pike said, "You're riding the edge on this one."

I nodded.

"Be careful."

I nodded again. "No one has ever been there for her, Joe."

The little girl and the tall man walked back toward the parking lot. Holding hands.

Pike and I went along the shore past boat slips and a tour boat dock and several small shops to a wooden wharf with a flotilla of little aluminum boats around it. There were kids on the wharf, and moms and dads wondering whether or not it would be safe to rent one of the boats so late in the day. At the end of the wharf there was a wooden shed with a rail-thin old man in it. He needed a shave. We went out on the wharf past the moms and dads and kids and up to the shed. I said, "We'd like to rent a boat, please."

"I got'm with six- or nine-pony 'Rudes. Which you want?"

"Nine."

He turned a clipboard with a rental form toward me. "Fill that out and gimme a deposit and you're all set."

He came around with a red plastic gas can and got into one of the boats and filled its tank. "Watch out for those rat bastard ski boats," he said. "Damn rich kids come out here and run wild all over the goddamn lake. Swamp you sure as I shit peanuts." He was a charming old guy.

"Thanks for the tip," I said.

He looked at Pike's duffel bag. "You plannin' on doin' some fishin'?"

Pike nodded.

The old guy shook his head and hawked up something phlegmy and spit it in the water. "Rich little bastards in their ski boats ruined that. You ain't gonna catch shit."

"You'd be surprised at what I catch," Pike said.

The old man squinted at Pike. "Yeah. I guess I would."

It took twenty minutes to cross the lake. There was mild chop and wakes from the ski boats but the little Evinrude motor gave us a steady dependable push. Halfway across we could make out the houses that dotted the north shore, and a little past that I turned to a westerly heading, looking for Torobuni's.

Pike took the Colt Python out of the duffel and clipped it over his right hip. He snapped a little leather ammo pouch beside it. The pouch held two six-round cylinder reloads. He went back into the duffel and came out with a sawed-off Remington automatic shotgun and a bandolier of Hi-Power shotgun shells. It was a 12-gauge skeet gun with a cut-down barrel and an extended magazine and a pistol grip for a stock. It looked like an over/under, but the bottom tube was the magazine and had been modified to hold eight rounds. Pike had done the modifications himself. He put the bandolier around his waist, then took out eight shells and fed them into the shotgun. Buckshot.

Torobuni's elaborate dock with its boat house and slips and bright yellow sun awning wasn't hard to spot. The stonework was intricate and beautiful and gave a sense of enduring wealth. It was easy to imagine long-ago times when life resembled an Erté painting and men and women wearing white stood on the dock sipping champagne. I said, "You see it?"

Pike nodded.

From the water you could see up past the dock and the boat house and along the walks that wound through the trees up to Torobuni's mansion. The carriage house was to the right of the main house and about sixty yards up from the lake. On both sides of the property big walls started at the water. There were two guys sitting under the awning and another guy walking up toward the carriage house. One of the guys under the awning went into the boat house, then came back with a third guy. A man and a woman on jet skis buzzed around the point, looped into the cove, then out again. The woman was maybe twenty-five and had a lean body and the world's smallest bikini. One of the guys under the awning pointed at her and the other two laughed. Nothing like America.

Pike said, "Property to the right is what I was talking about. We put the boat in there and come around the wall, the guys under the awning won't be able to see us."

The home next to Torobuni's was a sprawling Cape Cod with a sloping back lawn and a new wooden dock. The trees had mostly been cleared from the east side of its property, but Torobuni's side was still wooded and trees kneed out into the water. A sleek fiberglass ski boat was in one of the house's two slips, tied down and tarped, and the house was shuttered tight. Whoever owned the Cape Cod probably wouldn't be up until the weekend.

We stayed well out in the cove until we were past Torobuni's, then turned in and crept back along the shoreline. The sun was painting the western rim of the mountains and the sky was green and murky and cool. End of the day, and you could smell burning charcoal as people fired their barbeques. We tied up by the ski boat, then crept along the shore to the clump of pines at the end of Torobuni's wall. We stepped into the lake and went around the wall and into the trees, Pike keeping the Remington high and out of the water. There were voices from the far side of the boat house and music from the main house and somewhere someone smoked a cigarette, and men laughed. We waited.

The sun sank further and the sound of ski boats was replaced by crickets and pretty soon there were fireflies.

We moved up along the wall to the carriage house and waited some more and pretty soon a short guy with thick shoulders and no hair drifted out of the main house carrying a couple of Coors. He came over to the carriage house, kicked at the door, and said something in Japanese. The door opened and the guy with the cheap mustache stepped out. The mustache took one of the Coors, and the two of them headed down to the lake. Pike and I looked in a side window. One large room with a double bed and two lamps and an old wing-back chair and a half bath and no Mimi. I said, "Main house."

We slipped through the shadows to the main house, then along its base to an empty room at the front corner of the house. There were two windows and both windows were dark, though the door across the room was open and showed a dimly lit hall. I cut the bottom of the screen, reached through to unlatch the frame, then pulled myself up and went in.

The room had at one time been a child's bedroom. There were two little beds and a very old chest and a high shelf of toys that hadn't been touched in many years. Other people's toys. Torobuni had probably bought the place furnished and hadn't bothered changing the little bedroom. Maybe he had never even been in it. Pike handed up the shotgun, then came in and took the shotgun back. Standing in the dark I could hear voices, but the voices were far away.

We went out the door and along the dim hall, first me, then Pike. The dim hall opened onto a wider hall that ran toward the center of the house. There were a lot of old landscapes on the walls and a double door into what was probably a den or trophy room with antelope heads. Halfway down, a guy was sitting in a brown leather wingback chair, smoking a cigarette, and flipping through a Life magazine that had to be thirty years old. I took out the Dan Wesson, held it down at my side and a little bit behind, then stepped into the hall and walked toward him. When he looked up I gave him one of my best smiles. "Mr. Torobuni said there was a bathroom down here but I can't find it."