She nodded again. “That’s fine. Nobody’s going to grab me at the store.”

The cop nodded back. Said nothing. He started his engine and backed up the slope far enough that she could maneuver out past him. He watched her roll away down the hill, and then he eased back into position.

YOU SEE THE garage door open, you see the car come out, you see the door close again. You see her stop on her driveway, and you see her get out. You watch the conversation through the Crown Vic’s window. You see the cop back up, you see her reverse out onto the roadway. The cop moves back into position, she takes off down the hill. You smile to yourself and ease backward under the cover of the rocks. You stand up. You go to work.

SHE MADE THE left at the bottom of her hill, and then the right onto the through road toward the city of Portland. It was cold. Another week of falling temperatures, and it would be snowing. Then her choice of automobile would start to look a little silly. Everybody else had big four-wheel-drives, either jeeps or pickup trucks. She had gone for a swoopy low-slung sedan, about four times longer than it was high. Gold paint, chrome wheels, butter-soft tan leather inside. It looked like a million dollars, but it was front-wheel-drive only, no traction control. Ground clearance was enough for a decent-sized snowball and not much more. The rest of the winter, she’d be walking or begging rides from her neighbors.

But it was smooth and quiet and it rode like a dream. She drove the two miles west and slowed for the left into the shopping center. Waited for an oncoming truck to labor past and swooped into the parking lot. Turned tight and drove around behind the right-hand arm of stores and parked up alone in the overspill lane. Pulled the key and dropped it in her bag. Got out and walked through the cold toward the supermarket.

It was warmer inside. She took a cart and walked every aisle, using time. There was no system in her shopping. She just looked at everything and took what she figured she was out of. Which was not very much, because the market didn’t sell the things she was really interested in. No music books, no garden plants. She ended up with little enough in the cart to get her into the express line at the checkout.

The girl put it all into one paper sack and she paid cash for it and walked out with the sack cradled in her arms. Turned right on the narrow sidewalk and window-shopped her way along the row. Her breath hung in the air. She stopped outside the hardware store. It was an old-fashioned place. It carried a little bit of everything. She had shopped there before, for sacks of bonemeal and ericaceous fertilizer to help her azaleas.

She juggled the grocery sack into one arm and pulled the door. A bell rang. There was an old guy in a brown coat at the register. He nodded a greeting. She moved forward into the crowded aisles. Walked past the tools and the nails and found the decorating section. There were rolls of cheap wallpaper and packets of paste. Paintbrushes and paint rollers. And cans of paint. A display as tall as she was. Color charts were held in racks clipped to the shelves. She put her groceries on the floor and took a chart from a rack and opened it up. It was banded into colors like a huge rainbow. A big variety of shades.

“Help you, miss?” a voice said.

It was the old guy. He’d crept up behind her, helpful and anxious for a sale.

“Does this stuff mix with water?” she asked.

The old guy nodded.

“They call it latex,” he said. “But that just means water-based. You can thin it with water, clean the roller with water.”

“I want a dark green,” she said.

She pointed at the chart.

“Maybe like this olive,” she said.

“The avocado is attractive,” the old guy said.

“Too light,” she said.

“You going to thin it with water?” he asked.

She nodded. “I guess.”

“That’ll make it lighter still.”

“I think I’ll take the olive,” she said. “I want it to look kind of military.”

“OK,” the old guy said. “How much?”

“One can,” she said. “A gallon.”

“Won’t go far,” he said. “Although if you thin it, that’ll help.”

He carried it back to the register for her and rang up the sale. She paid cash and he put it in a bag with a free wooden stirring stick. The store’s name was printed off-center on the stick.

“Thank you,” she said.

She carried the grocery sack in one hand and the hardware bag in the other. Walked along the row of stores. It was cold. She looked up and checked the sky. It was blackening with clouds. They were scurrying in from the west. She looped around behind the last store. Hurried to her car. Dumped her bags on the backseat and climbed in and slammed her door and started the engine.

THE COP WAS cold, which kept his attention focused. Summertime, sitting and doing nothing could make him sleepy, but there was no chance of that with the temperature as low as it was now. So he saw the approaching figure when it was still about a hundred yards away down the hill. The crest of the slope meant he saw the head first, then the shoulders, then the chest. The figure was walking purposefully toward him, rising up over the foreshortened horizon, revealing more and more of itself, getting bigger. The head was gray, thick hair neatly trimmed and brushed. The shoulders were dressed in Army uniform. Eagles on the shoulder boards, eagles through the lapels, a colonel. A clerical collar where the shirt and tie should be. A padre. A military chaplain, approaching fast up the sidewalk. His face bobbed up and down with every stride. The white band of the collar moved below it. The guy was walking quickly. Practically marching.

He stopped suddenly a yard from the cop’s right headlight. Just stood on the sidewalk with his neck craned, looking up at Scimeca’s house. The cop buzzed the passenger window down. He didn’t know what to say. Some local citizen, he’d call, Sir, step this way, with enough tone in there to cancel out the sir. But this was a padre and a bird colonel. Practically a gentleman.

“Excuse me?” he called.

The colonel looked around and stepped the length of the fender. Bent down. He was tall. He put one hand on the Crown Vic’s roof and the other on the door. Ducked his head and looked straight in through the open window.

“Officer,” he said.

“Help you?” the cop asked.

“I’m here to visit with the lady of the house,” the padre said.

“She’s not home, temporarily,” the cop said. “And we’ve got a situation here.”

“A situation?”

“She’s under guard. Can’t tell you why. But I’m going to have to ask you to step inside the car and show me some ID.”

The colonel hesitated for a second, like he was confused. Then he straightened up and opened the passenger door. Folded himself into the seat and put his hand inside his jacket. Came out with a wallet. Flipped it open and pulled a worn military ID. Passed it across to the cop. The cop read it over and checked the photograph against the face next to him. Handed it back and nodded.

“OK, Colonel,” he said. “You can wait in here with me, if you like. I guess it’s cold out there.”

“It sure is,” the colonel said, although the cop noticed he was sweating lightly. Probably from the fast walk up the hill, he figured.

"I’M NOT GETTING anyplace,” Harper said.

The plane was on descent. Reacher could feel it in his ears. And he could feel abrupt turns. The pilot was military, so he was using the rudder. Civilian pilots avoid using the rudder. Using the rudder makes the plane slew, like a car skids. Passengers don’t like the feeling. So civilian pilots turn by juicing the engines on one side and backing off on the others. Then the plane comes around smoothly. But military pilots don’t care about their passengers’ comfort. It’s not like they’ve bought tickets.