«You backstabbing little whore,» she shouted at Trish.
«Mom!»
«She doesn't mean it,» Trish said, trying to wedge Marilyn and Susan apart. «We've got to get her off the stage.»
Mall security arrived. Susan and Trish stood locked in place as two beefy men used all their might to keep Marilyn away from Susan.
«Come with us, ma'am.»
«No.»
Susan said pragmatically, «Guys, let's get her into an office or something. She's jagging on diet pills. She needs a cool dark place.»
«Traitor,» Marilyn hissed.
Susan grabbed her mother's handbag. She and Trish followed Marilyn into an office, where Susan made her mother swallow some downers. She phoned Don to tell him they'd be late. Trish left at Susan's asking, and Susan drove her mother home to McMinnville. Dinner was take-out Chinese, and they all went to bed early.
The next day was sunny and unseasonably hot for April, and Susan sat on the back lawn, suntanning her face between the two inner faces of a Bee Gees double album covered in aluminum foil. Marilyn beetled about between the car and the yard, planting multiple flats of petunias, daisies and white alyssum. This struck Susan as odd, but not unusual. The previous year, Don's workers' comp kicked in and the family had upgraded from a trailer to a house, albeit a small, weed-cloaked and rain-rotted house. But living in a genuine house seemed to satisfy Marilyn, who didn't give much thought to interior design, exclaiming only how thrilled she was not to have to disguise axles with rhododendron shrubs.
Susan continued sunning herself, and in midafternoon she came in for iced tea and found Marilyn holding Don's hunting knife, a big honker from one of Karlsruhe's most sadistic factories. She was using it to carve notches into the wood of the door frame between the kitchen and the TV room — dozens of slits at various intervals ranging from thigh height up to her shoulders.
Susan said nothing.
Marilyn took a Bic pen and a pencil and began writing names and dates beside the slits «Brian 12/16/78, Caitlin 5/3/79, Allison 7/14/80,» and so forth.
Don came in from the front hallway, his hands black with SeaDoo crankcase oil. «Mare,» he said, «whatthe fuck are you doing to the door frame?»
«Raising the price of the house, honey.»
Don and Susan exchanged looks.
«Don't think I can't see the two of you exchanging concerned looks.» Before her the mythical young Brian had broken the five-foot mark.
Don reached for his hunting knife, saying, «Gimme that.»
But Marilyn flinched away, then swiveled around like a Shark versus a Jet. «Like fuck I will.» Susan and Don were stunned. «We're leaving this little sugar shack, kids, but before we do, I have to raise its value.» She continued carving slits. «Studies have shown that the price of any home can be raised by a consistent ten percent or more by simply planting about a hundred dollars' worth of annual flowers.» Allison reached four feet eight. «Flowers make a home feel lived in. Loved. So do growth charts. Growth charts indicate happiness, pride, devotion and stick-to-itiveness. Adds 5K to the asking price.»
«And where might we be moving?» asked Don.
«Wyoming, you cretin. Cheyenne, Wyoming.»
«Oh, Mom — not that again.»
«Yes,that, again. Houses are cheaper there. We'll have a guest bedroom and three bathrooms. And you, sweetie, can represent an entire state in the nationals. Only a handful of people live there. The competition's nil.Fifty-one gorgeous contestants and only one will win. Who will replace Susan Colgate as the next Miss USA? »
«We're not moving nowhere,» Don said.
«We're not moving any where, honey, and yes we are. This house is in my name, so off we go.»
«She's loony today,» Don said to Susan. «Leave her be.»
Susan went back to her tanning, and assumed the mania would pass. Later on, up in her room, she heard the normal clinks and clatters of dinner preparation below. Marilyn called Susan and Don to the table, and the tone of the night seemed altogether normal. Too normal. At that point, their ears roared and the house shook like a car driving over a speed bump. Susan's water glass tipped over and a framed photo fell from a wall. The three stood up — all was silent save for a faint hiss coming from the kitchen.
They walked through the newly scratched door frame to see a manhole-sized gape through the ceiling, and another one directly beneath it in the floor between the stove and the fridge. Don looked down: «Jesus H. Christ — it's a meteorite.»
Susan and Marilyn peered down at the blue-brown boulder that lay on the cracked concrete beside the deep freeze containing Don's venison from the previous fall. Don raced down the stairs, looked at the boulder and then looked up, speechless. The two women ran down to join him.
«It's a miracle,» said Marilyn. «We've been spared. It's a sign from the Lord above that we are on the correct path, an omen to fill us with respect.» She fell to her knees and prayed as she had once before when visiting her kin back in the mountains. Susan looked more closely at the boulder. «Hey — it's melting, or something.»
«Holy shit,» said Don, «it's shit. »
It was a frozen ball of shit, accidentally discharged from the hull of an Philippine Airlines flight from Chicago to Manila, which paid for the new house in Cheyenne. Don called it «the shitsicle.» The airline settled swiftly and quietly. Within six weeks they were living in Cheyenne.
Chapter Nineteen
The police finished scrutinizing the Susan Colgate shrine in the car's back seat and left the property. John spent the remainder of the day spacing out in front of the shrine and phoning Susan's answering machine, hanging up on the beep each time. He tried sleeping but instead had choppy naps, like pieced-together cutting room floor scraps punctuated with frequent eye openings and anxious pangs. In the late afternoon he gave up, took a shower, drank an algae shake, had a quick chat with Nylla, who was just returning from her exercise class, then drove the car down to West Side Video. Ryan was with a customer.
Do you know the name of the movie, sir?» Ryan was asking the customer.
«Oh, you know — that movie. I think it came in a blue box.»
«Do you know who stars in it?»
«That guy. You know?»
«I'm not sure. Is it a comedy or a drama or — ?»
«It's really good.»
«Okay — any idea who directed it?»
«That famous guy.»
«Right.»
John moved in. «Hey, buddy — go take a pill, and when your brain clicks in, send us a memo.»
The customer was chuffed. «Excuse me. I'm trying to choose a movie, Mr. Whoever You Are. Do you have a problem with that?»
John looked the customer in the eye: «You care what I think?»
«Well, um,no. »
«Then why are you asking me? Scram. People who know what they want have to get on with their lives here.»
The customer skulked away, visibly distressed.
«Oh thank you, John,» said Ryan. «You've no idea how long I've been wanting to say something like that.»
«The sad residue of too many days lost in meetings with professional time-wasters.»
«If you ever decided to make a film titled You Know — That Movie, it'd be the most popular rental of all time.»
John scanned the store, then said, «Ryan — get off work and come on. We've got business to do.»
«Not now — it's the dinnertime rush, I have to phone in the overdues, and tonight is the “Women Who Love Far Too Much” Special.»
«Ivan and I want to buy your script.»
Ten minutes later, in separate cars, they drove to the St. James Club bar. John arrived first, and ordered two scotches. Ryan arrived, breathless. «Before we discuss anything, John, I have to tell you that the police were in this afternoon and they were totally all over me about (a) my having built the Susan Colgate shrine, and (b) giving it to you. It was like I was strapped to an anthill and slathered in marmalade.»