She checked her watch. It was a few minutes shy of 2, and customers were lined up along one end of the patio, at a long waist-high refrigeration case on wheels. A portable bar.

"Still serving?" she asked when her turn finally came. The bartender was an older man with thick, long sideburns that had probably cycled in and out of fashion several times over the years he had worn them.

"Sure," he said, unscrewing the cap on a generic cola and pushing it toward her, then pocketing the five dollars she handed him.

"No change?"

"Monopolies are a bitch, ain't they?"

"Don't gouge, Sam," a woman's clear voice cut in. "Either give her some change, or give her a beer."

"She with you, Kris?" The bartender sounded contrite. "Sorry, I didn't know. I thought she was one of those new kids who keeps showing up, ever since the band got written up in the Eagle." He exchanged the cola for something called a Shiner Bock. "Any friend of yours and Rick's is a friend of mine."

He moved to the end of the bar, to wait on another customer. Tess noticed he was pulling the beers from plastic coolers, not the metal ones built beneath the portable bar, and taking only cash, no credit cards.

"Loophole in the liquor law," explained her defender. "After two Hector's is a private social club, for members only. If Sam doesn't know you, he won't sell to you."

"So am I member now?"

"Yeah, that's why you didn't get any change from your five dollars. Beer is two dollars a bottle, and you can get set-ups-cokes, ginger ales, tonic-for a dollar. There's also food, although this isn't much of an eating crowd. Just bags of chips and pork rinds, and fresh tamales when Sam's wife gets inspired."

Her newfound friend was a blond, perhaps twenty-five, in an embroidered white blouse and dangling silver earrings. The costume was clearly meant to be Mexican, but on this milk-fed, apple-cheeked girl, the effect was more St. Pauli girl on her night off.

"Well, thanks," said Tess, who was unused to the kindness of strangers. "You made this out-of-towner feel pretty welcome. I'm Tess Monaghan."

"Kristina Johanssen," the girl said, thrusting out her hand. "Hector's can be pretty overwhelming on first visit. But you're in for a treat. How did you hear about Las Almas Perdidas?"

It took Tess a beat to recall this was yet another name for Crow's band. "Actually, I go pretty far back with them. The guy-Ed-used to be in a band up in Baltimore, Poe White Trash."

"You know Ed Ransome?" Kris asked breathlessly. "Really know him?"

"We worked together in my aunt's bookstore-"

"Too cool. Enrique-" Kris grabbed Tess's hand in hers, which was warm and sweaty as a little girl's, and all but dragged her to a nearby table, where a tall, bored-looking man sat. He was as dark as she was fair, and wore clothes that looked more suitable for a country club dance-white shirt, blazer, khakis. "Enrique, this woman knows Ed Ransome."

"Try not to get so carried away, sweetheart." Enrique's drawl was a surprise, the first genuinely Texan accent Tess had heard. It didn't seem to belong with the flan-colored skin and the Aztec warrior profile. "It's not like he's Willie Nelson or Merle Haggard. Hell, he's not even Freddie Fender."

"Oh, Enrique." While Kristina's vowel sounds were Midwestern flat, she trilled the R in her beloved's name with admirable skill. "You and that country music. Just my luck to finally find a Mexican boyfriend, only to discover he has the soul of LBJ."

"I think of myself more in the Kennedy mode, darlin'," he said, stretching out his long legs. His studied preppiness ended at his feet, where he wore well-shined black cowboy boots instead of tassel loafers. "Handsome, charismatic, great political future, women falling over me."

Kristina snorted. "You're more likely to defend a Kennedy than be one."

"I can only hope one of them runs afoul of the law in Bexar County," he replied placidly. "The case probably won't be as challenging as some of the capital murder cases I've tried, but then the check won't bounce, either."

Kris turned back to Tess. "This is my boyfriend, Enrique Trejo. I'd like to say he's usually not this obnoxious, but the fact is, he's a much bigger cabron most of the time. That means asshole."

"Rick Trejo," he said, holding his hand out to Tess. "And as long as we're having this little Spanish lesson, I wish I could introduce Kristina as mi novia, my betrothed, which sounds far more elegant than girlfriend or old lady, but she keeps refusing my pleas to make her an honest woman."

"Enrique." Kristina punched him on the arm-not some little fake girl punch, but a good, solid thump. "Don't involve strangers in our private life."

"Excuse me, but who brought this woman over to me? Miss, Miss-what is your name?"

"Tess Monaghan."

"Miss Monaghan, can you imagine why any woman in her right mind wouldn't marry me? I'm an attorney-"

"Well, there's one reason," Tess said.

"I'll ignore that. Lawyer jokes demean only those who tell them. As I said, I'm an attorney, with a thriving practice and the best winning streak of any criminal lawyer in the county. I'm handsome. Not being vain, just stating the facts of life as my mother has explained them to me."

"She does," Kristina put in. "She almost swoons every time he stops by. ‘Oh Ricky, que guapo.' She calls me la flaquita-the little skinny one. And I'm not even skinny by most people's standards. She thinks he can do much better than some Wisconsin gringa."

"And yet I don't want to do better," Rick said, pulling Kristina into his lap. "I'd settle for you, sweetheart. So what do you say? Say yes right now, and I'll let you have this goddamn punk conjunto music at the reception and you can walk down the aisle in one of those stupid Oaxacan dresses you love so much. I'll wear a guayabera, I'll let you fill our house with crap from your gallery. But you have to say yes right now."

"Shhh." She clamped a hand over his mouth, but she was laughing. Tess had never seen a more mismatched couple, or a happier one. "They're about to start."

The band emerged from the building at the edge of the vast patio. They had shucked their eighties costumes from the Morgue, and their eighties ennui along with it. This was an inspired, revved-up group, and the audience fed its energy. Emmie was right-the accordion, as wielded by the keyboard player, reinvented old songs and made the new ones soar. Tess felt a strange surge of pride, watching the couples get up to dance, hearing the slap of tapping feet on the poured concrete floor. Poe White Trash had never been this good. Crow had found his muse in Texas. Or in Emmie.

For she was the one everyone watched. She wasn't holding anything back and her full voice proved a huge, powerful thing with a life of its own. Tess finally understood why the voice was spoken of as an instrument. This was a separate entity that happened to live inside Emmie. As the set progressed, the voice seemed to grow stronger and stronger, while Emmie looked frailer. Her voice was like an incubus, drawing all the strength from her and she surrendered to it gladly, joyously.

After a fast thirty-minute set, the band broke, and while Crow disappeared inside Hector's, Emmie mingled with the crowd. With the men in the crowd, at any rate, flitting from table to table, bumming smokes from surly biker types. The surlier, the better.

Tess spotted the same moon-faced security guard from the Morgue, puppy eyes fixed on Emmie. He had it bad, she could tell-his dark skin was flushed with his yearning, his eyes had the same fixity of purpose that Esskay brought to a biscuit. Tess caught his eye and, feeling sorry for anyone lost in such a hopeless crush, waved for him to join them. He hesitated, then starteu walking over, keeping his gaze on Emmie as long as possible.