She rushed from the room, Hailey hard on her heels like a happy puppy. Sterling followed, moving more slowly, but still following. Whatever their personal differences, Colleen and Jack could work as a team when the situation demanded it.

"A good murder," Hailey had said, and to Tess's sorrow, she knew exactly what he meant. In her own newspaper days, she had done a brief rotation on the night rewrite desk. There, at a safe remove from victims and grieving relatives, one quickly learned that value system. Good murders, great murders, wonderful murders, all determined on a sliding scale of hometown, money, race, body count, and celebrity.

"We've got a good one." How many times had she said the same thing? How many times had her fingers flown with delight over the details of someone's final moments on earth? It was small consolation to remind herself that Colleen was the one who had called Wink's death the ultimate orgasm, a climax powerful enough to bring an entire newsroom to a collective shudder.

Chapter 12

Whitney was waiting in Tess's bare bones office when she returned from the ladies' room. Sitting in Tess's chair, scrolling through files in Tess's computer. Tess had nothing to hide, but still.

"So did Reganheartless try to shut you down?" Whitney asked, without lifting her eyes from the computer screen.

"She did shut me down. I'm still getting paid, but she's arranged it so I won't be able to talk to anyone on staff. Yet if I don't put in my hours, she'll say I've breached the contract and stop payment. I'm fucked. I have to come in here every day and sit at this desk doing nothing."

Whitney tapped a few keys and Tess heard a modem's rasping beeps and gurgles. She hadn't known the Blight's computer was equipped with one.

"Didn't Dorie tell you about the on-line capabilities built into the system here?"

"You mean the electronic library? I tried to use it over the weekend, but it's a fussy little program. Make one mistake and you have to start all over. The court files aren't much easier to use."

"Yeah, well, Marvin Hailey had a hand in designing our computer network, so that's to be expected. It's as jumpy as he is. But there are other things on the computer, too. Nexis, MVA records, Autotrack."

"I know about the first two. What's the last one?"

"A little program that allows you to find all sorts of stuff. Social Security numbers, past addresses, mortgage histories, current and former neighbors. Might be interesting to put Rosita through it."

"And Feeney."

"You know where Feeney has been the last twenty years of his life. And you know where he was that night." It was hard, to hear one friend's lie in another friend's mouth, as casual and uncontested as a passing comment on the weather. Why had Feeney told Whitney he and Tess were together that night? Now it was Tess's lie, too, and it was too late to disown it. "Rosita's the mystery woman."

"Not so mysterious. I talked to her over the weekend. Pretty routine résumé-last job was in San Antonio, she's from Boston, wants to move back there. No husband, no boyfriend."

Whitney picked up the receiver and held it out toward Tess. "You don't need Colleen's permission to dial long-distance. Just an access code and I'll give you that: five-four. Sheer coincidence, I assure you, nothing to do with our beloved publisher. What's the paper in San Antonio, the Eagle? No harm in checking out Rosita's reputation down there."

Tess took the phone and placed it back in its cradle. "You got me the job, Whitney. Now let me do it. My way."

Unlike most blunt people, who tend to be extremely tender about their own feelings, Whitney was nearly uninsultable "Okay. Just trying to be helpful. I'd ask you to lunch, but I have a squash date with Sterling, assuming it hasn't been overtaken by recent events."

Perhaps Colleen Reganhart wasn't so paranoid after all. Tess was surprised to feel a little stab of jealousy on her own behalf. "Lobbying for Japan? Or something bigger?"

" Japan is big enough. For now. And yes, I'm working all the angles. Luckily, Sterling is a better player than I am, when he isn't having problems with his back, or his carpal tunnel. It's hard to throw games without being too obvious about it."

Tess waited about five seconds after Whitney left, then pulled out the phone book and looked up the area code for San Antonio.

Newspaper bureaucracies are as byzantine and hierarchical as any government office. It took Tess almost an hour to find a San Antonio editor who would talk to her about Rosita Ruiz. Rosita's supervisor, the sports editor, seemed the obvious choice, but he referred her to the managing editor's office, where she learned the assistant managing editor for administration handled all such queries. It turned out this editor had an assistant who oversaw the two-year intern program, in which Rosita had been employed, and only he could serve as her reference.

"Edward Saldivar." His was a soft, young-sounding voice with a slight accent, one Saldivar seemed to try and minimize, anglicizing his first name as much as possible. Quite the opposite of Rosita, hitting her consonants with hurricane force.

"My name is Tess Monaghan and I'm checking Rosita Ruiz's references. She listed you as the contact there."

"Ah." When stalling for time, Saldivar made a singing sound, as if he were warming up his vocal cords for a chorale performance. "Our policy is to confirm the position an individual held here, and verify dates of employment, no more, no less."

"That's not exactly a reference."

"Ah." A little higher this time. "I see your point. But recent litigation by, uh, disgruntled workers, suggests companies should adopt uniform policies, lest they be accused of slander. Unfortunate, but that's the way everything is going today. Besides, Rosita left here more than six months ago, for a job at the paper up in Baltimore. Why don't you call them?"

"I'm calling for them, from their offices. Did you provide a reference then?"

"I don't recall being asked, and I don't know if someone else was contacted. But whoever was called would have given only the dates of employment. That's our-"

"Your policy. Yes, I understand, Mr. Saldivar. But Rosita has the job and she knows I'm calling you." A harmless lie. "Surely you should be able to speak freely about her work at the Eagle. She covered minor league baseball, right?"

"She worked here for nineteen months, leaving last October to join the Baltimore Beacon-Light."

"I thought she had a two-year internship. Why did it end in nineteen months?"

"It's not unusual for our two-year interns to leave for permanent positions at other papers before their terms are up. Rosita Ruiz resigned on October first after securing a job at the Beacon-Light, a larger paper that could afford to pay her much more. We were very happy for her. Good day, Miss Monaghan." Saldivar was not the type who would slam a phone down to end a conversation. No, he slipped the receiver back into place, almost as if he regretted breaking the connection. That was something she could learn from Saldivar, Tess decided, without the benefit of a two-year internship: Good manners are a great way to be rude.

It was almost 7 when Tess left the Blight, a lonely time in that forsaken neighborhood, especially on a rainy March night. Her shoulders ached, as did her neck, and she had a splitting headache. Doing nothing was hard work, and she had done little more than play solitaire with the computer after running into the dead-end known as Ed Saldivar. Out of sheer perversity, Tess had stayed even later than Colleen Reganhart had specified, forgetting she would have to walk back to Tyner's to get her car. On top of everything else, the Blight had forgotten to provide her a parking place, and the Nazi who supervised the lot had told her the visitor spaces couldn't be used by an employee, even one as tenuous as she.