Martin asked Clare to stop at a newsagent on George Street, one good thing about being in a police car, perhaps the only good thing, was the fact that they could stop anywhere they wanted. LOCAL WRITER MURDERED, he read out to her from the Evening News as he climbed back into the car. “The reports of my death have been greatly exaggerated,” he added.

“Well, yes,” she said, puzzled, “because you’re not actually dead, are you?”

“No, I’m not,” he agreed. There was a photograph beneath the headline, it looked like some kind of poor-quality holiday snap that Martin couldn’t recollect ever seeing before, and he wondered where on earth they had got it from.

The traffic forced them to a halt outside the Assembly Rooms, where a poster announcing a gala benefit for Amnesty still displayed Richard Mott’s name, in smallish print near the bottom of the bill.

Clare took the opportunity to scan the newspaper. “You’re quite famous,” she said, sounding surprised. “Alex Blake, whose real name was Martin Canning, trained for the priesthood before becoming a religious studies teacher,” Clare continued, “… turned his hand to writing late in life.”

“I was never a priest,” Martin said, “that’s disinformation. And forty-two,” Martin said, “I hardly think that’s late in life, do you?”

She said nothing, merely smiled in that sympathetic way again. He wondered how old she was, she looked about twelve.

He opened a packet of Minstrels he’d bought in the newsagent and tipped some into her palm. “What kind of books do you write, then?” she asked.

“Novels.”

“What kind of novels?”

“Crime novels,” Martin said.

“Really? That’s ironic, isn’t it? Fiction stranger than truth and all that.”They set off again, plowing through the clotted traffic as far as the next zebra crossing, where a seemingly endless line of peo-ple trailed in front of them. “They go slow on purpose,” Clare said, “gives them a false sense of power, but at the end of the day, they’re on foot and I’m in a car.”

“The author of seven novels based on private detective Nina Riley,” she continued to read relentlessly. “It’s good you have a woman heroine,” she said. “Is she a real kick-ass?”

Martin pondered the question, he liked the idea of Nina Riley being kick-ass, it elevated her out of the tweed-and-pearls postwar world into something more dynamic. She knew how to fly a plane and climb mountains, she had driven a racing car, she could fence, although the opportunities for swordplay were few and far between, even in the forties. “The blighter’s getting away, Bertie. I need a weapon-throw me that hockey stick!”

“Well, in her own way, yes, I suppose she is.”

“So do you make a living from it?” Clare asked.

“Yes. Better than most people. I’m lucky. Do you read much?” he added, in an attempt to steer the conversation away from him-self.

“No time.” She laughed. Martin couldn’t imagine a world where there was no time to read.

“His agent, Melanie Lenehan”-wow, there’s a tongue twister- “was quoted as saying,‘This is a tragedy in every sense of the word.Martin was just beginning to enjoy the fruits of his phenomenal success. He was writing at the top of his game.’” Martin felt a pang of disappointment that Melanie had not bothered to come up with any-thing better than banal platitudes. Or perhaps that’s what she believed he merited.

Clare accompanied him into the Four Clans and rang the brass bell on the counter. The thing about the police, Martin was beginning to notice, was that they behaved like people who didn’t need to ask permission, because, of course, they didn’t. Paul Bradley had possessed the same authority, it was something natu-ral and unstrained. These people didn’t spend their lives being apologetic.

A woman appeared reluctantly from the room at the back of the reception. She wiped a crumb from the corner of her mouth and gave them both an unfriendly stare. She had a bulky figure, and her ill-fitting gray suit and severe hairstyle, not to mention her de-meanor, reminded Martin of a prison governor. (Or rather his idea of a prison governor, never having met one in real life. Not yet, anyway.) She was wearing a badge that said MAUREEN, but she looked too formidable to be addressed with such intimacy. He caught a glimpse of a table in the back room, on which was a well-thumbed copy of the Evening News and a plate containing a half-eaten toasted sandwich. Even from where he was standing, Martin could see the blaring headline LOCAL WRITER MURDERED and make out his own grainy features in the photograph.

“Maureen” checked him in, unfazed by the fact that he was accompanied by a police officer. No mention was made of how he was going to pay the bill. He was handed the key to his room as if he were a prisoner who was allowed to lock himself into his own cell.

“Right, I’ll be off now, then,” Clare said. “Good luck, with the writing and…everything.”

On his weary way up the stairs, Martin caught the eye of the stag. It regarded him mutely, an expression of moody indifference on its moldy features.

30

“Murdered, Jackson!” Julia said, her face a pantomime of round-eyed horror, but she couldn’t keep the excitement out of her voice.

“Murdered?” Jackson echoed.

“I was eating lunch with Richard Mott yesterday, and today he’s dead. Caught the umpire’s eye and Bob’s your uncle-gone.” She pronounced “gone” as “gawn” in a Dick Van Dyke kind of cockney. She seemed positively euphoric compared with this morning. “The police have been round interviewing everyone. Murdered, Jackson,” she said again, relishing the word. They were standing at the door of the sweatbox that passed for a female dressing room in Julia’s venue, into which actresses from another play were also crammed, most of them in their underwear. Jackson tried not to look. He felt as if he were backstage at a strip show, albeit a rather highbrow one, where people said, “I can’t believe it, he was in my light the whole show yesterday.” Julia herself had changed out of her sackcloth-and-ashes costume but was still dithering, unwilling to leave the world of performance behind. Of course, for Julia every day was a performance in one way or an-other.

“You said you had a drink with him,” Jackson said. “You didn’t say you ate.”

“Does it matter?” Julia frowned.

“Well, not now,” Jackson said.

“What do you mean, ‘not now’? Would it have mattered if he was still alive?” Julia’s husky voice rose to a more theatrical pitch. She could have played to the whole of the Albert Hall without amplification if she’d wanted to. “I had a cheese roll, he had pasta, it was hardly cunnilingus.”

The underwear-clad actresses all turned to stare at them. “Please,” Jackson hissed. When had everything between them become so jagged? Had Richard Mott paid for lunch? No such thing as a free lunch, except for the biggest fish.

“And how are you feeling, Julia?” Julia said. “How did your preview go?”

“Sorry,” Jackson said. “How did your preview go?”

“I don’t want to talk about it.”

“Another preview? Tonight?” Jackson said.

“Well, God knows we need one,” Julia said, drawing hard on a cigarette and then breaking out into a fit of filthy coughing. They were standing in the street outside the venue. Just over twenty-four hours ago Jackson had witnessed Honda Man trying to kill Peugeot Guy on this very spot.

“I told you this morning,” Julia said vaguely when her scarred lungs had recovered from the coughing bout.

“I didn’t see you this morning,” Jackson said.

“You don’t listen,” Julia said. What a strangely wifely thing for her to say.

“I didn’t not listen,” Jackson said. “I didn’t see you.”