Marion Orchard came in. She was wearing an ankle-length blue housecoat that zipped up the front, a matching headband, and bare feet. I noticed her toenails were painted silver. She seemed as well groomed and together as before, but her face was flushed and I realized she had been drinking. Me, too. Who hadn't? The ride and the coffee had sobered me up and depressed me. My head ached, and my stomach felt like I'd been swallowing sand. Without a word Marion Orchard went to the sideboard, put ice in a glass from a silver bucket, added Scotch, and squirted soda in from a silver-laced dispenser. She drank half of it and turned toward me. "You want some?"

"Yes, ma'am."

"Scotch or bourbon?"

"Bourbon, with bitters, if you've got it." She turned and mixed me bourbon and soda with bitters in a big square-angled glass. I drank some and felt it begin to combat the coffee and the fatigue. I'd need more, though. From the looks of Marion Orchard, she would, too, and planned on getting it.

"Where's Mr. Orchard?" I asked.

"At the office. Sitting behind his big masculine desk, trying to feel like a man."

"Does he know Terry's gone?"

"Yes. That's why he went to the office. It makes him feel better about himself. All he can cope with is stocks and bonds. People, and daughters and wives, scare hell out of him." She finished the drink, took mine, which was still half-full, and made two fresh ones.

"Something scares hell out of everybody," I said. "Have you any thoughts on where I should, look for Terry?"

"What scares hell out of you?" she asked. The bourbon was making a lot of headway against the coffee. I felt a lot better than I had when I came in. The line of Marion Orchard's thigh was tight against the blue robe as she sat with her legs tucked up under her on the couch.

"The things people do to one another," I answered. "That scares hell out of me."

She drank some more. "Wrong," she said. "That engages your sympathy. It doesn't scare you. I'm an expert on what scares men. I've lived with a scared man for twenty-two years. I left college in my sophomore year to marry him, and I never finished. I was an English major. I wrote poetry. I don't anymore." I waited. She didn't really seem to be talking to me anymore.

"About Terry?" I prodded softly.

"Screw Terry," she said, and finished her drink. "When I was her age I was marrying her father and nobody with wide shoulders came around and got me out of that mess." She was busy making us two more drinks as she talked. Her voice was showing the liquor. She was talking with extra-careful enunciation�the way I was. She handed me the drink and then put her hand on my upper arm and squeezed it.

"How much do you weigh?" she asked.

"One ninety-five."

"You work out, don't you? How much can you lift?"

"I can bench press two-fifty ten times," I said.

"How'd you get the broken nose?" She bent over very carefully and examined my face from about two inches away. Her hair smelled like herbs.

"I fought a ranked heavyweight once."

She stayed bent over, her face two inches away, her fragrant hair tumbling forward, one hand still squeezing my arm, the other holding the drink. I put my left hand behind her head and kissed her. She folded up into my lap and kissed back. It wasn't eager. It was ferocious. She let the glass drop from her hand onto the floor, where I assume it tipped and spilled. Under the blue robe she was wearing nothing at all, and she was nowhere near as sinewy as she had looked to me the first time I saw her. Making love in a chair is heavy work. The only other time I'd attempted, I'd gotten a charley horse that damn near ruined the event. With one arm around her back I managed to slip the other one under her knees and pick her up, which is not easy from a sitting position in a soft chair. Her mouth never left mine, nor did the fierceness abate as I carried her to the couch. She bit me and scratched me, and at climax she pounded me on the back with her clenched fist as hard as she could. At the time I barely noticed. But when it was over, I felt as if I'd been in a fight, and maybe in some sense I had.

She had shed the robe during our encounter and now she walked naked over to the bar to make another drink for each of us. She had a fine body, tanned all over except for the stark whiteness of her buttocks and the thin line her bra strap had made. She returned with a drink in each hand. Gave one to me and then stroked my cheek once, quite gently. She drank half her drink, still standing naked in front of me, and lit a cigarette, took in a long lungful of smoke, let it out, picked up her robe, and slipped into it. There we were, all together again, neat, orderly, employee and employer. Here's to you, Mrs. Robinson.

"I think Terry is with a group in Cambridge that calls itself the Ceremony of Moloch. In the past, when she would get in trouble or be freaked out on drugs or have a fight with her father, she'd run off there, and they let her stay. One of her friends told me about it."

She'd known that when she'd called me. But she'd gotten me out here to tell me. She really didn't like her husband.

"Where in Cambridge is the Ceremony of Moloch?"

"I don't know. I don't even know if she's there, but it's all I could think of."

"Why did Terry take off?" I didn't use her name. After copulation on the couch, Mrs. Orchard sounded a little silly. On the other hand, we were not on a "Marion" basis.

"A fight with her father." She didn't use my name either.

"About what?"

"What's it ever about? He sees her as an extension of his career. She's supposed to adorn his success by being what he fantasizes a daughter is. She does everything the opposite to punish him for not being what she fantasizes a father is… and probably for sleeping with me. Ever read Mourning Becomes Electra, Spenser?"

That's how she solved her problem with names; she dropped the Mister. I wondered if I should call her Orchard. I decided not to. "Yeah, a long time ago. But is there anything you could tell me about Terry, or the Ceremony of Moloch, that might turn out useful? It is past midnight, and I've gotten a lot of exercise today."

I think she colored very slightly. "You are like a terrier after a rat. Nothing distracts your attention."

"Well," I said, "there are things, occasionally, Marion."

Her color got a little deeper and she smiled, but shook her head.

"I wonder," she said. "I wonder whether you might not have been thinking of a way to run down my dear daughter Terry, even then."

"Then," I said, "I wasn't thinking of anything."

She said, "Maybe."

I was silent. I was so tired it was an effort to move my mouth.

She shook her head again. "No, there's nothing. I can't think of anything else to tell you that will help. But can you look? Can you find her?"

"I'll look," I said. "Did your lawyer tell you what the cops wanted?"

"No. He just said Lieutenant Quirk wanted her to come down tomorrow and talk with him some more."

I stood up. Partly to see if I could. Marion Orchard stood up with me.

"Thank you for coming. I know you'll do your best in finding Terry. I'm sorry to have kept you up so late." She put out her hand, and I took it. Christ, breeding. Here she was, upper crust, Boston society, yes'm. Thank you very much, ma'am, for the drink and the toss on the couch, ma'am, it's a pleasure to be of service to you and the master, ma'am. I gave her hand a squeeze. I was goddamned if I was going to shake it.

"I'll dig her up, Marion. When I do, I'll bring her home. It'll work out."

She nodded her head silently and her face got congested-looking and red around the eyes, and I realized she was going to cry in a minute. I said, "I'll find my way out. Try not to worry. It'll work out."

She nodded again, and as I left the library she touched my arm but said nothing. As I closed the door behind me I could hear the first stifled sob burst out. There were more before I got out of earshot. They would probably last most of the night. I went out the front door and into the dead, still white night, got in my car, and went back to town. Every fiber of my being felt awful.