Pazzi was excited for two reasons. To find the image Il Mostro used was a triumph, but much more important, Pazzi had seen a copy of "Primavera" in his rounds of the criminal suspects.
He knew better than to flog his memory; he leaned and loafed and invited it. He returned to the Uffizi and stood before the original "Primavera," but not too long. He walked to the straw market and touched the snout of the bronze boar "II Porcellino," drove out to the Ippocampo and, leaning against the hood of his dusty car, the smell of hot oil in his nose, watched the children playing soccer…
He saw the staircase first in his mind, and the landing above, the top of the "Primavera" poster appearing first as he climbed the stairs; he could go back and see the entrance doorframe for a second, but nothing of the street, and no faces.
Wise in the ways of interrogation, he questioned himself, going to the secondary senses: When you saw the poster, what did you hear?… Pots rattling in a ground-floor kitchen. When you went up on the landing and stood before the poster, what did you hear? The television. A television in a sitting room. Robert Stack playing Eliot Ness in Gli intoccabili. Did you smell cooking? Yes, cooking. Did you smell anything else? I saw the poster – NO, not what you saw. Did you smell anything else? I could still smell the Alfa, hot inside, it was still in my nose, hot oil smell, hot from… the Raccordo, going fast on the Raccordo Autostrada to where? San Casciano. I heard a dog barking too, in San Casciano, a burglar and rapist named Girolamo something.
In that moment when the connection is made, in that synaptic spasm of completion when the thought drives through the red fuse, is our keenest pleasure. Rinaldo Pazzi had had the best moment of his life.
In an hour and a half, Pazzi had Girolamo Tocca in custody. Tocca's wife threw rocks after the little convoy that took her husband away.
Chapter 18
Tocca was a dream suspect. As a young man, he had served nine years in prison for the murder of a man he caught embracing his fiancé in a lovers' lane. He had also faced charges of sexually molesting his daughters and other domestic abuse, and had served a prison sentence for rape.
The Questura nearly destroyed Tocca's house trying to find evidence. In the end Pazzi himself, searching Tocca's grounds, came up with a cartridge case that was one of the few pieces of physical evidence the prosecution submitted.
The trial was a sensation. It was held in a high-security building called the Bunker where terrorist trials were held in the seventies, across from the Florence offices of the newspaper La Nazione. The sworn and besashed jurors, five men and five women, convicted Tocca on almost no evidence except his character. Most of the public believed him innocent, but many said Tocca was a jerk and well jailed. At the age of sixty-five, he received a sentence of forty years at Volterra.
The next months were golden. A Pazzi had not been so celebrated in Florence for the last five hundred years, since Pazzo de' Pazzi returned from the First Crusade with flints from the Holy Sepulchre…Rinaldo Pazzi and his beautiful wife stood beside the archbishop in the Duomo when, at the traditional Easter rite, these same holy flints were used to ignite the rocket-powered model dove, which flew out of the church along its wire to explode a cart of fireworks for a cheering crowd.
The papers hung on every word Pazzi said as he dispensed credit, within reason, to his subordinates for the drudgery they had performed. Signora Pazzi was sought for fashion advice, and she did look wonderful in the garments designers encouraged her to wear. They were invited to stuffy teas in the homes of the powerful, and had dinner with a count in his castle with suits of armor standing all around.
Pazzi was mentioned for political office, praised over the general noise in the Italian parliament and given the brief to head Italy 's cooperative effort with the American FBI against the Mafia.
That brief, and a fellowship to study and take part in criminology seminars at Georgetown University, brought the Pazzis to Washington, D.C. The chief inspector spent much time at Behavioral Science in Quantico and dreamed of creating a Behavioral Science division in Rome.
Then, after two years, disaster: In a calmer atmosphere, an appellate court not under public pressure agreed to review Tocca's conviction. Pazzi was brought home to face the investigation. Among the former colleagues he had left behind, the knives were out for Pazzi.
An appellate panel overthrew Tocca's conviction and reprimanded Pazzi, saying the court believed he had planted evidence.
His former supporters in high places fled him as they would a bad smell. He was still an important official of the Questura, but he was a lame duck and everyone knew it. The Italian government moves slowly, but soon the axe would fall.
Chapter 19
IT WAS in the awful searing time while Pazzi waited for the axe that he first saw the man known among scholars in Florence as Dr Fell…
Rinaldo Pazzi, climbing the stairs in the Palazzo Vecchio on a menial errand, one of many found for him by his former subordinates at the Questura as they enjoyed his fall from grace. Pazzi saw only the toes of his own shoes on the cupped stone and not the wonders of art around him as he climbed beside the frescoed wall. Five hundred years ago, his forebear had been dragged bleeding up these stairs.
At a landing, he squared his shoulders like the man he was, and forced himself to meet the eyes of the people in the frescoes, some of them kin to him. He could already hear the wrangling from the Salon of Lilies above him where the directors of the Uffizi Gallery and the Belle Arti Commission were meeting in joint session.
Pazzi's business today was this: The longtime curator of the Palazzo Capponi was missing. It was widely believed the old fellow had eloped with a woman or someone's money or both. He had failed to meet with his governing body here in the Palazzo Vecchio for the last four monthly meetings.
Pazzi was sent to continue the investigation. Chief Inspector Pazzi, who had sternly lectured these same gray-faced directors of the Uffizi and members of the rival Belle Arti Commission on security following the museum bombing, must.now appear before them in reduced circumstances to ask questions about a curator's love life. He did not look forward to it.
The two committees were a contentious and prickly assembly – for years they could not even agree on a venue, neither side willing to meet in the other's offices. They met instead in the magnificent Salon of Lilies in the Palazzo Vecchio, each member believing the beautiful room suitable to his own eminence and distinction. Once established there, they refused to meet anywhere else, even though the Palazzo Vecchio was undergoing one of its thousand restorations, with scaffolding and drop cloths and machinery underfoot.
Professor Ricci, an old schoolmate of Rinaldo Pazzi, was in the hall outside the salon with a sneezing fit from the plaster dust. When he had recovered sufficiently, he rolled his streaming eyes at Pazzi.
"La solita arringa," Ricci said, "they are arguing as usual. You've come about the missing Capponi curator? They're fighting over his job right now. Sogliato wants the job for his nephew. The scholars are impressed with the temporary one they appointed months ago, Dr Fell. They want to keep him."
Pazzi left his friend patting his pockets for tissues, and went into the historic chamber with its ceiling of gold lilies. Hanging drop cloths on two of the walls helped to soften the din.
The nepotist, Sogliato, had the floor, and was holding it by dint of volume: "The Capponi correspondence goes back to the thirteenth century. Dr Fell might hold in his hand, in his non-Italian hand, a note from Dante Alighieri himself. Would he recognize it? I think not. You have examined him in medieval Italian, and I will not deny his language is admirable. For a straniero. But is he familiar with the personalities of pre-Renaissance Florence? I think not. What-if he came upon a note in the Capponi library from-from Guido de' Cavalcanti for instance? Would he recognize it? I think not. Would you care to address that, Dr Fell?"