Twelve

Syd walked an unnaturally silent Cheryl back to her bungalow. He knew that dinner had been an ordeal for her. She'd never gotten over losing Ted Winters to Leila. Now it must absolutely gall her that even with Leila out of the way, Ted wouldn't respond to her. In a crazy way, that lottery winner had been a good diversion for Cheryl. Alvirah Meehan knew all about the series, told her she was perfect for the role of Amanda. "You know how sometimes you can just see a star in a role," Alvirah had said. "I read Till Tomorrow when it was in paperback, and I said, 'Willy, that would make a great television series, and only one person in the world should play Amanda, and that's Cheryl Manning.' " Of course, it was unfortunate she had also told Cheryl that Leila was her favorite actress in the whole world.

They were walking along the highest point of the property back to Cheryl's bungalow. The paths were lighted with ground-level Japanese lanterns which threw shadows on the cypress trees. The night was sparkling with stars, but the weather was supposed to change, and already the air was carrying the touch of dampness that preceded a typical Monterey Peninsula fog. Unlike the people who considered Pebble Beach the nearest spot to heaven, Syd had always felt somewhat uncomfort-able around cypress trees, with their crazy twisted shapes. No wonder some poet had compared them to ghosts. He shivered.

Matter-of-factly, he took Cheryl's arm as they turned from the main path to her bungalow. Still he waited for her to begin to talk, but she remained silent. He consoled himself with the thought that he'd had enough of her moods anyway for one day; but when he started to say good night, she interrupted him: "Come inside."

Groaning to himself, he followed her in. She wasn't ready to quit on him yet. "Where's the vodka?" he asked.

"Locked in my jewelry case. It's the only place these damn maids don't check for booze." She tossed him the key and settled herself on the striped satin couch. He poured vodka on ice for the two of them, handed her a glass and sat down opposite her, sipping his drink, watching her make a production out of tasting hers. Finally she looked squarely at him. "What did you think about tonight?"

"I'm not sure I get your meaning."

She looked scornful. "Of course you do. When Ted drops his guard, he looks haunted. It's obvious Craig is worried sick. Min and the Baron make me think of a pair of high-wire acrobats on a slippery rope. That lawyer never took his eyes off Elizabeth, and she was spying on our table all night. I've always suspected she had a case on Ted. As for that crazy lottery winner-if Min puts me next to her tomorrow night, I'll strangle her!"

"The hell you will! Listen, Cheryl, you may get the part. Great. There's still always the chance the series will die in the ratings. A slight chance, I grant you, but a chance. If that happens, you're going to need a movie role. There are plenty of them around, but movies need backing. That lady's gonna have a lot of bucks for investment capital. Keep smiling at her."

Cheryl's eyes narrowed. "Ted could be talked into financing a movie for me. I know he could. He told me it wasn't fair that I was stuck with the play last year."

"Get this straight: Craig is a lot more cautious than Ted. If Ted goes to prison, he'll run the show. And another thing. You're crazy if you think Elizabeth has the hots for Ted. If she did, why the hell would she be putting a noose around his neck? All she has to do is say she was wrong about the time and how wonderful Ted was to Leila. Period. Case dismissed."

Cheryl finished her drink and imperiously held out her empty glass. Silently, Syd got up, refilled it and added a generous splash of vodka to his own. "Men are too dumb to see," Cheryl told him as he placed the drink in front of her. "You remember the kind of kid Elizabeth was. Polite, but if you asked her a direct question, you got a direct answer. And she never made excuses. She just doesn't know how to lie. She'd never lie for herself, and unfortunately she won't lie for Ted. But before this is over she's going to look under stones to try to find some sort of positive proof of what happened that night. That can make her very dangerous.

"Something else, Syd. You heard that nutty Alvirah Meehan say she read in a fan magazine that Leila LaSalle's apartment was like a motel? That Leila gave out keys to all her friends in case they wanted to stay over?"

Cheryl got up from the couch, walked over to Syd, sat beside him and put her hands on his knees. " You had a key to the apartment, didn't you, Syd?"

"So did you."

"I know it. Leila got a kick out of patronizing me, knowing I couldn't afford one room in that building, never mind a duplex. But when she died, the bartender in the Jockey Club can testify I was lingering over a drink. My dinner date was late. You were my dinner date, Syd, dear. How much did you put up for that goddamn play?"

Syd felt his knuckles harden and hoped that Cheryl could not feel the instant rigidity of his body. "What are you driving at?"

"The afternoon before Leila died, you told me you were going to see Leila, to beg her to reconsider. You had at least a million tied up in that play. Your million or borrowed money, Syd? You shoved me into that disaster as a replacement, just the way you'd send a lamb to slaughter. Why? Because you were willing to risk my career on the faint chance that maybe the play could still work. And my memory has improved a lot. You're always on time. That night, you were fifteen minutes late. You came into the Jockey Club at nine forty-five. You were dead white. Your hands kept trembling. You spilled a drink on the table. Leila had died at nine thirty-one. Her apartment was less than a ten-minute walk from the Jockey Club."

Cheryl put her hands on the sides of his face. "Syd, I want that part. See that I get it. If I do, I promise you, drunk or sober, I'll never remember that you were late that night, that you looked terrible, that you had a key to Leila's apartment and that Leila had virtually driven you into bankruptcy. Now get the hell out of here. I need my beauty sleep."

Thirteen

Min and Helmut kept their smiles fixed and warm until they were safely in their own apartment. Then, wordlessly, they turned to each other. Helmut put his arms around Min. His lips brushed her cheeks. With practiced skill, his hands massaged her neck. "Liebchen."

"Helmut, was it as bad as I think?"

His voice was soft. "Minna, I tried to warn you it would be a mistake to bring Elizabeth here, yes? You understand her. Now she's furious at you, but beyond that, something else has happened. Your back was to her at dinner, but I could see the way she was observing us from her table. It was as if she were seeing us for the first time."

"I thought if she just saw Ted… You know how much she cared about him… I've always suspected that she was in love with him herself."

"I know what you thought. But it hasn't worked. So, no more about it tonight, Minna. Get into bed. I'm going to make a cup of hot milk for you, and give you a sleeping pill. Tomorrow you'll be your usual overbearing self."

Min smiled wanly and allowed him to lead her toward the bedroom. His arm was still around her; she was half-leaning against him. Her head fitted into the crook of his shoulder. After ten years she still loved the scent of him, the hint of expensive cologne, the feel of his superbly tailored jacket. In his arms, she could forget about his predecessor, with his cold hands and his petulance.

When Helmut returned with the hot milk, she was propped up in bed, the silken pillows framing her loosened hair. She knew the rose-tinted shade on the night table threw a flattering glow on her high cheekbones and dark eyes. The appreciation she saw in her husband's eyes when he handed her the delicate Limoges cup was gratifying. "Liebchen," he whispered, "I wish you knew how I feel about you. After all this time, you still don't trust that feeling, do you?"