There was my instrument cabinet across the room: neatly folded white towels on which lay rows of stainless steel forceps, scalpels, hypodermic needles, scissors, disinfectants, antiseptics; and I didn't even bother opening the glass doors. There was the little refrigerator: serums, vaccines, antibiotics, and half a quart of stale ginger ale my nurse had left; and I quietly closed the door. There wasn't much else: the office scale, my examining-table, an enamelled white wall cabinet of bandages, adhesive tape, iodine, mercuro-chrome, merthiolate, tongue depressors; there was furniture, rugs, my desk, pictures and diplomas on the wall – there was nothing.

I turned to Becky, my mouth opening to say something, and my heart stopped, then began to pound, and I took two fast steps to her chair, grabbing her shoulders and shaking hard, and her eyes flew open.

"Oh, Miles! – I was asleep." Her eyes opened wide in terror.

In the lower left-hand desk drawer, I found the Benzedrine tablets, went to the washroom for a glass of water, then gave Becky one tablet. I looked at the little bottle for a moment, then slipped it into my pocket without taking a tablet; I could hold out for a while yet, and it was best for us to take these alternately, the one keeping the other awake.

And now I sat at my desk, elbows on the glass top, clenched fists under my cheekbones, Becky watching my eyes to be sure I didn't sleep. If there was any way out of this, it was in my mind, not in my feet prowling the office.

Time passed, with an occasional brittle snap from the other side of the closed door before me, and we both heard, and neither of us would glance at that door. I made myself sit where I was, remembering everything I knew about the great pods.

After a time I looked up slowly; in the leather chair, across my desk, Becky sat silently and alertly watching me, her eyes bright now from the Benzedrine. Very quietly, both asking her advice and thinking out loud, I said, "Suppose, just suppose there was a way – not to escape; there's no way to escape – but to make them take us somewhere else, instead of here." I shrugged – "To the city jail, I guess. Suppose there was a way to do that?"

"What are you thinking of, Miles?"

"I don't know. Nothing, probably. I was thinking of a way to maybe spoil their damn pods; though I'm not even sure we could. But they'd just get more. They'd take us somewhere else, and get more. We wouldn't have accomplished a thing."

"We might gain a little time," Becky said. "Because I doubt if there are more pods at the moment. I think we saw all that were ready." She nodded at the window, and the street below. "I should think they'd have used all they had ready. Maybe the two out there" – she indicated the locked door – "are the last two we saw left, in Joe Grimaldi's truck."

"There are more growing; all we'd have gained is a little reprieve" – I was soundlessly, frustratedly hitting the knuckles of my fist into the palm of my other hand – "and that's not enough, it's no good." I was frowning hard, trying to think clearly. "A little more time isn't what we want to end up with; if there's a way to make them take us out of here, down out of the building, that has to be our chance; there won't be any other."

Becky said, "Do you think you could… hit them, knock them out unexpectedly, leaving the building? Like you did Nick Griv – "

I was shaking my head. "We've got to think real, Becky; this isn't a movie, and I'm not a movie hero. No, I couldn't possibly handle four men, or maybe even one. I very much doubt that I could handle Mannie, and Chet Meeker could break me in two. Maybe the professor, or the little fat man." I smiled. Then I spoke seriously again. "Hell, I don't even know we could make them take us out of here. Probably not."

"How would we try, though?" She wouldn't give up.

I pointed to the reception-room door. "Right now, if Budlong is right, the things out there are – preparing. Preparing, more or less blindly at first, to imitate, and duplicate whatever life-substance they encounter; cell and tissue, bone structure, and blood. And that means us – once we lie quietly asleep, our body processes slowed down and defenceless. But suppose… " I looked at Becky, hesitating; if this weren't the answer, I didn't know what else could be. "Suppose," I said slowly, "that we made those two pods out there expend themselves on something else. Suppose we provided a substitute: Fred and his girl friend."

She frowned a little, not getting what I meant, and I reached out and opened the wall closet beside my desk. "The skeletons," I said, pointing at them, standing hollow-eyed and grinning in my closet. "They did live." Suddenly I was talking rapidly and excitedly, almost as though convincing Becky were all I need do. "They're bone structure, human, and absolutely complete! And if Budlong is right, the atoms that compose them are held together still, by the very same sort of patterns of forcelines, or whatever he wants to call them, that held them together in life, and that hold ours together now. There they are – asleep and more than asleep! Ready, willing, and just possibly able, to be taken over, their patterns blindly copied and reproduced instead of ours!"

After a moment, Becky said, "We can't lose by trying, Miles," and before she finished, I was on my feet.

In absolute silence, infinitely careful not to bump the loose-swinging limbs against the closet walls, I lifted out first, the taller male skeleton, carried it to the locked reception-room door, and laid it on the floor, face down so we wouldn't see that grinning face. Seconds later I laid the female skeleton beside it.

We stood looking down at them for a moment, then I turned to the instrument cabinet at the wall, carefully opened the glass door, and took out a 20 cc. syringe. I tilted a glass alcohol dispenser against a wad of sterile cotton, then swabbed a small area on Becky's arm, then on mine, then led Becky to the reception-room door. From a vein in her forearm I withdrew 20 cc. of blood, and a moment later – quickly, before the blood could clot – the collar and several rib bones of the nearer figure on the floor were streaked red. From my own arm I withdrew another 20 cc., and bent quickly over the other figure.

"Miles, don't; don't."

I looked up to see Becky quickly shaking her head, eyes averted, her face paling, but I didn't stop.

"Miles, please; I can't stand it; the way they look; please don't. No more!"

I stood, and turned toward her. "All right" – I nodded. "I don't know at all that it'd do any good, except that it's just that much more living matt – " I let it go and didn't finish. But I left the figures on the floor as they were. I didn't really know what I was doing, but – I left them as they were.

I did one more thing, and didn't ask Becky's permission. I took my desk scissors, snipped off a good chunk of her hair, then a handful of mine, and scattered them on the two figures on the floor. Now there was nothing to do but wait.

We sat, Becky in the leather chair, I at my desk; then Becky began speaking. Slowly, doubtfully, and pausing often to look at me questioningly, she described an idea that had occurred to her.

I listened, and when she stopped, waiting for an answer from me, I smiled and nodded a little, trying not to look immediately discouraging. "Becky, it might – it probably would – work as far as it goes. But I'd still end up, struggling on a floor, with two or three men on top of me."

She said, "Miles, I know there's no reason why anything we can think of has to work out at all. But now you're thinking like a movie. Most people do – sometimes, anyway. Miles, there are certain activities most people never actually encounter all of their lives, so they picture them in terms of movie-like scenes. It's the only source most people have for visualizing things they've had no actual experience of. And that's how you're thinking now: a scene in which you're struggling with two or three men, and – Miles, what am I doing in that scene in your mind? You're seeing me cowering against a wall, eyes wide and frightened, my hands raised to my face in horror, aren't you?"