He swallowed, realising the immensity of the prize.
Rebus couldn't get so excited. The whole enterprise had shown him a simple truth: no vacuum. Where you had society, you had criminals. No belly without an underbelly.
Rebus knew his own criteria came cheaply: his flat, books, music and clapped-out car. And he realised that he had reduced his life to a mere shell in recognition that he had completely failed at the important things: love, relationships, family life. He'd been accused of being in thrall to his career, but that had never been the case. His work sustained him only because it was an easy option. He dealt every day with strangers, with people who didn't mean anything to him in the wider scheme. He could enter their lives, and leave again just as easily. He got to live other people's lives, or at least portions of them, experiencing things at one remove, which wasn't nearly as challenging as the real thing.
Sammy had brought home to him these essential truths: that he was not only a failed father but a failed human being; that police work kept him sane, yet was a substitute for the life he could have had, the kind of life everyone else seemed to lead. And if he became obsessed with his case-work, well, that was no different from being obsessed with train numbers or cigarette cards or rock albums. Obsession came easy – especially to men – because it was a cheap way of achieving control, albeit control over something practically worthless. What did it matter if you could reel off the track listing to every '60s Stones album? It didn't matter a damn. What did it matter if Tommy Telford got put away? Tarawicz would take his place, and if he didn't, there was always Big Ger Cafferty. And if not Cafferty, then someone else. The disease was endemic, no cure in sight.
`What are you thinking about?’
Clarke asked, switching her rod from left hand to right.
`My next cigarette.’
Patience's words: happiest when in denial…
They heard the truck before they saw it: changing gears noisily. Slid down into their seats, then up again as it made to pull into Maclean's. A wheeze of air-brakes as it jolted to a stop at the gates. A guard came out to talk to the driver. He carried a clip-board.
`Jack really suits a uniform,' Rebus said.
`Clothes maketh the man.’
`You reckon your boss has got it right?’
He meant Claverhouse's plan: when the truck was in the compound, they'd use a megaphone and show the marksmen to whoever was in the driver's cab, tell them to come out. The rest of the men could stay locked in the back of the vehicle. They'd have them toss out any arms and then come out one at a time.
It was either that or wait until they were all out of the truck. Merit of this second plan: they'd know what they were dealing with. Merit of the first: most of the gang would be nicely stowed in the truck, and could be dealt with as and when.
Claverhouse had plumped for plan one.
Marked and unmarked cars were to move in as soon as the truck had come to a stop – engine off – in the compound. They would block the exit, then watch from safety while Claverhouse, at a firstfloor window with his megaphone, and the marksmen (roof; ground floor windows) did their stuff. `Negotiation with force' was how Claverhouse had described it.
`Jack's opening the gates,' Rebus said, peering through the side window.
Engine roar, and the truck jerked forward.
`Driver seems a bit nervous,' Clarke commented.
`Or isn't used to HGVs.’
`Okay, they're in.’
Rebus stared at the radio, willing it to burst into life. Clarke had turned the ignition one click away from starting. Jack Morton was watching the truck move into the compound. He turned his head towards the line of cars parked across the way.
`Any second…’
The truck's brake-lights came on, then went off again. Air-brakes sounded.
The radio fizzed a single word: `Nom!' Clarke turned the engine, revved hard. Five other cars did the same. Exhaust smoke billowed suddenly into the night air. The noise was like the start of a stock-car race. Rebus wound his window down, the better to hear Claverhouse's megaphone diplomacy. Clarke's car leaped forward, first to the gates. Both she and Rebus jumped out, keeping their heads down, the car a shield between themselves and the truck.
`Engine's still running,' Rebus hissed.
`What?’
`The truck. Its engine's still running!' Claverhouse's voice, warbling – partly nerves, partly megaphone quality: `Armed police. Open the cab doors slowly and come out one at a time, hands held high. I repeat: armed police. Discard weapons before coming out. I repeat: discard weapons.’
`Do it!' Rebus hissed. Then: `Tell them to switch off the bloody engine!' Claverhouse: `The gate is blocked, there's no escape, and we don't want anyone getting hurt.’
`Tell them to throw out the keys.’
Cursing, Rebus dived back into the car, grabbed the handset. 'Claverhouse, tell them to ditch the bloody keys!' Windscreen frosted over; he couldn't see a thing. Heard Clarke's yell: `Get out!' Saw: dim white lights. The truck was reversing. At speed. A roar from its engine, veering crazily but heading for the gates.
Heading straight for him.
An explosion: bricks flying from the factory's front wall.
Rebus dropped the handset, got his arm stuck in the seatbelt. Clarke was screaming as he leaped clear.
A second later, truck and car connected in a rending of metal and smashing of glass. Domino effect: Clarke's car hit the one behind, throwing officers off balance. The road was like a skating rink, the truck pushing one car, two cars, then three cars back on to the highway.
Claverhouse was on the megaphone, choking on dust: `No shooting! Officers too close! Officers too close!' Yes, all they needed now was to be pinned down by sniper fire. Men and women were slipping, losing their footing, clambering from their cars. Some of them armed, but dazed. The truck's back doors, buckled by the initial collision, flew open, seven or eight men hit the ground running. Two of them had handguns, and loosed off three or four shots apiece.
Shouts, screams, the' megaphone. The glass wall of the gatehouse exploded as a bullet hit it. Rebus couldn't see Jack Morton… couldn't see Siobhan. He was lying on his front on a section of grass verge, hands over his head: classic defence/defeat posture and bloody useless with it. The whole area was picked out by floodlights, and one of the gunmen – Declan from the shop – was now aiming at those. Other members of the gang had headed out into the street and were running for it. They carried shotguns, pickaxe handles. Rebus recognised a few more faces: Ally Cornwell, Deek McGrain. The streetlights were dead, of course, giving them all the cover they could want. Rebus hoped the backup cars from the builder's yard were coming.
Yes: turning the corner now, all lights blazing, sirens howling. Tenement curtains were twitching, palms rubbing at windows. And right in front of Rebus, about an inch from his nose, a thickly rimed blade of grass. He could make out each sliver of frost, and the complex patterns which had formed. But he realised it was melting fast as his breath hit it. And his front was growing cold. And the marksmen were running from the building, lit up like a firing-range.
And Siobhan Clarke was safe: he could see her lying beneath a car. Good girl.
And one policewoman, also lying low, had been wounded in the knee. She kept touching it with her hand, then pulling the hand away to stare at the blood.
And there was still no sign of Jack Morton.
The gunmen were returning fire, scattering shots, smashing windscreens. Uniforms were ordered out of the front backup car. Four of the gang got in.
Second car: uniforms out, three of the gang got in. No windscreens, but they were rolling. Yelling and whooping, waving their weapons. The two remaining gunmen were cool. They were taking a good look round, assessing the situation. Did they want to be here when the marksmen arrived? Maybe they did. Maybe they fancied their chances in that arena, too. Their luck had held this far, after all. Claverhouse: the less luck's involved, the better I'll like it.