Chapter XXII

I settled down in Paris and began to write a play. I led a very regular life, working in the morning, and in the afternoon lounging about the gardens of the Luxembourg or sauntering through the streets. I spent long hours in the Louvre, the most friendly of all galleries and the most convenient for meditation; or idled on the quays, fingering second-hand books that I never meant to buy. I read a page here and there, and made acquaintance with a great many authors whom I was content to know thus desultorily. In the evenings I went to see my friends. I looked in often on the Stroeves, and sometimes shared their modest fare. Dirk Stroeve flattered himself on his skill in cooking Italian dishes, and I confess that his spaghetti were very much better than his pictures. It was a dinner for a King when he brought in a huge dish of it, succulent with tomatoes, and we ate it together with the good household bread and a bottle of red wine. I grew more intimate with Blanche Stroeve, and I think, because I was English and she knew few English people, she was glad to see me. She was pleasant and simple, but she remained always rather silent, and I knew not why, gave me the impression that she was concealing something. But I thought that was perhaps no more than a natural reserve accentuated by the verbose frankness of her husband. Dirk never concealed anything. He discussed the most intimate matters with a complete lack of self-consciousness. Sometimes he embarrassed his wife, and the only time I saw her put out of countenance was when he insisted on telling me that he had taken a purge, and went into somewhat realistic details on the subject. The perfect seriousness with which he narrated his misfortunes convulsed me with laughter, and this added to Mrs. Stroeve's irritation.

"You seem to like making a fool of yourself," she said.

His round eyes grew rounder still, and his brow puckered in dismay as he saw that she was angry.

"Sweetheart, have I vexed you? I'll never take another. It was only because I was bilious. I lead a sedentary life. I don't take enough exercise. For three days I hadn't ..."

"For goodness sake, hold your tongue," she interrupted, tears of annoyance in her eyes.

His face fell, and he pouted his lips like a scolded child. He gave me a look of appeal, so that I might put things right, but, unable to control myself, I shook with helpless laughter.

We went one day to the picture-dealer in whose shop Stroeve thought he could show me at least two or three of Strickland's pictures, but when we arrived were told that Strickland himself had taken them away. The dealer did not know why.

"But don't imagine to yourself that I make myself bad blood on that account. I took them to oblige Monsieur Stroeve, and I said I would sell them if I could. But really --" He shrugged his shoulders. "I'm interested in the young men, but voyons, you yourself, Monsieur Stroeve, you don't think there's any talent there."

"I give you my word of honour, there's no one painting to-day in whose talent I am more convinced. Take my word for it, you are missing a good affair. Some day those pictures will be worth more than all you have in your shop. Remember Monet, who could not get anyone to buy his pictures for a hundred francs. What are they worth now?"

"True. But there were a hundred as good painters as Monet who couldn't sell their pictures at that time, and their pictures are worth nothing still. How can one tell? Is merit enough to bring success? Don't believe it. Du reste, it has still to be proved that this friend of yours has merit. No one claims it for him but Monsieur Stroeve."

"And how, then, will you recognise merit?" asked Dirk, red in the face with anger.

"There is only one way -by success."

"Philistine," cried Dirk.

"But think of the great artists of the past -Raphael, Michael Angelo, Ingres, Delacroix -they were all successful."

"Let us go," said Stroeve to me, "or I shall kill this man."

Chapter XXIII

I saw Strickland not infrequently, and now and then played chess with him. He was of uncertain temper. Sometimes he would sit silent and abstracted, taking no notice of anyone; and at others, when he was in a good humour, he would talk in his own halting way. He never said a clever thing, but he had a vein of brutal sarcasm which was not ineffective, and he always said exactly what he thought. He was indifferent to the susceptibilities of others, and when he wounded them was amused. He was constantly offending Dirk Stroeve so bitterly that he flung away, vowing he would never speak to him again; but there was a solid force in Strickland that attracted the fat Dutchman against his will, so that he came back, fawning like a clumsy dog, though he knew that his only greeting would be the blow he dreaded.

I do not know why Strickland put up with me. Our relations were peculiar. One day he asked me to lend him fifty francs.

"I wouldn't dream of it," I replied.

"Why not?"

"It wouldn't amuse me."

"I'm frightfully hard up, you know."

"I don't care."

"You don't care if I starve?"

"Why on earth should I?" I asked in my turn.

He looked at me for a minute or two, pulling his untidy beard. I smiled at him.

"What are you amused at?" he said, with a gleam of anger in his eyes.

"You're so simple. You recognise no obligations. No one is under any obligation to you."

"Wouldn't it make you uncomfortable if I went and hanged myself because I'd been turned out of my room as I couldn't pay the rent?"

"Not a bit."

He chuckled.

"You're bragging. If I really did you'd be overwhelmed with remorse."

"Try it, and we'll see," I retorted.

A smile flickered in his eyes, and he stirred his absinthe in silence.

"Would you like to play chess?" I asked.

"I don't mind."

We set up the pieces, and when the board was ready he considered it with a comfortable eye. There is a sense of satisfaction in looking at your men all ready for the fray.

"Did you really think I'd lend you money?" I asked.

"I didn't see why you shouldn't."

"You surprise me."

"Why?"

"It's disappointing to find that at heart you are sentimental. I should have liked you better if you hadn't made that ingenuous appeal to my sympathies."

"I should have despised you if you'd been moved by it," he answered.

"That's better," I laughed.

We began to play. We were both absorbed in the game. When it was finished I said to him:

"Look here, if you're hard up, let me see your pictures. If there's anything I like I'll buy it."

"Go to hell," he answered.

He got up and was about to go away. I stopped him.

"You haven't paid for your absinthe," I said, smiling.

He cursed me, flung down the money and left.

I did not see him for several days after that, but one evening, when I was sitting in the cafe, reading a paper, he came up and sat beside me.

"You haven't hanged yourself after all," I remarked.

"No. I've got a commission. I'm painting the portrait of a retired plumber for two hundred francs."5

5 This picture, formerly in the possession of a wealthy manufacturer at Lille, who fled from that city on the approach of the Germans, is now in the National Gallery at Stockholm. The Swede is adept at the gentle pastime of fishing in troubled waters.

"How did you manage that?"

"The woman where I get my bread recommended me. He'd told her he was looking out for someone to paint him. I've got to give her twenty francs."

"What's he like?"

"Splendid. He's got a great red face like a leg of mutton, and on his right cheek there's an enormous mole with long hairs growing out of it."