I reached the landing at the top. The elevator repairman had apparently left the door to the attic unlocked and Tony had shot through the gap, slamming the door behind him. I snatched the handle, half expecting to find it locked. The door flew open and I pushed through, pausing on the threshold. The space was dim and hot and dry, largely empty except for a small door opening off to my right where the elevator brake, sheave, and drive motors were located. I ducked my head into the cramped space briefly, but it appeared to be empty. I pulled out and peered around. The roof was another twenty feet up, the rafters steeply pitched, timbers forming a ninety-degree angle where they met.

Silence. I could see a square of light on the floor and I looked up. A wooden ladder was affixed to the wall to my right. At the top, a trap door was open and waning daylight filtered down. I scanned the attic. There was an electrical panel sitting on some boxes. It looked like some kind of old light board from the theater on the ground floor. For some reason, there was a massive papier-mache bird standing to one side… a blue jay, wearing a painted business suit. Wooden chairs were stacked, seat to seat, to my left.

"Tony?"

I put a hand on one of the ladder rungs. He might well be hiding somewhere, waiting for me to head up to the roof so he could ease out and down the steps again. I started up, climbing maybe ten feet so I could survey the attic from a better vantage point. There was no movement, no sound of breathing. I looked up again and started climbing cautiously. I'm not afraid of heights, but I'm not fond of them either. Still, the ladder seemed secure and I couldn't figure out where else he might be.

When I got to the top, I pulled myself into a sitting position and peered around. The trap came out in a small alcove, hidden behind an ornamental pediment, with a matching pediment halfway down the length of the roof. From the ground, the two of them had always looked strictly decorative, but I could see now that one disguised a brace of air vents. There was only a very narrow walkway around the perimeter of the roof, protected by a short parapet. The steep pitch of the roof would make navigating hazardous.

I peered down into the attic, hoping to see Tony dart out of hiding and into the stairwell. There was no sign of him up here, unless he'd eased around to the far side. Gingerly, I got to my feet, positioning myself between the nearly vertical roofline on my left and the ankle-high parapet on my right. I was actually walking in a metal rain gutter that popped and creaked under my weight. I didn't like the sound. It suggested that any minute now the metal would buckle, toppling me off the side.

I glanced down eight floors to the street, which didn't seem that far away. The buildings across from me were two stories high and lent a comforting illusion of proximity, but pedestrians still seemed dwarfed by the height. The streetlights had come on, and the traffic below was thinning. To my right, half a block away, the bell tower at the Axminster Theater was lighted from within, the arches bathed in tawny gold and warm blue. The drop had to be eighty feet. I tried to remember the velocity of a falling object. Something-something per foot per second was as close as I could come, but I knew the end result would be an incredible splat. I paused where I was and raised my voice. "Tony!"

I caught a flash of movement out of the corner of my eye and my heart flew into my throat. The plastic bag he'd been carrying was eddying downward, floating lazily. Coming from where? I peered over the parapet. I could see one of the niches that cut into the wall just below the cornice molding. The frieze that banded the building had always looked like marble from the street, but I could see now that it was molded plaster, the niche itself down about four feet and to the left. A half shell extended out maybe fifteen inches at the bottom edge and it held what was probably meant to be some sort of lamp with a torch flame, all molded plaster like the frieze. Tony was sitting there, his face turned up to mine. He'd climbed over the edge and he was now perched in the shallow ornamental niche, his arm locked around the torch, legs dangling. He'd taken a wig out of the bag he carried, donning it, looking up at me with a curious light in his eyes.

I was looking at the blonde who'd killed Daggett.

For a moment, we stared at each other, saying nothing. He had the cocky look of a ten-year-old defying his mom, but under the bravado I sensed a kid who was hoping someone would step in and save him from himself.

I put a hand on the pediment to steady myself. "You coming up or shall I come down?" I kept my tone matter-of-fact, but my mouth was dry.

"I'll be going down in a minute."

"Maybe we could talk about that," I said.

"It's too late," he said, smiling impishly. "I'm poised for flight."

"Will you wait there until I reach you?"

"No grabbing," he warned.

"I won't grab."

My palms were damp and I wiped them on my jeans.

I squatted, turning to face the roof, extending a foot tentatively down along the frieze. I glanced down, trying to find some purchase. Garlands of pineapple, grapes, and fig leaves formed a bas relief design that wound across the face of the building. "How'd you do this?" I asked.

"I didn't think about it. I just did it. You don't have to come down. It won't help."

"I just don't want to talk to you hanging over the edge," I said, lying through my teeth. I was hoping to get close enough to nab him, ignoring visions of grappling with him at that height. I steadied myself, tucking a toe into the shallow crevice formed by a curling vine. The niche was only four feet away. At ground level, I wouldn't have given it a thought.

I sensed that he was watching me, but I didn't dare look. I held onto the parapet, lowering my left foot.

He said, "You're not going to talk me out of this."

"I just want to hear your side of it," I said.

"Okay."

"You won't try to kill me, will you?" I asked.

"Why would I? You never did anything to me."

"I'm glad you recognize that. Now I feel really confident." I heard him laugh lightly at my tone.

I've seen magazine pictures of a man who can climb a vertical cliff face in a pair of tennis shoes, holding himself with the tips of his fingers tucked into small cracks that he discovers as he ascends. This has always seemed like a ludicrous pursuit and I usually flip to an article that makes more sense. The sight of the photographs makes me hyperventilate, especially the ones taken from his vantage point, staring down into some yawning crevasse. Maybe, if the truth be known, I'm more anxious about heights than I let on.

I allowed my right foot to inch down again as far as the lip of the niche. I found a handhold, down and to the right. Felt like a pineapple, but I wasn't sure. Pinning my safety to a phony piece of fruit. I had to be nuts.

The hardest part was actually letting go of the coping once my foot was resting safely in the recess. I had to bend my knees, turning slightly to the right, sinking little by little until I could take a seat. Tony, ever gallant, actually gave me a hand, steadying me until I eased down next to him. I'm not a brave soul. I'm really not. I just didn't want him flying off the side of that building while I looked on. I locked my left arm around the torch, just below his, holding onto my wrist with my right hand. I could feel sweat trickle down my sides.

"I hate this," I said. I was winded, not from effort but from apprehension.

"It's not bad. Just don't look down." Of course I did. The minute he said that I had an irresistible desire to peek. I was hoping somebody would spot us, like they always do on TV. Then the cops would come with nets and the fire engines would arrive and somebody would talk him out of this. I'm an organism of the earth, a Taurus. I was never born of air, of water, or of fire. I'm a creature of gravity and I could feel the ground whisper. The same thing happens to me in old hotels when I'm staying on the twenty-second floor. I open a window and want to fling myself out. "Oh, Jesus. This is such a bad idea," I said. "For you maybe. Not for me." I tried to think back to my short life as a cop and the standard procedure for dealing with potential suicides.