A voice came over the emergency vehicle's speaker and announced, "Rescue Four is moving."
Another voice said, "Rescue Three, I'm at your left."
All fourteen vehicles were moving and transmitting now. One by one, they drove onto the runway as the huge airliner passed them.
The 747 was now abreast of McGill's vehicle, and he had the impression that the rollout speed was too fast.
Sorentino hit the gas pedal, and the RIV V8 diesel roared as the vehicle sped onto the runway in pursuit of the decelerating jet.
Sorentino said, "Hey, Andy-no reverse thrust."
"What…?"
As the RIV gained on the aircraft, McGill could now see that the cascading scoops behind each of the four engines were still streamlined in their cruise position. These hinged metal panels-the size of barn doors-were not deployed in the position to divert the jet blast to a more forward angle during rollout, which was why the aircraft was going too fast.
Sorentino checked his speedometer and announced, "One hundred ten."
"Too fast. He's going too fast." McGill knew that the Boeing 747 was designed and certified to stop with just its wheel brakes and this runway was long enough, so it wasn't a huge problem, but it was his first visual indication that something was wrong.
The 747 continued its rollout, decelerating more slowly than usual, but definitely slowing. McGill was in the lead pursuit vehicle, followed by the five other trucks, who were followed by the six patrol cars, who were followed by the two ambulances.
McGill picked up his microphone and gave each of the vehicles an order. They closed on the big, lumbering aircraft and took up their positions, one RIV to the rear, two T2900 trucks on each side, the patrol cars and ambulances fanned out to the rear. Sorentino and McGill passed under the mammoth wing of the aircraft and held a position near the nose as the jet continued to slow. McGill stared at the huge airliner out the side window. He called out to Sorentino over the roar of the jet engines, "I don't see any problem."
Sorentino concentrated on his speed and spacing, but said, "Why doesn't he use his reverse thrust?"
"I don't know. Ask him."
The Boeing 747 slowed and finally came to a stop, a quarter mile short of the end of the runway, its nose bobbing up and down twice from the last of its momentum.
Each of the four T2900 vehicles had positioned themselves forty yards from the aircraft, two on each side, with the RIVs at front and rear. The ambulances stopped behind the aircraft, while the six patrol cars paired up with an Emergency Service vehicle, though each patrol car was further from the aircraft than the fire trucks. The six men in the patrol cars got out of their vehicles, as per standard operating procedures, and were taking precautionary cover on the sides of their cars away from the aircraft. Each man was armed with a shotgun or an AR-15 automatic rifle.
The men in the trucks stayed in their vehicles. McGill picked up his microphone and broadcast to the other five trucks, "Anyone see anything?"
No one responded, which was good, since procedurally the other rescue vehicles would maintain radio silence unless they had something pertinent to say.
McGill considered his next move. The pilot hadn't used reverse thrust, so he'd had to apply a lot of wheel brakes. McGill said to Sorentino, "Move toward the tires."
Sorentino edged their vehicle closer to the main tires on the aircraft's starboard side. Putting out brake fires was the meat and potatoes of what they did for a living. It wasn't hero stuff, but if you didn't get some water on super-heated brakes pretty soon, it wasn't unusual to see the entire landing gear suddenly erupt into flames. Not only was this not good for the tires, but with the fuel tanks right above the brakes, it also wasn't good for anyone or anything within a hundred-yard radius of the aircraft.
Sorentino stopped the vehicle forty feet from the tires.
McGill raised his field glasses and stared hard at the exposed brake disks. If they were glowing red, it was time to start spraying, but they looked dull black like they were supposed to.
He picked up the microphone and ordered the T2900 vehicles to check the remaining three gangs of wheels.
The other vehicles reported negative on the hot brakes.
McGill transmitted, "Okay… move back."
The four T2900 vehicles moved away from the 747. McGill knew that the flight had come in NO-RAD, which was why they were all there, but he thought he should try to call the pilot. He transmitted on the ground frequency, "Trans-Continental One-Seven-Five, this is Rescue One. Do you read me? Over."
No reply.
McGill waited, then transmitted again. He looked at Sorentino, who shrugged.
The emergency vehicles, the police cars, the ambulances, and the 747 all sat motionless. The Boeing's four engines continued to run, but the aircraft remained still. McGill said to Sorentino, "Drive around where the pilot can see us."
Sorentino put the RIV in gear and drove around to the front right side of the towering aircraft. McGill got out and waved up at the windshield, then, using ground controller hand and arm signals, he motioned for the pilot to continue toward the taxiway.
The 747 didn't move.
McGill tried to see into the cockpit, but there was too much glare on the windshield, and the cockpit was high off the ground. Two things occurred to him almost simultaneously. The first thing was that he didn't know what to do next. The next thing was that something was wrong. Not obviously wrong, but quietly wrong. This was the worst kind of wrong.
CHAPTER 7
So we waited there at the International Arrivals gate-me, Kate Mayfield, George Foster, Ted Nash, and Debra Del Vecchio, the Trans-Continental gate agent. Being a man of action, I don't like waiting, but cops learn to wait. I once spent three days on a stakeout posing as a hot dog vendor, and I ate so many hot dogs that I needed a pound of Metamucil to get me regular again.
Anyway, I said to Ms. Del Vecchio, "Is there a problem?"
She looked at her little walkie-talkie, which also has this readout screen, and she held it up to me again. It still read
ON THE GROUND.
Kate said to her, "Please call someone."
She shrugged and spoke into the hand radio. "This is Debbie, Gate Twenty-three. Status of Flight One-Seven-Five, please."
She listened, signed off, and said to us, "They're checking."
"Why don't they know?" I asked.
She replied patiently, "The aircraft is under Tower Control-the FAA-the Feds-not Trans-Continental. The company is called only if there's a problem. No call, no problem."
"The aircraft is late getting to the gate," I pointed out.
"That's not a problem," she informed me. "It's on time. We have a very good on-time record."
"What if it sat on the runway for a week? Is it still on time?"
"Yes."
I glanced at Ted Nash, who was still standing against the wall, looking inscrutable. As with most CIA types, he liked to give the impression that he knew more than he was saying. In most cases, what appeared to be quiet assurance and wisdom was actually clueless stupidity. Why do I hate this man?
But to give the devil his due, Nash whipped out his cell phone and punched in a bunch of numbers, announcing to us, "I have the direct dial to the Control Tower."
It occurred to me that Mr. Nash actually did know more than he was saying, and that he knew, long before the flight landed, that there might be a problem.
Supervisor Ed Stavros in the FAA Control Tower continued to watch the scene being played out on Runway Four-Right through his binoculars. He said to the controllers around him, "They're not foaming. They're moving away from the aircraft… one of the Emergency Service guys is hand-signalling to the pilot…"