His taste in fiction was eclectic. Among the volumes he took off the shelves were Bradbury’s Something Wicked This Way Comes and Chandler ’s The Long Goodbye. Cain’s The Postman Always Rings Twice and Hemingway’s The Sun Also Rises. Two books by Richard Condon and one by Anne

Tyler. Dorothy Sayers’s Murder Must Advertise and Elmore Leonard’s 52 Pick- Up.

At last the dog turned away from the books and went to the middle of the room, where it padded back and forth, back and forth, clearly agitated. It stopped, confronted Travis, and barked three times.

“What’s wrong, boy?”

The dog whined, looked at the laden shelves, walked in a circle, and peered up at the books again. It seemed frustrated. Thoroughly, maddeningly frustrated.

“I don’t know what more to do, boy,” he said, “I don’t know what you’re after, what you’re trying to tell me.”

The dog snorted and shook itself. Lowering its head in defeat, it returned resignedly to the sofa and curled up on the cushions.

“That’s all?” Travis asked. “We’re just giving up?”

Putting its head down on the sofa, it regarded him with moist soulful eyes. Travis turned from the dog and let his gaze travel slowly over the books, as if they not only offered the information printed on their pages but also contained an important message that could not be as easily read, as if their colorful Spines were the strange runes of a long-lost language and, once deciphered, would reveal wondrous secrets. But he could not decipher them.

Having believed that he was on the trembling edge of some great revelation, Travis felt enormously let down. His own frustration was considerably worse than what the dog had exhibited, and he could not merely curl up on the sofa, put his head down, and forget the whole thing as the retriever had done.

“What the hell was that all about?” he demanded.

The dog looked up at him, inscrutable.

“Was there any point to all of that stuff with the books?”

The dog stared.

“Is there something special about you-or have I popped the pull-tab on my brain and emptied it?”

The dog was perfectly limp and still, as if it might close its eyes at any moment and doze off.

“If you yawn at me, damn you, I’ll kick your butt.”

The dog yawned.

“Bastard,” Travis said.

It yawned again.

“Now there. What does that mean? Are you yawning on purpose because of what I said, because you’re playing with me? Or are you just yawning? How am Ito interpret anything you do? How am Ito know whether any of it has meaning?”

The dog sighed.

With a sigh of his own, Travis went to one of the front windows and stared out at the night, where the feathery fronds of the large Canary Island date palm were backlit by the vaguely yellow glow of the sodium-vapor streetlamps. He heard the dog get off the sofa and hurry out of the room, but he refused to inquire into its activities. For the moment, he could not handle more frustration.

The retriever was making noise in the kitchen. A clink. A soft clatter. Travis figured it was drinking from its bowl.

Seconds later, he heard it returning. It came to his side and rubbed against his leg.

He glanced down and, to his surprise, saw the retriever was holding a can of beer in its teeth. Coors. He took the proffered can and discovered it was cold.

“You got this from the refrigerator!”

The dog appeared to be grinning.

2

When Nora Devon was in the kitchen making dinner, the phone rang again. She prayed it would not be him.

But it was. “I know what you need,” Streck said. “I know what you need.” I'm not even pretty, she wanted to say. I’m a plain, dumpy old maid, so what do you want with me? I’m safe from the likes of you because I’m not pretty. Are you blind? But she could say nothing.

“Do you know what you need?” he asked.

Finding her voice at last, she said, “Go away.”

“I know what you need. You might not know, but I do.”

This time she hung up first, slamming the handset down so hard that it must have hurt his ear.

Later, at eight-thirty, the phone rang again. She was sitting in bed, reading Great Expectations and eating ice cream. She was so startled by the first ring that the spoon popped out of her hand into the dish, and she nearly spilled the dessert.

Putting the dish and the book aside, she stared anxiously at the telephone, which stood on the nightstand. She let it ring ten times. Fifteen. Twenty. The strident sound of the bell filled the room, echoing off the walls, until each ring seemed to drill into her skull.

Eventually she realized she would be making a big mistake if she did not answer. He’d know she was here and was too frightened to pick up the receiver, which would please him. More than anything, he desired domination. Perversely, her timid withdrawal would encourage him. Nora had no experience at confrontation, but she saw that she was going to have to learn to stand up for herself-and fast.

She lifted the receiver on the thirty-first ring.

Streck said, “I can’t get you out of my mind.”

Nora did not reply.

Streck said, “You have beautiful hair. So dark. Almost black. Thick and glossy. I want to run my hands through your hair.”

She had to say something to put him in his place-or hang up. But she could not bring herself to do either.

“I’ve never seen eyes like yours,” Streck said, breathing hard. “Gray but not like other gray eyes. Deep, warm, sexy eyes.”

Nora was speechless, paralyzed.

“You’re very pretty, Nora Devon. Very pretty. And I know what you need.

I do. I really do, Nora. I know what you need, and I’m going to give it to you.,,

Her paralysis was shattered by a fit of the shakes. She dropped the phone into its cradle. Bending forward in bed, she felt as if she were shaking herself to pieces before the tremors slowly subsided.

She did not own a gun.

She felt small, fragile, and terribly alone.

She wondered if she should call the police. But what would she tell them? That she was the object of sexual harassment? They’d get a big laugh out of that. Her? A sex object? She was an old maid, as plain as mud, not remotely the type to turn a man’s head and give him erotic dreams. The police would suppose that she either was making it up or was hysterical. Or they would assume she had misinterpreted Streck’s politeness as sexual interest, which is what even she had thought at first.

She pulled a blue robe on over the roomy men’s pajamas that she wore, belted it. Barefoot, she hurried downstairs to the kitchen, where she hesitantly withdrew a butcher’s knife from the rack near the stove. Light trickled like a thin stream of quicksilver along the well-honed cutting edge.

As she turned the gleaming knife in her hand, she saw her eyes reflected in the broad, flat blade. She stared at herself in the polished steel, wondering if she could possibly use such a horrible weapon against another human being even in self-defense.

She hoped she would never have to find out.

Upstairs again, she put the butcher’s knife on the nightstand, within easy reach.

She took off her robe and sat on the edge of the bed, hugging herself and trying to stop shaking.

“Why me?” she said aloud. “Why does he want to pick on me?”

Streck said that she was pretty, but Nora knew it was not true. Her own mother had abandoned her to Aunt Violet and had returned only twice in twenty-eight years, the last time when Nora was six. Her father remained unknown to her, and no other Devon relatives were willing to take her in, a situation which Violet frankly attributed to Nora’s uncomely appearance. So although Streck said she was pretty, it could not possibly be her that he wanted. No, what he wanted was the thrill of scaring and dominating and hurting her. There were such people. She read about them in books, newspapers. And Aunt Violet had warned her a thousand times that if a man ever came on to her with sweet talk and smiles, he would only want to lift her up so he could later cast her down from a greater height and hurt her all the Worse.