"What girl?"

She wailed then. Her face got red and contorted and her mouth pulled back from her lips so that her gums were exposed. Her nose ran a little, and she cried with her whole considerable frame�huge, gasping sobs mixed with a high eerie sound like locusts. She drooled a bit too. I sipped on my coffee and said it again.

"What girl?"

Had she buried her face in her hands, or turned away, or fled the room it would have been tolerable. But she didn't. She sat, looking at me full face, and cried harder and harder till I began to think she would hurt herself. I couldn't keep looking. I got up and walked around the room. I looked out at the harbor. There was dust in random patterns on the windowpane. I put my hands in my pockets and walked back across the room and looked out the other window. She continued to howl. My side hurt and my head throbbed and I felt a little sick.

I looked at her sideways. She was trying to pick up her coffee cup but her hand shook so violently that the coffee sloshed out onto the coffee table and formed a brown puddle on the clear plastic. She kept trying, even though most of the coffee had sloshed out, and finally threw it frantically on the floor. The cat jumped off the chair and went into the kitchen.

She was screaming now steadily, except for the wrenching gasp when she had to breathe. I went over and put one hand on her shoulder. She jerked away and scrambled out of the chair. Both her hands were pushed out in front of her as she backed away from me, across the room. She stopped in the far corner and screamed with her hands straight out before her, palms up, as if pushing against something.

She swore at me now, the curses bubbling out through the screams as if her saliva were viscous, repetitious obscenities, including one I hadn't heard before. Then she stopped. The gasping breaths became more frequent, the screaming interludes shorter. Then she was whimpering.

Then she was breathing as if she'd just run three miles, her chest heaving under the sweat shirt, her face wet with tears and sweat and saliva and nasal mucus. The effect of her hysteria had loosened her hair in strands, and it stuck to the wetness on her cheek and forehead. She let her hands drop and straightened up in the corner. Her breathing slowed a little and the air ceased to rasp as it went to and from her lungs.

I said, "What girl?"

She shook her head without speaking. Then she went to the kitchen. I stepped to the kitchen door to make sure she didn't guillotine herself on the electric can opener, but her plan was better than that. She took a bottle of Scotch out of one of the cabinets�they kept it in with the Wheaties�removed the cap, and poured about half a cup into a water glass. She didn't offer me any. She drank it as if it were a nighttime cold medicine. All of it. And poured another. This she carried back out into the living room and placed before her on the glass cube as she sat back down. She wiped her face with the sleeve of her sweat shirt, and pushed her hair back off her face. From one pocket of the corduroy Levi's she took a bent packet of Kents. It took her two matches to get a cigarette going. But she did it and dragged a big lungful through the filter. The cigarette was old and dry and the big drag consumed nearly half of it, leaving a big glowing end which faded into ash and dropped on the floor. She paid it no attention. What looked like a descendant of the shaggy cat I'd seen earlier appeared from the kitchen and mewed at the front door. Mrs. Hayden seemed not to hear it. The cat mewed again, and I got up and let it out.

I turned back from the door and leaned against it with my arms folded. My side didn't seem to hurt quite as much if I stood that way.

"What about the girl?" I asked.

She shook her head.

"Look, Mrs. Hayden, you're in a box. You've got trouble you can't handle. There are people trying to kill your husband, the cops can't help because your husband is involved in a criminal act, you don't know what to do, and you just had hysterics to prove it. I'm all you've got. That may not make you happy, but there isn't any way around it. Asking your husband to go one-on-one with Joe Broz is like putting a guppy in the piranha pool. If we don't find him before Broz does, he'll be eaten alive."

Maybe it was the "we." Maybe it was my impeccable logic. Maybe it was desperation. But she said, "I'll take you to him."

Like that. No preamble.

I said, "Okay."

She went to the hall closet and put on a red quilted ski parka with a hood and brown knitted woolen gloves with imitation leather palms. She stepped out of the sandals and stuck her bare feet into green rubber boots with yellow laces. They were all laced and ready to go. She put on a white and brown knitted ski cap with a yellow tassle on the top and we went.

In my car I said, "Where?"

She said, "Boston, the Copley Plaza." And she didn't say another thing all the way back into town.

Chapter 23

The Copley Plaza fronts on Copley Square, as do the Boston Public Library and Trinity Church. In the center of the square is a sunken brick piazza where in the summer a fountain plays. It is very nice there and a classy area to hide out in. The hotel itself is high ceilinged and deep carpeted. At four each afternoon they serve tea in the lobby. And if you want a drink you can go to the Merry-Go-Round Room and sit at a bar that revolves slowly. There is a good deal of gilt and there are a good many Grecian Revival columns, and the bellboys are very dignified in green uniforms with gold piping. I always felt I should lower my voice in the Copley Plaza, although my line of work didn't take me there with any regularity.

We went in the elevator, got off with another couple at the fourth floor, and walked down a corridor rather elegantly papered in pale beige. She knocked on the door of 411. The other couple passed us and went around the corner. They looked as if they might be on a honeymoon, or maybe they just worked in the same office and were on their lunch hour. Mrs. Hayden knocked again twice and then twice more. Christ, a secret code. Made you wish Ian Fleming had taken up music or something.

The door opened an inch on the chain. Hayden's voice emerged.

"What is it, Judy?" Judy? The name was bad; Mrs. Hayden wasn't a Judy. A Ruth, maybe, or an Elsie, but Judy?

"Let us in, Lowell."

"What's he doing here? Has he forced you, Judy? I told you never to bring anyone�"

Judy's voice got sharper. "Let us in, Lowell." And then more gently, "It's all right."

The door closed. The chain came off, and it opened again. In we went. It was a nice room with a big double bed, unmade now, and a window that looked out onto Dartmouth Street. The television was tuned to a game show. The Boston Globe was scattered around the room.

Hayden shut the door, put the chain lock back on, and put the bed between me and him.

"What do you want?" he said.

The game show host introduced their defending champion, "Mrs. Tyler Moorehouse from Grand Island, Nebraska." The audience cheered. I reached over and shut it off.

I said, "You owe me a favor."

Judy Hayden went over around the bed and stood beside her husband. She was at least three inches taller.

"I don't owe you anything, Spenser. You just stay away from me."

He was a consistent sonova bitch.

"If I hadn't happened along last night, Hayden, you would now be enriching the soil in the area of Jamaica Pond. And if you don't help me now, that time will come again."

"They were supposed to kill you." He seemed to be repeating some kind of litany�by rote, as if, like ritual, the repetition of it, if done just right, would save him.

"They are not going to kill me, Hayden. They are going to kill you. Here's why. They want this case closed and forgotten. I keep nosing around in it, and it is you that I've nosed up into the light. If they kill me that'll cause some more nosing around, by other people who know I'm nosing around you. You're the key, Hayden. You're the one who knows the stuff that Broz doesn't want known. If they kill me you are still the one who knows and you are still around and someone, like say a homicide cop named Quirk, might take hold of you and begin to shake you until what you know falls out. But"�Mrs. Hayden had put an arm around her husband's shoulder, maternal�"but if they kill you there isn't anyone around who knows what Broz doesn't want known and Quirk and I can shake each other till we turn to butter and no information is going to fall out because we don't have it. How's that sound to you?"