“You sang ‘I’ll Get By’ and made it a love song to your family. It became your signature song.”

“They’ll play it at my funeral. I don’t know that yet, either. This is Lot One. Brownstone Street.” Just a hint of priss entered her voice as she educated her granddaughter, and tugged her along with the small, soft hand. "The O’Haras live in New York, a down-on-their-luck theatrical troupe. They think it’s just another Depression-era movie, with music. Just another cog in the factory wheel. But it changes everything. They’ll be riding on the tail of the Little Comet for a long time.

“I’m already a drug addict, but that’s another thing I don’t know yet. I owe that to my mama.”

“Seconal and Benzedrine.” Cilla knew. “She gave them to you day and night.”

“A girl’s got to get a good night’s sleep and be bright-eyed and bushy-tailed in the morning.” Bitter, adult eyes stared out of the child’s pretty face. “She wanted to be a star, but she didn’t have it. I did, so she pushed, and she pushed, and she used me. She never hugged me, but the audience did. She changed my name, and pulled the strings. She signed me to a seven-year contract with Mr. Mayer, who changed my name again, and she took all the money. She gave me pills so I could make more. I hated her-not yet, but soon. Today, I don’t mind,” she said with a shrug that bounced her pigtails. “Today I’m happy because I know what to do with the song. I always know what to do with a song.”

She gestured. “That’s the soundstage. That’s where the magic happens. Out here, we’re just ghosts, ghosts and dreams,” she continued as a jitney full of actors in evening dresses and tuxes passed right through them. “But in there, it’s real. While the camera’s on, it’s all there is.”

“It’s not real, Janet. It’s a job.”

The blue eyes filled with warmth. “Maybe for you, but for me, it was my true love, and my salvation.”

“It killed you.”

“It made me first. I wanted this. That’s what you have to understand to figure out the rest. I wanted this more than anything I wanted before, or anything I wanted ever again, until it was nearly over. Those few moments when I do the scene, sing the song, and even the director’s eyes blur with tears. When, after he yells ‘Cut,’ the crew, the cast all break into applause and I feel their love for me. That’s all I wanted in the world, and what I’d try to find again and again and again. Sometimes I did. I was happy here, when I was seven especially.”

She sighed, smiled. “I would’ve lived here if they’d let me, wandering from New York to ancient Rome, from the old West to small-town USA. What could be a better playground for a child? This was home, more than I’d had. And I was pathetically grateful.”

“They used you up.”

“Not today, not today.” Frowning in annoyance, Janet waved the thought away. “Today everything’s perfect. I have everything I ever wanted today.”

“You bought the Little Farm, thousands of miles from here. A world away from this.”

“That was later, wasn’t it? And besides, I always came back. I needed this. I couldn’t live without love.”

“Is that why you killed yourself?”

“There are so many reasons for so many things. It’s hard to pick one. That’s what you want to do. That’s what you’ll need to do.”

“But if you were pregnant-”

“If, if, if.” Laughing, Janet danced over the sidewalk, up the steps of a dignified brownstone façade, then back down. “If is for tomorrow, for next year. People will play if about my whole life after I’m dead. I’ll be immortal, but I won’t be around to enjoy it.” She laughed again, then swung Gene Kelly style on a lamppost. “Except when you’re dreaming about me. Don’t stop, Cilla. You can bring me back just like the Little Farm. You’re the only one who can.”

She jumped off. “I have to go. It’s time for my scene. Time to make magic. It’s really the beginning for me.” She blew Cilla a kiss, then ran off down the sidewalk.

As the illusions of New York faded, as Cilla slowly surfaced from the dream, she heard Janet’s rich, heartbreaking voice soaring.

I’ll get by, as long as I have you.

But you didn’t, Cilla thought as she stared at the soft sunlight sliding through the windows. You didn’t get by.

Sighing, she crawled out of the sleeping bag and, scrubbing sleep from her face, walked to the window to stare out at the hills and mountains. And thought about a world, a life, three thousand miles west.

“If that was home, that was what you needed, why did you come all the way here to die?”

Was it for him? she wondered. Were you pregnant, and they covered that up? Or was that just a lie to stop your lover from ending your affair?

Who was he? Was he still alive, still in Virginia? And how did you keep the affair off the microscope slide? Why did you? was a keener question, Cilla decided.

Was he the reason you unplugged the phone that night, then chased the pills with vodka, the vodka with more pills until you went away? Not because of Johnnie then, Cilla mused. Not, as so many theorized, over the guilt and grief of losing your indulged eighteen-year-old son. Or not only because of that.

But a pregnancy so close to a death? Was that overwhelming or a beam of light in the dark?

It mattered, Cilla realized. All of it mattered, not only because Janet Hardy was her grandmother, but because she’d held the child’s hand in the dream. The lovely little girl on the towering edge of impossible stardom.

It mattered. Somehow she had to find the answers.

Even if her mother had been a reliable source of information-which Cilla thought not-it was hours too early to call Dilly. In any case, within thirty minutes, subcontractors would begin to arrive. So she’d mull all this, let it turn around in her head while she worked.

Cilla picked up the stack of letters she’d read, retied the faded ribbon. Once again she tucked them inside Fitzgerald. Then she laid the book on the folding table currently standing as a work area, along with her stacks of files and home magazines-and Ford’s graphic novel.

Until she figured out what to do about them, the letters were her secret. Just as they’d been Janet’s.

FIVE

As nervous as a parent sending her firstborn off to school, Cilla supervised the loading of her vintage kitchen appliances onto the truck. Once restored, they’d be the jewels in her completed kitchen. Or that was the plan.

For the foreseeable future, she’d make do with the under-the-counter fridge, hot plate and microwave oven, all more suited to a college dorm than an actual home.

“Get yourself brand-new appliances down at Sears,” Buddy told her.

"Call me crazy,” Cilla said, as she suspected he already did. “Now let’s talk about putting a john in the attic.”

She spent the next hour with him, the electrician and one of the carpenters in the musty attic outlining her vision, then adjusting it when their suggestions made sense to her.

With the music of hammers, drills, saws jangling, she began the laborious task of sorting and hauling the attic contents out to the old barn. There, where the ghostly scents of hay and horses haunted the air, she stored both trash and treasure. While spring popped around her, Cilla watched old windows replaced by new, and old ceramic tiles hauled to the Dumpster. She breathed in the scents of sawdust and plaster, of wood glue and sweat.

At night she nursed her blisters and nicks, and often read over the letters written to her grandmother.

One evening, too restless to settle after the various crews had cleared out, she hiked down to study and consider her iron gates. Or she used them as an excuse, Cilla admitted, as she’d seen Ford sitting out on his veranda. His casual wave as she stood on her side of the road, and Spock’s wagging stunted whip of a tail, made it easy, even natural to cross.