"Oh man, I'm really sick. I've never been this sick. I'm going into the D.T.s."

I put my hand on his shoulder. His muscles were as tight and hard as cable wire and quivering with anxiety. Then he covered his eyes and began weeping, his wet hair matted with dirt, his body trembling like that of a man whose soul was being consumed by its own special flame.

I DROVE OUT TO SPANISH LAKE TO FIND JULIE BALBONI. No one was in the security building by the dirt road that led into the movie location, and I dropped the chain into the dirt and parked in the shade, close by the lake, next to a catering truck. The sky was darkening with rain clouds, and the wind off the water blew leaves across the ground under the oak trees. I walked through a group of actors dressed as Confederate infantry. They were smoking cigarettes and lounging around a freshly dug rifle pit and ramparts made out of huge stick-woven baskets filled with dirt. Close by, a wheeled canon faced out at the empty lake. I could smell the drowsy, warm odor of reefer on the breeze.

"Could y'all tell me where to find Julie Balboni?" I said.

None of them answered. Their faces had turned dour. I asked again.

"We're just the hired help," a man with sergeant's stripes said.

"If you see him, would you tell him Dave Robicheaux is looking for him?"

"You'd better tell him yourself," another actor said.

"Do you know where Mr. Goldman is?"

"He went into town with some lawyers. He'll be back in a few minutes," the sergeant said.

"Thank you," I said.

I walked back to my truck and had just opened the door when I heard someone's feet in the leaves behind me.

"I need a moment of your time, please," Twinky Lemoyne said. He had been walking fast, holding his ballpoint pens in his shirt pocket with one hand; a strand of hair hung over his rimless glasses and his face was flushed.

"What can I do for you?"

"I'd like to know what your investigation has found out."

"You would?"

"Yes. What have you learned about these murders?"

I shouldn't have been surprised at the presumption and intrusiveness of his question. Successful businessmen in any small town usually think of policemen as extensions of their mercantile fraternity, dedicated in some ill-defined way to the financial good of the community. But previously he had stonewalled me, had even been self-righteous, and it was hard to accept him now as an innocuous Rotarian.

"Maybe you should call the sheriff's office or the FBI, Mr. Lemoyne. I'm suspended from the department right now."

"Is this man Balboni connected with the deaths of these women?"

"Did someone tell you he was?"

"I'm asking you an honest question, sir."

"And I'm asking you one, Mr. Lemoyne, and I advise you to take it quite seriously. Do you have some personal knowledge about Balboni's involvement with a murder?"

"No, I don't."

"You don't?"

"No, of course not. How could I?"

"Then why your sense of urgency, sir?"

"You wouldn't keep coming out here unless you suspected him. Isn't that right?"

"What difference should it make to you?"

The skin of his face was grained and red, and his eyelashes fluttered with his frustration.

"Mr. Robicheaux, I think… I feel…"

"What?"

"I believe you've been treated unfairly."

"Oh?"

"I believe I've contributed to it, too. I've complained to others about both you and the FBI woman."

"I think there's another problem here, Mr. Lemoyne. Maybe it has to do with the price of dealing with a man like Julie Balboni."

"I've tried to be honest with you."

"That's fine. Get away from Balboni. Divest yourself of your stock or whatever it takes."

"Then maybe he was involved with those dead girls?" His eyes were bright and riveted on mine.

"You tell me, Mr. Lemoyne. Would you like Julie for your next-door neighbor? Would you like your daughter around him? Would you, sir?"

"I find your remark very offensive."

"Offensive is when a stunt man gets his nose and ribs broken and an ear torn loose from his head as an object lesson."

I could see the insult and injury in his eyes. His lips parted and then closed.

"Why are you out here, Mr. Lemoyne?"

"To see Mr. Goldman. To find out what I can."

"I think your concern is late in coming."

"I have nothing else to say to you. Good day to you, sir." He walked to his automobile and got in.

As I watched him turn onto the dirt road and head back toward the security building, I had to wonder at the self-serving naiveté that was characteristic of him and his kind. It was as much a part of their personae as the rows of credit and membership cards they carried in their billfolds, and when the proper occasion arose they used it with a collective disingenuousness worthy of a theatrical award.

At least that was what I thought-perhaps in my own naiveté-about Twinky Hebert Lemoyne at the time.

When I reached the security building Murphy Doucet, the guard, was back inside, and the chain was down in the road. He was bent over a table, working on something. He waved to me through the open window, then went back to his work. I parked my truck on the grass and walked inside.

It was hot and close inside the building and smelled of airplane glue. Murphy Doucet looked up from a huge balsa-wood model of a B-17 Flying Fortress that he was sanding. His blue eyes jittered back and forth behind a pair of thick bifocals.

"How you doing, Dave?" he said.

"Pretty good, Murph. I was looking for Julie Balboni."

"He's playing ball."

"Ball?"

"Yeah, sometimes he takes two or three guys into town with him for a pepper game."

"Where?"

"I think at his old high school. Say, did you get Twinky steamed up about something."

"Why's that?"

"I saw you talking to him, then he went barreling-ass down the road like his nose was out of joint."

"Maybe he was late for lunch."

"Yeah, probably. It don't take too much to get Twinky's nose out of joint, anyway. I've always suspected he could do with a little more pussy in his life."

"He's not married?"

"He used to be till his wife run off on him. Right after she emptied his bank account and all the money in his safe. I didn't think Twinky was going to survive that one. That was a long time ago, though."

He used an Exacto knife to trim away a tiny piece of dried glue from one of the motors on his model airplane. He blew sawdust off the wings and held the plane aloft.

"What do you think of it?" he asked.

"It looks good."

"I've got a whole collection of them. All the planes from World War II. I showed Mikey Goldman my B-17 and he said maybe he could use my collection in one of his films."

"That sounds all right, Murph."

"You kidding? He meant I should donate them. I figured out why that stingy Jew has such a big nose. The air's free."

"He seems like an upfront guy to me," I said.

"Try working for one of them."

I looked at him. "You say Julie's at his old high school?" I said.

"Yeah, him and some actor and that guy named Cholo."

He set his bifocals on the work table and rubbed his hands on the smooth blond surface of his plane. His skin was wrinkled and brown as a cured tobacco leaf.

"Thanks for your time," I said.

"Stop by more often and have coffee. It's lonely sitting out here in this shack."

"By the way, do you know why Goldman might be with a bunch of attorneys?"

"Who knows why these Hollywood sonsofbitches do anything? You're lucky, Dave. I wish I was still a real cop. I do miss it."

He brushed with the backs of his fingers at the starch-white scar on his throat.

A HALF HOUR LATER, AS RAIN CLOUDS CHURNED THICK AND black overhead, like curds of smoke from an oil fire, I parked my truck by the baseball diamond of my old high school, now deserted for the summer, where Baby Feet and I had played ball as boys. He stood at home plate, wearing only a pair of spikes and purple gym shorts, the black hair on his enormous body glistening with sweat, his muscles rippling each time he belted a ball deep into the outfield with a shiny blue aluminum bat.