Next, you will really not believe.
Up out of this hole comes—may I be struck by green lightning if I’m a liar—a gnome! Or maybe he was a elf or a sprite, or some such thing. All I know is that this gnome character is wearing a pair of pegged charcoal slacks, a spread-collar turquoise shirt, green suede loafers, a pork-pie hat with a circumference of maybe three feet, a long, dinky keychain (what the Hell kinda keys could a gnome have?), repulsive loud tie and sunglasses.
Now maybe you would be too stoned to move, or not believe your eyes, and let a thing like that rock you permanently. But I got a good habit of believing what I see—especially when it’s in Technicolor—and besides, more out of reflex than anything else, I grabs.
I’d read some Grimm-type fairy tales, and I know the fable about how if you grab a gnome or a elf, he’ll give you what you want, so like I said, I grabs.
I snatch this little character, right around his turquoise collar.
“Hold, man!” says the gnome. “What kinda bit is this? I don’t dig this atall! Unhand me, Daddy-O!” “No chance,” I answer, kind of in a daze, still not quite sure this is happening to me. “I want a bag of gold or something.”
The gnome looks outraged for a second, then he gives a kind of a half laugh and says, “Ho, Diz, you got the wrong cat for this caper. You’re comin’ on this gig too far and slow! Maybe a fourth-year gnome could hip this gold bit, but me, I’m a party-boy. Flunked outta my Alma Mammy first year. No matriculation—no magiculation! Readin’ me, laddy-buck?”
“Uh, yeah, I guess,” I ventured, slowly. “You mean you can’t give me a bag of gold like in the fairy tale?” “Fairy tale, schmerry tale. Maybe one ersatz Korean peso, Max, but that is definitely it. That is where magic and I parts company. In short, nein, man.”
“Hmmm,” I hmmmed, tightening my grip a little, he shouldn’t get ideas I was letting him get away. I thought a big think for a minute, then I said, “How come you flunked out of school?”
I thought I detected a note of belligerence in the gnome’s voice when he answered, “How would you dig this class stuff, man? Go to class today, go to class tomorrow, yattata-yattata-yat from all these squared-up old codgers what think they are professors? Man, there is so much more else to be doing of note! Real nervous-type stuff like playin’ with a jazz combo we got up near campus. You ain’t never heard such music!” He appeared to just be starting. “We got a guy on the sackbut what is the coolest. And on dulcimer there is a little troll what can not only send you—but bring you back. And on topa’ all this…”
I cut him short, “How about the usual three wishes business? Anything to that?”
“I can take a swing at it, man, but like I says, I’m nowhere when it comes to magicking. I’m not the most, if that’s the least. Might be a bit sloppy, but I can take a whirl, Earl.”
I thought again for a second and then nodded: ‘.Okay,” setting him down on the turf, but not yet letting loose his collar, “but no funny business. Just a straight commercial proposition. Three wishes, with no strings, for your freedom.”
“Three?” He was incredulous. “Man, one is about all this power pack can stand at this late date. No, it would seem that one is my limit, guy. Be taking it or leaving it.”
“All right, then, one. But no legal loopholes. Let’s do it all honest and above-board magic. Deal?” “Reet!” says he, and races off into The Woods somewhere when I let loose.
I figured he was gone for good, and while I’m waiting, I start to think back on the events of the last few minutes. This is something woulda made Ripley go outta business. The gnome, I figure, is overdue, and so I begin rationalizing why he didn’t come back and finally arrive at the conclusion that there is no honor among gnomes. Besides, he had a shifty look to him when he said there would be no tricks in the magic.
But he comes back in a minute, his keychain damn near tripping him up, he’s so loaded down with stuff and paraphernalia. Real weird lookin’ items, too.
“Copped ‘em from the lab over at the U.,” he explains, waving a hand at the untidy pile of stuff. “Well, here goes. Remember, there may be more of a mess than is usual with an experienced practitioner, but I’m strictly a goony-bird in this biz, Jack.”
“Hey, wait a minute with this magic stuff…” I began, but he waved me off impatiently, and began manipulating his implements.
So he starts drawing a star-like thing on the ground, pouring some stinkin’ stuff into a cauldron, mixing it up, muttering some gibberish that I could swear had “Oo-bop-shebam” and “Oo-shooby-dooby” in there somewhere, and a lot of other.
Pretty soon he comes over, sprinkles some powder on me, and I sneeze, almost blowing him over. “Gesundheit,” he mutters, staring at me nastily.
He sprinkles some more powder on me, mutters something that sounded like, “By the sacred ring-finger of The Great Gods Bird and Prez, man, hip this kid to what he craveth. Go, go, go, man!
“Now,” he inquires, around a bag in which he is rattling what sounds like bones, “whaddaya want?”
I had been thinking it out, in between incantations, and I had decided what I wanted: “Make me so’s I can run faster than anyone in the school, willya.” I figured then Underfeld would have to take me on the team. The little gnome nods as if he understands, and starts runnin’ around and around outside this star-like thing, in ever-decreasing circles, faster n’ faster, till I can hardly make him out.
Then he slows down and stops, puffing away like crazy, mumbles something about, “Gotta layoff them clover stems,” and so saying throws this pink powder on me, yelling as loud as he can, “FRACTURED!” Up goes a puff of pink smoke and what looks like a side-show magician’s magnesium flare, and the next thing I know, he and the stuff is gone, and I’m all alone in The Woods.
So that’s the yarn.
Hmmm? What’s that? Did he make me so I could run faster than anyone else in the school? Oh, yeah, sure.
You know anybody wants to hire a sixteen-year-old centaur?
The Sky Is Burning
When I first arrived in Hollywood in February of 1962 I found myself thinking about the next story frequently. There is no logical reason for its insistent reappearance in my thoughts, except that somehow there seems to me a subtle similarity between the “atmosphere of doom” in the allegory that follows, and the land of the Film Industry. Though everyone out here has been most kind to me, not only in matters of friendship, but in such dandies as giving me large sums of money (most of which I don’t deserve), I sometimes wake in the morning expecting to hear a sepulchral voice intoning, “Okay, strike the Hollywood set!” and I’ll look out the window to see them rolling up Los Angeles and environs. There is an unreality here that superimposes itself over the normal continuum, effecting a world-view much like that observed through a dessert-dish of Jell-O. Or like the one I cannot seem to forget, in the story I called
They came flaming down out of a lemon sky, and the first day, ten thousand died. The screams rang in our heads, and the women ran to the hills to escape the sound of it; but there was no escape for them…nor for any of us.
The sky was aflame with death, and the terrible, unbelievable part of it was…the death, the dying was not us!
It started late in the evening. The first one appeared as a cosmic spark struck in the night. Then, almost before the first had faded back into the dusk, there was another, and then another, and soon the sky was a jeweler’s pad, twinkling with unnameable diamonds.
I looked up from the Observatory roof, and saw them all, tiny pinpoints of brilliance, cascading down like raindrops of fire. And somehow, before any of it was explained, I knew: this was something important. Not important the way five extra inches of plastichrome on the tail-fins of a new copter are important…not important the way a war is important…but important the way the creation of the Universe had been important, the way the death of it would be. And I knew it was happening all over Earth.