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One evening, at the beginning of February, Philip told her that he was dining with Lawson, who was giving a party in his studio to celebrate his birthday; and he would not be in till late; Lawson had bought a couple of bottles of the punch they favoured from the tavern in Beak Street, and they proposed to have a merry evening. Mildred asked if there were going to be women there, but Philip told her there were not; only men had been invited; and they were just going to sit and talk and smoke: Mildred did not think it sounded very amusing; if she were a painter she would have half a dozen models about. She went to bed, but could not sleep, and presently an idea struck her; she got up and fixed the catch on the wicket at the landing, so that Philip could not get in. He came back about one, and she heard him curse when he found that the wicket was closed. She got out of bed and opened.

"Why on earth did you shut yourself in? I'm sorry I've dragged you out of bed."

"I left it open on purpose, I can't think how it came to be shut."

"Hurry up and get back to bed, or you'll catch cold."

He walked into the sitting-room and turned up the gas. She followed him in. She went up to the fire.

"I want to warm my feet a bit. They're like ice."

He sat down and began to take off his boots. His eyes were shining and his cheeks were flushed. She thought he had been drinking.

"Have you been enjoying yourself?" she asked, with a smile.

"Yes, I've had a ripping time."

Philip was quite sober, but he had been talking and laughing, and he was excited still. An evening of that sort reminded him of the old days in Paris. He was in high spirits. He took his pipe out of his pocket and filled it.

"Aren't you going to bed?" she asked.

"Not yet, I'm not a bit sleepy. Lawson was in great form. He talked sixteen to the dozen from the moment I got there till the moment I left."

"What did you talk about?"

"Heaven knows! Of every subject under the sun. You should have seen us all shouting at the tops of our voices and nobody listening."

Philip laughed with pleasure at the recollection, and Mildred laughed too. She was pretty sure he had drunk more than was good for him. That was exactly what she had expected. She knew men.

"Can I sit down?" she said.

Before he could answer she settled herself on his knees.

"If you're not going to bed you'd better go and put on a dressing-gown."

"Oh, I'm all right as I am." Then putting her arms round his neck, she placed her face against his and said: "Why are you so horrid to me, Phil?"

He tried to get up, but she would not let him.

"I do love you, Philip," she said.

"Don't talk damned rot."

"It isn't, it's true. I can't live without you. I want you."

He released himself from her arms.

"Please get up. You're making a fool of yourself and you're making me feel a perfect idiot."

"I love you, Philip. I want to make up for all the harm I did you. I can't go on like this, it's not in human nature."

He slipped out of the chair and left her in it.

"I'm very sorry, but it's too late."

She gave a heart-rending sob.

"But why? How can you be so cruel?"

"I suppose it's because I loved you too much. I wore the passion out. The thought of anything of that sort horrifies me. I can't look at you now without thinking of Emil and Griffiths. One can't help those things, I suppose it's just nerves."

She seized his hand and covered it with kisses.

"Don't," he cried.

She sank back into the chair.

"I can't go on like this. If you won't love me, I'd rather go away."

"Don't be foolish, you haven't anywhere to go. You can stay here as long as you like, but it must be on the definite understanding that we're friends and nothing more."

Then she dropped suddenly the vehemence of passion and gave a soft, insinuating laugh. She sidled up to Philip and put her arms round him. She made her voice low and wheedling.

"Don't be such an old silly. I believe you're nervous. You don't know how nice I can be."

She put her face against his and rubbed his cheek with hers. To Philip her smile was an abominable leer, and the suggestive glitter of her eyes filled him with horror. He drew back instinctively.

"I won't," he said.

But she would not let him go. She sought his mouth with her lips. He took her hands and tore them roughly apart and pushed her away.

"You disgust me," he said.

"Me?"

She steadied herself with one hand on the chimney-piece. She looked at him for an instant, and two red spots suddenly appeared on her cheeks. She gave a shrill, angry laugh.

"I disgust YOU."

She paused and drew in her breath sharply. Then she burst into a furious torrent of abuse. She shouted at the top of her voice. She called him every foul name she could think of. She used language so obscene that Philip was astounded; she was always so anxious to be refined, so shocked by coarseness, that it had never occurred to him that she knew the words she used now. She came up to him and thrust her face in his. It was distorted with passion, and in her tumultuous speech the spittle dribbled over her lips.

"I never cared for you, not once, I was making a fool of you always, you bored me, you bored me stiff, and I hated you, I would never have let you touch me only for the money, and it used to make me sick when I had to let you kiss me. We laughed at you, Griffiths and me, we laughed because you was such a mug. A mug! A mug!"

Then she burst again into abominable invective. She accused him of every mean fault; she said he was stingy, she said he was dull, she said he was vain, selfish; she cast virulent ridicule on everything upon which he was most sensitive. And at last she turned to go. She kept on, with hysterical violence, shouting at him an opprobrious, filthy epithet. She seized the handle of the door and flung it open. Then she turned round and hurled at him the injury which she knew was the only one that really touched him. She threw into the word all the malice and all the venom of which she was capable. She flung it at him as though it were a blow.

"Cripple!"

XCVII

Philip awoke with a start next morning, conscious that it was late, and looking at his watch found it was nine o'clock. He jumped out of bed and went into the kitchen to get himself some hot water to shave with. There was no sign of Mildred, and the things which she had used for her supper the night before still lay in the sink unwashed. He knocked at her door.

"Wake up, Mildred. It's awfully late."

She did not answer, even after a second louder knocking, and he concluded that she was sulking. He was in too great a hurry to bother about that. He put some water on to boil and jumped into his bath which was always poured out the night before in order to take the chill off. He presumed that Mildred would cook his breakfast while he was dressing and leave it in the sitting-room. She had done that two or three times when she was out of temper. But he heard no sound of her moving, and realised that if he wanted anything to eat he would have to get it himself. He was irritated that she should play him such a trick on a morning when he had over-slept himself. There was still no sign of her when he was ready, but he heard her moving about her room. She was evidently getting up. He made himself some tea and cut himself a couple of pieces of bread and butter, which he ate while he was putting on his boots, then bolted downstairs and along the street into the main road to catch his tram. While his eyes sought out the newspaper shops to see the war news on the placards, he thought of the scene of the night before: now that it was over and he had slept on it, he could not help thinking it grotesque; he supposed he had been ridiculous, but he was not master of his feelings; at the time they had been overwhelming. He was angry with Mildred because she had forced him into that absurd position, and then with renewed astonishment he thought of her outburst and the filthy language she had used. He could not help flushing when he remembered her final jibe; but he shrugged his shoulders contemptuously. He had long known that when his fellows were angry with him they never failed to taunt him with his deformity. He had seen men at the hospital imitate his walk, not before him as they used at school, but when they thought he was not looking. He knew now that they did it from no wilful unkindness, but because man is naturally an imitative animal, and because it was an easy way to make people laugh: he knew it, but he could never resign himself to it.