"I did, but that was an argument I couldn't win. She felt guilty. She's a hell of a gal and what she's endured, believe me, you don't want to know-but the upshot is, she's anxious to please, easily manipulated especially when it came to him. She wanted that man's love. Don't ask me to explain, given what she suffered. He was still Daddy to her and she couldn't turn him away. He was just like he always was: demanding, critical. He refused to lift a finger, expecting her to wait on him hand and foot. I finally got fed up and told him to clear out. Pinkie says, 'Fine, no problem. I won't stay where I'm not wanted. To hell with you,' he says. He was sore as a boil and feeling much put upon, but I was damned if I'd back down."

"Toth was with him at the time?"

"Off and on. I think Alfie's ex-wife lived in town somewhere. He mooched off her when he wasn't here mooching off us."

"And the two left together?"

"As far as I know. At least, that was the plan."

"And where were they headed?"

"Los Angeles. You piece it together later and it turns out they stole a car in Los Angeles and drove up to Lake Tahoe."

"What about Pinkie's parole officer? Wasn't he supposed to report in?"

"Hey, you're talking a career criminal. Following the rules wasn't exactly his strong suit. Who the hell knows how he got away with it? Same with Toth."

"You think someone could have been after them?"

"I wouldn't know," he said. "Pinkie didn't act like he was worried. Why? You think someone might have been trailing them?"

"It's possible," I said.

"Yeah, well it's also possible Pinkie overstepped his bounds for once. He was one of those little guys, chip on his shoulder and feisty as all get out. I can't say that about Alfie. He seemed harmless. Pinkie's another matter. Whoever killed Pinkie should get a medal, in my opinion. And don't quote me. Dolores gets upset if she hears me talkin' like that. I notice I'm doing all the talking."

"I appreciate that."

"This is good. I appreciate your appreciation. Now it's your turn. What's a private investigator doing in the middle of a homicide investigation? Last I heard they didn't have a suspect so you can't be working for the public defender's office."

Given his cooperation, I thought he was entitled to an explanation. I filled him in on the situation, beginning with Selma Newquist and ending with Colleen Sellers. The only thing I omitted were details of the two killings. He didn't seem curious about specifics and I wouldn't have revealed the information for all the money in the world. In the meantime, on an almost subliminal level, I could hear an odd series of voices from another room. At first, I thought the sound was coming from a radio, or television set, but the phrases were repeated, the tone lifeless and mechanical. Homer heard it, too, and his gaze caught mine. He tilted his head in the direction of the short hallway that seemed to lead into a back bedroom. "Dolores's back there. You want to talk to her?"

"If you think it's okay."

"She can handle it," he said. "Give me a second and I'll tell her what's going on. She might have something to add."

He moved down the hall to the door, tapping once before he entered. As he eased through the opening, I felt a moment's unease. Here I was in a strange house in the company of a man I'd never laid eyes on before. I had taken him at face value, trusting him on instinct though I wasn't sure why. Really, I only had his word for it that Dolores was in the other room. I had one of those flash fantasies of him emerging from the bedroom with a butcher knife in hand. Fortunately, life, even for a private eye, is seldom this interesting. The door opened again and Homer motioned me in.

At first sight, I thought Dolores Ruggles couldn't have been a day over twenty-five. Later, I found out that she was twenty-eight, which still seemed too young to be married to a man Homer's age. Slim, petite, she sat at a workbench in a room filled with Barbie dolls. Floor to ceiling, wall to wall, dressed in an astonishing array of styles, these bland plastic women were decked out in miniature sun dresses, evening clothes, suits, furs, shorts, capes, pedal pushers, bathing suits, baby doll pajamas, sheaths-each outfit complete with appropriate accessories. There was a whole row of Barbie brides, though I'd never thought of her as married. The row below showed twenty Barbies uniformed as flight attendants and nurses, which must have represented the entire gambit of career options available to her. Some of the dolls were still in their boxes and some were freestanding, affixed to round plastic mounts. There was a row of seated Barbies-black, Hispanic, blonde, brunette-their long perfect legs extended like a chorus line, all shoeless, their unblemished limbs ending in nearly pointed toes. Their arms were long and impossibly smooth. Their necks must have contained extra vertebrae to support the weight of their tousled manes of hair. I confess I found myself at a loss for words. Homer leaned against the open door, watching for my reaction.

I could tell something was expected of me so I said, "Amazing," in what I hoped was a properly respectful tone.

Homer laughed. "I thought you'd like that. I don't know a woman alive who can resist a room full of dolls."

I said, "Ah."

Dolores glanced at me shyly. She had a doll in her lap, not a Barbie to all appearances, but some other type. With a little hammer and an X-acto knife, she was cutting open its stomach. There was a box of identical little plastic girls, sexless, unmarred, standing close together with their chests pierced in a pattern of holes like those old-fashioned radio speakers. Beside them, there was a box of little girls' heads, eyes demurely closed, a smile turning up the corners of each set of perfect lips. "Chatty Cathys," she said. "It's a new hobby. I fix their voices so they can talk again."

"That's great."

Homer said, "I'll leave you girls to your own devices. You have a lot you want to talk about."

He closed me into the room with her, as pleased with himself as a parent introducing two new best friends to each other. Clearly, he hadn't guessed my unfortunate history with surrogate children. My first, a Betsy Wetsy, if she'd survived, would have had to enter therapy at some point in her life. At age six, I thought it was a bore to be constantly feeding her those tiny bottles of water and it annoyed me no end every time she peed in my lap. Once I figured out it was the water, I quit feeding her altogether and then I used her as the pedestrian I ran over with my trike. This was my definition of motherly love and probably explains why I'm not a parent today.

"How many Barbies do you have?" I asked, feigning enthusiasm for the little proto-women.

"A little over two thousand. That's the star of my collection, a number one Barbie still in her original package. The seal's been broken, but she's in near-mint condition. I'm afraid to tell you what I paid," she said. Her speech was uninflected, her manner without affect. She made little eye contact, addressing most of her comments to the doll as she worked. "Homer's always been very supportive."

"I can see that," I said.

"I'm a bit of a purist. A lot of collectors are interested in others in the line-you know, Francie, Tuttie and Todd, Jamie, Skipper, Christie, Cara, Casey, Buffy. I never cared for them myself. And certainly not Ken. Did you have a Barbie as a kid?"

"I can't say I did," I said. I picked one up and examined her. "She looks like she's suffering from some sort of eating disorder, doesn't she? What prompted you to get into Chatty Cathys? That seems far afield for a Barbie purist."

"Most of the Chatties aren't mine. I'm repairing them for a friend who runs a business doing this. It's not as far-fetched as it seems. Chatty Cathy was introduced in 1960, the year after Barbie. Chatty Cathy was more realistic-freckles, buck teeth, little pot belly-this in addition to her ability to speak. Even with Barbie, 1967 to 1973 is known as the Talking Era, which includes the Twist 'n' Turn dolls. Few people realize that."